Neo and the rebel leaders estimate that they have 72 hours until 250,000 probes discover Zion and destroy it and its inhabitants. During this, Neo must decide how he can save Trinity from a dark fate in his dreams.
In order to foil an extortion plot, an FBI agent undergoes a facial transplant surgery and assumes the identity and physical appearance of a terrorist, but the plan turns from bad to worse when the same terrorist impersonates the FBI agent.
Kevin Lomax, a ruthless young Florida attorney that never lost a case, is recruited by the most powerful law firm in the world. In spite of his mother's disagreement, which compares New York City to Babylon, he accepts the offer and the money that comes along. But soon, his wife starts feeling homesick as she witnesses devilish apparitions. However, Kevin is sinking in his new cases and pays less and less attention to his wife. His boss and mentor, John Milton, seems to always know how to overcome every problem and that just freaks Kevin right off. Written by
Steve Richer <email@example.com>
Near the end of the movie, Keanu Reeves appears to be walking down a totally empty Fifth Avenue, without cars or people. This scene was victim of a certain polemic due to Open Your Eyes (1997), where its main actor, Eduardo Noriega, appears in a too empty Madrid's Gran Vía, creating a doubt about which of the two scenes was copied (or plagiarized) of the other. See more »
When John Milton bluffs Kevin and tells him to quit the Alex Cullen case, Kevin's answer is "You know what scares me, I quit the case, she gets better...then I hate her for it". At the end of the movie, when John Milton replays the conversation, he says "You know what scares me JOHN, I quit the case, she gets better...then I hate her for it". See more »
The reviews for "The Devil's Advocate" were not too kind, to say the least. But what did the critics refuse to see in this? With movies nowadays being nothing but flashy, over-the-top, masturbatory, CG-fests, "The Devil's Advocate" holds up like osmium.
The cinematography is good because it's quite understated and that's a virtue in today's cinema. The acting, while containing pretty lame Southern accents, is still pretty good. Even from Keanu, dude.
Sorely forgotten in it's day, the script tells a very deep, original and interesting story, with lots of development, respect for the characters, delicate pacing, and a head-spinning ending. The movie is solely about the people and their struggles. Fear takes hold of the audience through the dialogue.
Think of "The Devil's Advocate" as Woody Allen trying his hand at a horror/thriller and succeeding. This movie never makes you jump, but it puts you in a general state of discomfort through it's atmosphere. As with all memorable supernatural dramas, this one handles its spectacle with discretion and grace.
Isn't that what we hope to see when we watch any movie? 10/10
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