A group of heavily armed hijackers board a luxury ocean liner in the South Pacific Ocean to loot it, only to do battle with a series of large-sized, tentacled, man-eating sea creatures who have taken over the ship first.
Underwater deep-sea miners encounter a Soviet wreck and bring back a dangerous cargo to their base on the ocean floor with horrifying results. The crew of the mining base must fight to ... See full summary »
Man has finally conquered the ocean. America's first self-contained undersea laboratory is the pride of the nation, and expectations are high for an elaborate undersea mining operation. ... See full summary »
A rogue planet is discovered on a collision course for Earth, and mass hysteria of biblical proportions will break out in the streets once knowledge of the secret and impending doom is ... See full summary »
Pre-show video that plays before Universal Orlando's Revenge Of The Mummy Ride documents the strange going-ons on the set of The Mummy films as the cast and crew discuss whether or not the curse is real.
When a band of ruthless hijackers invade the world's most luxurious cruise ship, they're shocked to discover the passengers have mysteriously vanished! But that doesn't mean they are alone! Something terrifying is lurking just out of sight: a deadly force from the unexplored depths of the ocean that begins to snatch the horrified intruders one by one! Written by
Greg Kleiner <LtJGBrewer@aol.com>
The "Chinese M1 L1 triple-pulse assault rifles" used by the pirates are actually heavily modified Calico M-960 submachine guns fitted with 100-round magazines (as opposed to the "thousand-round capacity" mentioned by Hanover). Five non-functional rotating barrels were built around the actual barrel of each Calico and driven by a small electric motor connected to the trigger, so that whenever the gun was fired, it appeared to be firing out of the rotating barrels. See more »
When the creatures first strike the boat, and the passengers are running scared, the young Asian woman locks herself in the bathroom. When the creature is sneaking up on her through the toilet that she is sitting on, she frantically grabs the sink faucet. When she first grabs hold of it, you can already see it moving before she pulls it off its hinges. See more »
[Jumps down in the water behind Trillian and startles her and she fires around 35 rounds at his feet]
Jesus lady, watch it, will ya?
Trillian St. James:
I'm sorry! Thank god you're alive.
Damn straight I am! Let's keep it that way, huh?
See more »
Unlike a lot of monster and sci-fi movies we see these days, where apologizes are constantly made and everything is politically-correct, Deep Rising is an unapolagetic rollar-coaster which only asks us to suspend our higher thinking for an hour and a half. Intelligent by no means, Stephen Sommers' movie however definately succeeds in it's intention, which is to be a straight fun adventure.
Like the rest of the movie, we've seen the plot a dozen times before in different or similar forms. A square-jawed man of the sea and his wise-cracking sidekick give a group of mercenaries a ride in their PT boat to an undisclosed location somewhere out over the murky ocean. Little does the boatman know that the soldiers-for-hire are planning to knock off a massive luxury cruise liner with an assortment of assault rifles and deadly torpedo warheads. When they reach the ship though, they find it derelict, and encounter a nightmarish tentacle beast.
This movie is stupid as hell, but it knows it, and just wants to take us along on its stupid ride. As mentioned before, the movie makes no apologizes. We don't get any little kids who know more than the adults running around and saving the day; instead we get piles of horrid, blood-covered skeletons and disgustingly neat scenes of half-dead victims being regurgitated by our monster villain. Speaking of the monster, its a fairly decent CGI creation, which is surprising considering how little effort can be put into putting CG creatures onto the screen in movies with anything less of a budget than Jurassic Park or The Phantom Menace.
The flick is plenty fun, but where it truly lacks is the character development area. In Deep Rising, and most movies like it, a fair amount of the characters are regulated to quick two or three word descriptions which dictate everything that they do. There's "The Womanizer", "The Coward", "The Guy Who's Scared", etc. And man, if a guys got an Austrailian or English accent..forget about it, that's his whole character right there. The two most interesting characters are Treat Williams, a third rate Bruce Willis-Mel Gibson, who nevertheless puts a likeable effort into the main hero, and the mind-numbingly beautiful Famke Jannkson as a thief the crew finds alive aboard the cruise liner.
Deep Rising is a movie that knows what it wants to do, and does it well, adding some originality and excitement to a genre overflowing with badly-executed ideas and ameatuerish directing.
I give Deep Rising a 6 out of 10, and I'd reccomend it to any fan of grade-B horror movies or anyone who enjoyed the 1999 remake of The Mummy.
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