In 2270, Earth is completely depleted and no one lives there anymore. Those that have money move to Rhea; but most of the population lives in orbit in space stations. Dr. Laura Portmann ... See full summary »
Anna Katharina Schwabroh,
A thriller involving an ongoing unsolved mystery in Alaska, where one town has seen an extraordinary number of unexplained disappearances during the past 40 years and there are accusations of a federal cover up.
An unsuspecting, disenchanted man finds himself working as a spy in the dangerous, high-stakes world of corporate espionage. Quickly getting way over-his-head, he teams up with a mysterious femme fatale.
In an overpopulated futuristic Earth, a New York police detective finds himself marked for murder by government agents when he gets too close to a bizarre state secret involving the origins of a revolutionary and needed new foodstuff.
Edward G. Robinson,
John Murdoch awakens alone in a strange hotel to find that he has lost his memory and is wanted for a series of brutal and bizarre murders. While trying to piece together his past, he stumbles upon a fiendish underworld controlled by a group of beings known as The Strangers who possess the ability to put people to sleep and alter the city and its inhabitants. Now Murdoch must find a way to stop them before they take control of his mind and destroy him. Written by
New Line Cinema forced Alex Proyas to include the opening narration by Kiefer Sutherland, which Proyas objected to, saying it was unnecessary. The narration gives away several key plot twists and consequently many fans of the film prefer to watch it with the sound turned off during the narration until Sutherland looks at his pocket watch. Unsurprisingly, the director's cut omits this opening narration. See more »
After John Murdoch opens the door and almost falls from the building, as he hangs by his hands the door is on his left, except when shown from above, when it is on his right. See more »
First there was darkness. Then came the strangers. They were a race as old as time itself. They had mastered the ultimate technology. The ability to alter physical reality by will alone. They called this ability "Tuning". But they were dying. Their civilization was in decline, and so they abandoned their world seeking a cure for their own mortality. Their endless journey brought them to a small, blue world in the farthest corner of the galaxy. Our world. Here they ...
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I will be part of the rabid throngs of people lining up to catch a spectacle as huge as Reloaded and Revolution. Despite(and maybe because of) Matrix sky high hype right now, my thoughts drift back to this overlooked classic...but a little on Neo and gang first below...
The Matrix just happened.
With an uncanny midas touch, The Warchowski bros launched this(then unknown film) at the the right place, in the right time. With an execution commercial enough to bring in the box office moola and a philosophical subtext accessible enough for the general public to latch on to, the rest, as they say...is history.
The philosophical under pinnings though, (of blue pills, red pills, the subreality of consciousness and all that mambo jambo etc), so successfully popularised by The Matrix, was infact neither originated by The Matrix nor as fully realised than in other more accomplished works.
Which leads me to....drumroll.....
As such, IMHO, the best execution on the concept of reality and perception was already explored in a much more unbelievably visual opus, one year earlier, the grossly overlooked, criminally under-rated,
"Dark City". (One of My Top 10 All time Favourite Films)
This scifi/ film noir hybrid was impactful both cinematically and ideologically. Most importantly, it rewarded my wildly abandoned reach for human imagination and thirst for ideas, by fulfilling as much promise a motion picture can ever hope to give.
On top of that, my background as a "trekkie" scifi nerd meant I instinctively respond to films which challenge me both intellectually and spiritually. Dark City was thus a near religious, life cleansing experience for me.
And any which way I look at it, this film soars to heights unseen since 2001: A Space Odyssey...
But due to its messed up(or near-absent) marketing campaign(positioning the film to resemble a horror film for the teenage crowd), the film did not find its intended audience and flopped unceremoniously. Of course it found its audience but by then its was too late...
That said, the thirst for something better than our run of the mill pop corn fare is still there, waiting to be quenched.
And The Matrix filled that void.
Too bad it wasn't this film. But in a ideal world, it would. Sad.
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