In 2270, Earth is completely depleted and no one lives there anymore. Those that have money move to Rhea; but most of the population lives in orbit in space stations. Dr. Laura Portmann ... See full summary »
Anna Katharina Schwabroh,
A thriller involving an ongoing unsolved mystery in Alaska, where one town has seen an extraordinary number of unexplained disappearances during the past 40 years and there are accusations of a federal cover up.
An unsuspecting, disenchanted man finds himself working as a spy in the dangerous, high-stakes world of corporate espionage. Quickly getting way over-his-head, he teams up with a mysterious femme fatale.
In an overpopulated futuristic Earth, a New York police detective finds himself marked for murder by government agents when he gets too close to a bizarre state secret involving the origins of a revolutionary and needed new foodstuff.
Edward G. Robinson,
John Murdoch awakens alone in a strange hotel to find that he has lost his memory and is wanted for a series of brutal and bizarre murders. While trying to piece together his past, he stumbles upon a fiendish underworld controlled by a group of beings known as The Strangers who possess the ability to put people to sleep and alter the city and its inhabitants. Now Murdoch must find a way to stop them before they take control of his mind and destroy him. Written by
Alex Proyas got the idea for the buildings changing and growing while the crew was moving pieces of the set around during filming of The Crow (1994). See more »
After John Murdoch opens the door and almost falls from the building, as he hangs by his hands the door is on his left, except when shown from above, when it is on his right. See more »
First there was darkness. Then came the strangers. They were a race as old as time itself. They had mastered the ultimate technology. The ability to alter physical reality by will alone. They called this ability "Tuning". But they were dying. Their civilization was in decline, and so they abandoned their world seeking a cure for their own mortality. Their endless journey brought them to a small, blue world in the farthest corner of the galaxy. Our world. Here they ...
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This is probably the best Sci-Fi-Film of the Ninetees. Matrix is good, but this film is better. Both deal with the same question: What is reality? Not only was Dark City first, it also handles the subject much better and more adult than Matrix. Also its conclusion is far better than the one of Matrix.
Not only does this film deal with reality, it also deals with humanity, something which lacks Matrix. What makes us humans? To quote Dr. Schreber from the film "Are we more than just the sum of our Experiences?" This film is slowpaced, but not boring at all. And it deserves the title: Dark. The film is dark, "noir" and this gives the film a great atmosphere. The darkness and coldness of the strangers is in contrast to the bright light of the sun created by John Murdoch in the end.
This film is very philosophic, which I like. The best films are those which help us to think and this one clearly is such a film. Something which is needed in our society of marionettes and idiotic consumers who know more than anyone else before in history but who lack the ability to truly think.
The show down was a little weak, but the film made this up again at the very end with the last meeting between Murdoch and Mr. Hand. I remember Murdoch's words well and he speaks of a truth which is sometimes forgotten: What makes us human is not to be found in our heads, our brains and our minds.
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