San Francisco police officer Frank Connor is in a frantic search for a compatible bone marrow donor for his gravely ill son. There's only one catch: the potential donor is convicted ... See full summary »
Tough guy Thomas Beckett is a US Marine working in the Panamanian jungle. His job is to seek out rebels and remove them using his sniper skills. Beckett is notorious for losing his partners... See full summary »
CIA analyst Jack Ryan must thwart the plans of a terrorist faction that threatens to induce a catastrophic conflict between the United States and Russia's newly elected president by detonating a nuclear weapon at a football game in Baltimore.
Phil Alden Robinson
San Francisco police officer Frank Connor is in a frantic search for a compatible bone marrow donor for his gravely ill son. There's only one catch: the potential donor is convicted multiple murderer Peter McCabe who sees a trip to the hospital as the perfect opportunity to get what he wants most: freedom. With McCabe's escape, the entire hospital becomes a battleground and Connor must pursue and, ironically, protect the deadly fugitive who is his son's only hope for survival. Written by
Sony Pictures (with permission)
The film is set in San Francisco, but actually filmed in Pittsburgh. They used Grant Street in downtown Pittsburgh because it is a brick road like many of the roads in San Francisco. Also the front of the hospital is really One Mellon Bank Center located on Grant Street, the same building in the helicopter scene of Jean-Claude Van Damme's Sudden Death. See more »
Rigging to make semi trailer appear to jackknife is visible. See more »
Michael Keaton and Andy Garcia are perfectly matched in this generally absorbing action thriller; you can sense right away that they had great chemistry working together, and they manage to create two characters more three-dimensional than the ones typically found in the genre. The film does have some plot holes (okay, Garcia can't kill Keaton. But why can't he shoot him in the leg or something?), and the last 20 minutes are pretty overblown, but the concept is thought-provoking and the filmmakers deserve credit for avoiding a cliched moralistic conclusion; indeed, the final scene of the film is very amusing. (**1/2)
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