In 2270, Earth is completely depleted and no one lives there anymore. Those that have money move to Rhea; but most of the population lives in orbit in space stations. Dr. Laura Portmann ... See full summary »
Anna Katharina Schwabroh,
A thriller involving an ongoing unsolved mystery in Alaska, where one town has seen an extraordinary number of unexplained disappearances during the past 40 years and there are accusations of a federal cover up.
An unsuspecting, disenchanted man finds himself working as a spy in the dangerous, high-stakes world of corporate espionage. Quickly getting way over-his-head, he teams up with a mysterious femme fatale.
In an overpopulated futuristic Earth, a New York police detective finds himself marked for murder by government agents when he gets too close to a bizarre state secret involving the origins of a revolutionary and needed new foodstuff.
John Murdoch awakens alone in a strange hotel to find that he has lost his memory and is wanted for a series of brutal and bizarre murders. While trying to piece together his past, he stumbles upon a fiendish underworld controlled by a group of beings known as The Strangers who possess the ability to put people to sleep and alter the city and its inhabitants. Now Murdoch must find a way to stop them before they take control of his mind and destroy him. Written by
When Murdoch is on the Shell Beach billboard and collapses after reading the newspaper clippings he found in his coat pocket, a stranger appears/disappears/reappears on the steps in the background. See more »
First there was darkness. Then came the strangers. They were a race as old as time itself. They had mastered the ultimate technology. The ability to alter physical reality by will alone. They called this ability "Tuning". But they were dying. Their civilization was in decline, and so they abandoned their world seeking a cure for their own mortality. Their endless journey brought them to a small, blue world in the farthest corner of the galaxy. Our world. Here they ...
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I'm not saying the acting was perfect, i'm not trying to say the story was told in the most professional way or all by rules of film-making. It wasn't at all an up-tempo film Hollywood style with lots of explosions and rapid smart dialogs.
But, somehow, unlike most films with few exceptions, it had the capability of putting you in a certain mood. A mood of inconvenience, because you become one with the character John Murdoch, mostly thanks to Sewell's acting. Maybe it's because when I've seen this movie, it's always way past midnight, but I guess it's part of the ultimate experience from it.
The thing is I've only felt this way about a movie once before, and unfortunately, I can't remember the title of that movie, only that it ended with a picture of an ocean, and an alone man on the beach, leaving us never knowing if he would ever meet his girl again or not. I love when a picture put that enormous hill of emotions in your heart, and just as many questions in your head. That feeling, that mood.
Most of the actors has received bad reviews for this movie, not least on this forum. But in my opinion, Rufus Sewell is doing his part very well. First so uncertain, then slowly growing into his role. Keither Sutherland, in a pretty uncomfortable role as a scared, weak doctor does it surprisingly good. William Hurt is hard and scarred, but soft on the inside. I guess the actors are telling more about their parts than the script itself.
Generally, all the actors seem to have captured this feeling, this sense, that colors all throughout the picture, making the picture. You are not watching it. You are in it. You are John Murdoch.
I'd like to end with a quote
John Murdoch: "When was the last time you remember doing something during the day?"
It sort of reveals the touch of it. If you haven't seen it, see it, in the middle of the night! If you've seen it daytime, see it again at nighttime. Not because you're tired, but because it's dark.
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