| Photos (see all 25 | slideshow) | Videos (see all 2) |
| Javier Bardem | ... | Agustín Rejas | |
| Juan Diego Botto | ... | Sucre | |
| Laura Morante | ... | Yolanda | |
| Elvira Mínguez | ... | Llosa | |
| Alexandra Lencastre | ... | Sylvina Rejas | |
| Oliver Cotton | ... | Merino | |
| Luís Miguel Cintra | ... | Calderón | |
| Javier Manrique | ... | Clorindo | |
| Abel Folk | ... | Ezequiel / Durán | |
| Marie-Anne Berganza | ... | Laura | |
| Lucas Rodríguez | ... | Gómez | |
| Xabier Elorriaga | ... | Pascual | |
| Natalia Dicenta | ... | Marina | |
| Wolframio Sinué | ... | Santiago | |
| Ramiro Jiménez | ... | Sergeant Pisac | |
| Montserrat Astudillo | ... | Woman in Pick-up - Edith Pusanga | |
| Galo Urbina | ... | Indian 1 in Pick-up | |
| Jairon Flores | ... | Indian 2 in Pick-up | |
| Chuen Lam | ... | Major Kwan (as Lam Chuen) | |
| José Antonio Izaguirre | ... | Quesada | |
| Isabel Prinz | ... | Quesada's Wife | |
| Ignacio Carreño | ... | Quesada's Bodyguard | |
| Benjamas Boonnak | ... | Chinese Ambassadress | |
| Tito García | ... | Admiral Prado | |
| Veronica Noboa | ... | Model (as Verónica Noboa) | |
| Luis Gaspar | ... | Judge | |
| Steve Emerson | ... | TV Producer | |
| Carlos Carrillo | ... | TV Technician | |
| Eusebio Lázaro | ... | Father Ramon | |
| Paulina Aguilar | ... | Shanty Girl | |
| Esteban Salazar | ... | Shanty Policeman | |
| German Nuñez | ... | Manager (as German Núñez) | |
| Pachacutic Chugchilan | ... | Bomb Boy | |
| Juan Carlos Vellido | ... | Soldier 1 in Rejas' Office | |
| Diego Naranjo | ... | Captain Montesinos | |
| Montserrat Iglesias | ... | Student / Voice of Radio Announcer | |
| Celina Casari | ... | Maria | |
| Maribel Rivera | ... | Patricia | |
| Ignacio Durán | ... | Theatre Manager | |
| Frida Torresblanco | ... | Woman in Theatre | |
| Ana Lozano | ... | Vera | |
| Lola Peno | ... | Nurse | |
| Javier Páez | ... | Army Colonel | |
| David Aguilar | ... | Boy with a Poster | |
| Raquel Rocha | ... | Woman in Convertible | |
| Alexis Rodrigues | ... | Man in Convertible | |
| Daniel Aguilar | ... | CocaCola Cap | |
| Yousaf Bokhari | ... | Radio Announcer (voice) | |
| Natalia Tarnawiecki | ... | Radio Announcer (voice) | |
| Carlos Thiebaut | ... | Radio Announcer (voice) | |
| Nuevo Repertorio | ... | Theatre Group | |
| rest of cast listed alphabetically: | |||
| Vivian Agüero | ... | Student (uncredited) | |
| Nur Al Levi | ... | (uncredited) | |
| Yohana Cobo | ... | Terrorista (uncredited) | |
| Olga Dias | ... | Woman in Café Esplanade (uncredited) | |
| Ricardo Lopes | ... | Journalist (uncredited) | |
| Joana Loureiro | ... | Lady (uncredited) | |
| John Malkovich | ... | Abimael Guzman (uncredited) | |
| Devon Walker | ... | Ballet Dancer Prodigy (uncredited) | |
Directed by | |||
| John Malkovich | |||
Writing credits | ||
| Nicholas Shakespeare | (novel) | |
| Nicholas Shakespeare | (screenplay) | |
Produced by | |||
| Yousaf Bokhari | .... | line producer | |
| Andrés Vicente Gómez | .... | producer | |
| Lianne Halfon | .... | executive producer | |
| John Malkovich | .... | producer | |
| Russell Smith | .... | executive producer (as Russ Smith) | |
Original Music by | |||
| Alberto Iglesias | |||
Cinematography by | |||
| José Luis Alcaine | (director of photography) | ||
Film Editing by | |||
| Mario Battistel | |||
Casting by | |||
| Katrina Bayonas | |||
| Camilla-Valentine Isola | |||
Production Design by | |||
| Pierre-François Limbosch | (as Pierre-François Limbosh) | ||
Art Direction by | |||
| Pierre-François Limbosch | (uncredited) | ||
Costume Design by | |||
| Sabine Daigeler | (as Bina Daigeler) | ||
Makeup Department | |||
| Lucy Da Silva | .... | assistant makeup artist: Ecuador | |
| Manolo García | .... | hair stylist | |
| Ana Lozano | .... | makeup artist | |
| Mariló Osuna | .... | makeup artist | |
Production Management | |||
| Pocho Álvarez | .... | production manager: Ecuador | |
| Adélaide Empis | .... | production manager: Portugal (as Adelaide Empis) | |
| Josean Gómez | .... | production supervisor: Ecuador | |
| Guiselle Jaramillo | .... | unit manager: Ecuador | |
| Rui Louro | .... | production supervisor: Portugal | |
| Ana Parra | .... | unit manager: Madrid | |
| Iñaki Ros | .... | production manager: Madrid | |
| Frida Torresblanco | .... | production supervisor (uncredited) | |
Second Unit Director or Assistant Director | |||
| João Cayatte | .... | assistant director: Portugal (as Joao Cayatte) | |
| Diego Falconi | .... | third assistant director: Ecuador | |
| César Fernandes | .... | third assistant director: Portugal (as Cesar Fernandes) | |
| Daniela Forn | .... | second assistant director | |
| David Martínez | .... | first assistant director | |
| Rita Rubio | .... | third assistant director: Madrid | |
Art Department | |||
| José Avilés | .... | prop buyer: Ecuador | |
| José Carracedo | .... | stand-by props (as Jota Carracedo) | |
| Susana Fernández | .... | art department assistant: Madrid | |
| Roberto Frisone | .... | art director: Ecuador | |
| Fernando Garcia | .... | construction manager: Ecuador | |
| Juan Manuel Garcia | .... | props assistant: Madrid | |
| Serafin González | .... | stagehand | |
| Pablo Iturralde | .... | stand-by props: Ecuador | |
| Fernando Jiménez | .... | construction manager: Ecuador | |
| Javier López | .... | propman: Madrid (as Fco. Javier López) | |
| Marcelo Mejia | .... | propsman: Ecuador | |
| Laura Musso | .... | set dresser: Madrid | |
| Victor Rodríguez | .... | graphic designer: Madrid | |
| María Lourdes Rosero | .... | assistant art director: Ecuador (as Mª Lourdes Rosero) | |
| Nuria Sanjuan | .... | art director: Madrid | |
| José M. Serrano | .... | prop buyer: Madrid (as José Mariano Serrano) | |
Sound Department | |||
| Paolo Amici | .... | sound effects editor: Ecuador | |
| Antonio Bloch | .... | production sound | |
| Italo Cameracanna | .... | foley artist: Ecuador | |
| Jordi Casugas | .... | adr recordist: Ecuador | |
| Fernando Cuesta | .... | cable person: Ecuador | |
| Bela María da Costa | .... | sound editor (as Bela Da Costa) | |
| Marco De Gregori | .... | digital sound: pro-tools (as Marco De Gregory) | |
| Enzo Diliberto | .... | foley artist: Ecuador (as Enzo Di Liberto) | |
| Sara Fijo | .... | boom operator | |
| Ángel Gallardo | .... | adr recordist: Ecuador | |
| Arturo Garcia | .... | adr editor: Ecuador | |
| Carlos Garrido | .... | sound re-recordist | |
| Diego Garrido | .... | sound re-recordist: Ecuador | |
| Antonello Giorgiucci | .... | adr recordist: Ecuador | |
| Ezio Marcorin | .... | sound effects editor: Ecuador | |
| Marco Marinelli | .... | sound effects editor: Ecuador | |
| Massimo Marinelli | .... | sound effects editor: Ecuador | |
| Daniele Quadroli | .... | sound effects editor: Ecuador | |
| Ricardo Viñas | .... | consultant: Dolby | |
| Ken Teaney | .... | sound re-recording mixer (uncredited) | |
Visual Effects by | |||
| Jorge Calvo | .... | digital effects: Mad Pix Company | |
| Pilar Cienfuegos | .... | 3D artist: Mad Pix Company | |
| Isaac de la Pompa | .... | 3D artist: Mad Pix Company (as Isaac De La Pompa) | |
| Juancho Fernández | .... | Inferno compositor: Mad Pix Company | |
| Ramón Guzmán | .... | Inferno compositor: Mad Pix Company | |
| Juan Ramón Herrero | .... | Inferno compositor: Mad Pix Company | |
| Ezequiel Larru | .... | Inferno compositor: Mad Pix Company | |
| Rubén Villoria | .... | 3D artist: Mad Pix Company | |
| José Miguel Zapata | .... | 3D artist: Mad Pix Company | |
Stunts | |||
| David Andrade | .... | stunts: Ecuador | |
| Mónica Consuegra | .... | stunt artist: Madrid | |
| Sergio del Var | .... | stunt artist: Madrid (as Sergio Del Val) | |
| Miguel García | .... | stunt artist: Madrid | |
| José María López | .... | stunt artist: Madrid (as José Mª López) | |
| Ángel Planas | .... | stunt coordinator: Madrid | |
| Manolo Torres | .... | stunt artist: Madrid | |
| Jorge Huergo | .... | stunts (uncredited) | |
Casting Department | |||
| Tiago Mesquita | .... | extras casting | |
| Galo Urbina | .... | extras casting assistant: Ecuador | |
| Jorge Vivanco | .... | extras casting: Ecuador | |
Costume and Wardrobe Department | |||
| Jeremy Capilla | .... | wardrobe assistant: Ecuador | |
| Raquel del Val | .... | wardrobe assistant (as Raquel Del Val) | |
| Lily Flor | .... | wardrobe assistant: Ecuador | |
| Ana López | .... | costumer | |
| Rosa María López | .... | seamstress: Madrid (as Rosa Mª López) | |
| Silvia Meireles | .... | wardrobe assistant | |
| Ana Salazar | .... | wardrobe assistant: Ecuador | |
Editorial Department | |||
| Irene Blecua | .... | assistant editor: Eduador | |
| Patricia Bonet | .... | post-production assistant: Eduador | |
| Elsa Fernández | .... | second assistant editor: Ecuador | |
| Ascen Marchena | .... | assistant editor: Ecuador | |
| Nino Martínez Sosa | .... | second assistant editor: Ecuador | |
| Simon Njoo | .... | assistant editor: Ecuador | |
| Dimas Ortiz | .... | second assistant editor: Ecuador | |
| Cristina Pastor | .... | assistant editor: Ecuador | |
| Aitor Tapia | .... | second assistant editor: Ecuador | |
| Nicholas Wentworth | .... | executive in charge of post-production | |
Music Department | |||
| Pedro Alcalde | .... | conductor | |
| Yul Anderson | .... | music arranger: "All Along the Watchtower" | |
| Yul Anderson | .... | musician: piano, "All Along the Watchtower" | |
| Kolja Blacher | .... | musician: violin | |
| Javier Casado | .... | musician: piano | |
| José Luis Crespo | .... | music editor | |
| José Luis Crespo | .... | music score engineer | |
| Clarissa Farrán | .... | score copyist | |
| Raquel Fernández | .... | assistant music editor | |
| Raquel Fernández | .... | assistant music scoring engineer | |
| Christian Gómez | .... | music coordinator: Ecuador | |
| Juanjo Guillén | .... | musician: percussion | |
| Wolfgang Hoff | .... | music studio manager: SFB - Berlin | |
| Sonia Lozano | .... | music production assistant | |
| Ekkehard Stoffregen | .... | music studio manager: SFB - Berlin | |
| Dominik Wollenweber | .... | musician: English horn | |
Transportation Department | |||
| Antonio Fernández | .... | generator driver: Madrid | |
| Juan Carlos Fuentes | .... | caravan driver: Madrid (as J. Carlos Fuentes) | |
| Julián Hernández | .... | wardrobe truck driver: Madrid | |
| Miguel Ángel López | .... | electric truck driver: Madrid | |
| Javier Montero | .... | driver | |
| Bernardino Villanueva | .... | driver: camera van, Madrid | |
Thanks | |||
| Fernando Méndez Leite | .... | thanks (as D. Fernando Méndez Leite) | |
| D. Luis Alfredo Muñoz | .... | thanks: Head of Customs - Quito | |
| Michèle Ray-Gavras | .... | grateful acknowledgment: "State of Diege" by Costa Gavras | |
| Cristina Rota | .... | thanks | |
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The film's trailer, which rain endlessly for months in advance at my local art house, and the reviews, etc., have emphasized this as a political thriller. But in fact it's really in the tradition of "Casablanca," where politics is a constant background to only part of the hero's motivation. I did expect someone to say "Round up the usual suspects!"
Awkwardly in this day and age, the Latino actors in the film's unnamed Latin American country (it was filmed in Ecuador and Madrid) all speak (accented) English, with subtitles to indicate when characters are speaking an Indian dialect, i.e. when the hero lawyer/detective is using his heritage to solve the complex case of politically-motivated murders.
But it's the complex layers that make this more interesting than Costa-Gavras' didactic "State of Siege" that is repeatedly referred to as an inspiration, both to director John Malkovich and the revolutionaries, and making this akin to HBO's "The Wire" in showing how a flawed cop can stick to his professionalism amidst deadly-serious bureaucratic and real politics.
The cop's simplistically drawn Beverly Hills matron-type wife turns out to incidentally help him uncover a clue, as he gradually comprehends the cynicism of a revolution that uses unexpected types of cells for suicide missions, with resonance for the MidEast as well, as ideologues are more diabolically dangerous than criminals.
That the dancer is actually downstairs is emblematic of the film's genre confusion.