Al enamorarnos, apostamos. Y es un juego demasiado íntimo para asimilar con facilidad el fracaso. Elena sabe que el enfriamiento que atraviesa su matrimonio no es algo temporal. Alberto , ... See full summary »
Miranda is a crew member of a nightly radio programmme. She and her husband Felix, a cop, are parents of a girl. Miranda's daily dog walking strolls are excuses to pursue sexual encounters ... See full summary »
Manuel Gómez Pereira
Three friends, two young men and a young woman, are bored by the normal world of their parents and want to flee in order to start living somewhere else. Thus they make a pervert plan: rob ... See full summary »
A cab driver finds himself the hostage of an engaging contract killer as he makes his rounds from hit to hit during one night in Los Angeles. He must find a way to save both himself and one last victim.
Scorpion in Love is an urban fable that tells us the story of Julián, a young man who with his best friend Luis participates actively in a group of violent neonazis leaded by a fanatic man ... See full summary »
Miguel Ángel Silvestre,
The story of Detective Agustin Rejas, a man clinging to the hope of an impossible love in an impossible world. Tracking Ezequiel, a delusional anarchist who incites the downtrodden masses to join in his brutal revolution against the fascist government in their unnamed Latin American country, Rejas finds solace in his sense of self-respect and the joy that his daughter and wife bring him. Then he meets Yolanda--his daughter's soulfully beautiful ballet teacher--a woman who sparks his long-forgotten passions and represents all that is good and all that is corrupt in their troubled country. But she, who appears to be a shelter from the storm, may in actuality be the storm's eye. Ultimately, as the revolution intensifies and the net closes around hunter and hunted alike, the dancer's truth will prove as elusive as the revolutionary's cause and the detective's peace. Written by
Sujit R. Varma
The story is inspired by the Maoist insurgency in Peru known as the Shining Path. Its leader Abimael Guzmán, who was known by the nom de guerre President Gonzalo, was captured in an apartment above a ballet studio in the capital Lima in 1992. The ballet teacher Yolanda was based on Maritza Garrido Lecca, the woman in whose apartment Guzmán was found. Bardem's character was inspired by Benedicto Jimenez and General Antonio Ketin Vidal, the leading figures responsible for Guzmán's capture. See more »
The camera that Bardem uses to take Ezekiel's picture at the military checkpoint is a either a Polaroid Model 95 made from 1948 to 1953, or the Model 95B was discontinued in 1958. The picture that Bardem holds is a square format SX70 color shot identified buy its square format and black square on the back. This picture which could not have come from the camera used by Bardem. See more »
I'd like to have a list of staff with access to the President's chambers.
Luckily there are only two of them. The first is named 'Fuck', the second is named 'Off'.
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The producers would like to thank ... the residents of Narcisos Street ... See more »
A curious but not entirely unexpected idiossyncratic choice from John Malkovich for his directing debut, this adaptation of Nicholas Shakespeare's novel fictionalising the capture of the leader of the Peruvian Shining Path revolutionary movement is a more pensive, less political throwback to the European "political thrillers" of the 1970s made popular by directors such as Costa-Gavras. Malkovich, however, dislocates the film's centre from politics into personal mores, following the story of Javier Bardem, as the police detective assigned to discover the whereabouts of the mysterious terrorist leader "Ezequiel". In a superbly controlled performance, Bardem emphasizes the vulnerability of this disenchanted, seen-it-all cop thrown against his will into the frying-pan and the way he attempts to maintain his dignity and uphold the law he no longer believes in. Malkovich proves an engaging director - despite its lengthy running time (and although it could use a slight trim), the film is neither predictable nor overstays its welcome, and the actors deliver consistently good performances. One wishes Malkovich had looked for a better story to tell, but as debuts go this is a promising one.
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