Astronaut Sam Bell has a quintessentially personal encounter toward the end of his three-year stint on the Moon, where he, working alongside his computer, GERTY, sends back to Earth parcels of a resource that has helped diminish our planet's power problems.
Computer scientist Hannon Fuller has discovered something extremely important. He's about to tell the discovery to his colleague, Douglas Hall, but knowing someone is after him, the old man... See full summary »
John Murdoch awakens alone in a strange hotel to find that he has lost his memory and is wanted for a series of brutal and bizarre murders. While trying to piece together his past, he stumbles upon a fiendish underworld controlled by a group of beings known as The Strangers who possess the ability to put people to sleep and alter the city and its inhabitants. Now Murdoch must find a way to stop them before they take control of his mind and destroy him. Written by
New Line Cinema forced Alex Proyas to include the opening narration by Kiefer Sutherland, which Proyas objected to, saying it was unnecessary. The narration gives away several key plot twists and consequently many fans of the film prefer to watch it with the sound turned off during the narration until Sutherland looks at his pocket watch. Unsurprisingly, the director's cut omits this opening narration. See more »
(at around 24 mins) When fleeing from Bumpstead, Murdoch jumps down the same stairs twice. See more »
First there was darkness. Then came the strangers. They were a race as old as time itself. They had mastered the ultimate technology. The ability to alter physical reality by will alone. They called this ability "Tuning". But they were dying. Their civilization was in decline, and so they abandoned their world seeking a cure for their own mortality. Their endless journey brought them to a small, blue world in the farthest corner of the galaxy. Our world. Here they ...
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I'm not saying the acting was perfect, i'm not trying to say the story was told in the most professional way or all by rules of film-making. It wasn't at all an up-tempo film Hollywood style with lots of explosions and rapid smart dialogs.
But, somehow, unlike most films with few exceptions, it had the capability of putting you in a certain mood. A mood of inconvenience, because you become one with the character John Murdoch, mostly thanks to Sewell's acting. Maybe it's because when I've seen this movie, it's always way past midnight, but I guess it's part of the ultimate experience from it.
The thing is I've only felt this way about a movie once before, and unfortunately, I can't remember the title of that movie, only that it ended with a picture of an ocean, and an alone man on the beach, leaving us never knowing if he would ever meet his girl again or not. I love when a picture put that enormous hill of emotions in your heart, and just as many questions in your head. That feeling, that mood.
Most of the actors has received bad reviews for this movie, not least on this forum. But in my opinion, Rufus Sewell is doing his part very well. First so uncertain, then slowly growing into his role. Keither Sutherland, in a pretty uncomfortable role as a scared, weak doctor does it surprisingly good. William Hurt is hard and scarred, but soft on the inside. I guess the actors are telling more about their parts than the script itself.
Generally, all the actors seem to have captured this feeling, this sense, that colors all throughout the picture, making the picture. You are not watching it. You are in it. You are John Murdoch.
I'd like to end with a quote
John Murdoch: "When was the last time you remember doing something during the day?"
It sort of reveals the touch of it. If you haven't seen it, see it, in the middle of the night! If you've seen it daytime, see it again at nighttime. Not because you're tired, but because it's dark.
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