Al enamorarnos, apostamos. Y es un juego demasiado íntimo para asimilar con facilidad el fracaso. Elena sabe que el enfriamiento que atraviesa su matrimonio no es algo temporal. Alberto , ... See full summary »
Miranda is a crew member of a nightly radio programmme. She and her husband Felix, a cop, are parents of a girl. Miranda's daily dog walking strolls are excuses to pursue sexual encounters ... See full summary »
Manuel Gómez Pereira
Three friends, two young men and a young woman, are bored by the normal world of their parents and want to flee in order to start living somewhere else. Thus they make a pervert plan: rob ... See full summary »
At a wake one night in 1945, a group of aged women recall the life of one of their number. Sixty years before, Thérèse was barely 20 years old when she eloped with her boyfriend, Firmin, a ... See full summary »
Scorpion in Love is an urban fable that tells us the story of Julián, a young man who with his best friend Luis participates actively in a group of violent neonazis leaded by a fanatic man ... See full summary »
Miguel Ángel Silvestre,
The story of Detective Agustin Rejas, a man clinging to the hope of an impossible love in an impossible world. Tracking Ezequiel, a delusional anarchist who incites the downtrodden masses to join in his brutal revolution against the fascist government in their unnamed Latin American country, Rejas finds solace in his sense of self-respect and the joy that his daughter and wife bring him. Then he meets Yolanda--his daughter's soulfully beautiful ballet teacher--a woman who sparks his long-forgotten passions and represents all that is good and all that is corrupt in their troubled country. But she, who appears to be a shelter from the storm, may in actuality be the storm's eye. Ultimately, as the revolution intensifies and the net closes around hunter and hunted alike, the dancer's truth will prove as elusive as the revolutionary's cause and the detective's peace. Written by
Sujit R. Varma
In the beginning of the film, one of the revolutionaries tells a checkpoint security guard that his dead dog's name is Tupac. Tupac Amaru was the last indigenous leader of the Inca people in Peru and Tupac Amaru II was the leader of the 1780s uprising in colonial day Cusco, Peru. (The late hip-hop artist Tupac Shakur is named after the latter). See more »
When they are searching through garbage, the female officer's mask (which is around her neck) appears on her mouth for one shot. See more »
[Rejas and Sucre are looking at a dead dog hanging from a lamp-post, with dynamite stuck down its throat]
What sort of a person would do that?
I don't know, but I wouldn't entirely rule out a cat-lover.
See more »
The producers would like to thank ... the residents of Narcisos Street ... See more »
The film's trailer, which rain endlessly for months in advance at my local art house, and the reviews, etc., have emphasized this as a political thriller. But in fact it's really in the tradition of "Casablanca," where politics is a constant background to only part of the hero's motivation. I did expect someone to say "Round up the usual suspects!"
Awkwardly in this day and age, the Latino actors in the film's unnamed Latin American country (it was filmed in Ecuador and Madrid) all speak (accented) English, with subtitles to indicate when characters are speaking an Indian dialect, i.e. when the hero lawyer/detective is using his heritage to solve the complex case of politically-motivated murders.
But it's the complex layers that make this more interesting than Costa-Gavras' didactic "State of Siege" that is repeatedly referred to as an inspiration, both to director John Malkovich and the revolutionaries, and making this akin to HBO's "The Wire" in showing how a flawed cop can stick to his professionalism amidst deadly-serious bureaucratic and real politics.
The cop's simplistically drawn Beverly Hills matron-type wife turns out to incidentally help him uncover a clue, as he gradually comprehends the cynicism of a revolution that uses unexpected types of cells for suicide missions, with resonance for the MidEast as well, as ideologues are more diabolically dangerous than criminals.
That the dancer is actually downstairs is emblematic of the film's genre confusion.
14 of 20 people found this review helpful.
Was this review helpful to you?