| Klaus-Michael Debatin | ... | Himself | |
| Pierre Golstein | ... | Himself | |
| Robert Horvitz | ... | Himself | |
| Rita Levi-Montalcini | ... | Herself | |
| Polly Matzinger | ... | Herself | |
| Martin Raff | ... | Himself |
Directed by | |||
| Jean-François Brunet | |||
| Peter Friedman | |||
Writing credits | ||
| Peter Friedman | (written by) & | |
| Jean-François Brunet | (written by) | |
Produced by | |||
| Peter Friedman | .... | producer | |
| Emmanuel Laurent | .... | producer | |
Cinematography by | |||
| Van Carlson | (as Carlson Van Theodore) | ||
Film Editing by | |||
| Jean-François Brunet | |||
| Peter Friedman | |||
Sound Department | |||
| Christophe Etrillard | .... | sound editor | |
| Henri Maïkoff | .... | sound | |
Camera and Electrical Department | |||
| Darren Rydstrom | .... | assistant camera | |
Animation Department | |||
| Emily Hubley | .... | animator | |
Editorial Department | |||
| Mathilde Cousin | .... | assistant editor | |
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| DMT: The Spirit Molecule | Bride of Re-Animator | Madonna: Truth or Dare | Objects and Memory | Encounters at the End of the World |
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| Full cast and crew | Company credits | External reviews |
| IMDb Documentary section | IMDb USA section |
This documentary explains a strange mechanism of pluricellular bodies (like ours) to produce large amounts of cells that are destroyed without having been used. That is the central point of the movie, but the directors also have made an effort to explain this point as simply as possible so they make lots of references to human conduct in which you can see that our social behavior -at least seen from the outside- looks a lot like what cells do. All scientists interviewed are clear and pedagogic and, thanks to their testimonies, the strange phenomenon of cellular death ends up being also a reflection of our (western) society's fear of death. A great, entertaining and enlightning film.