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The Dancer Upstairs (2002)

7.0
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Ratings: 7.0/10 from 5,146 users   Metascore: 64/100
Reviews: 71 user | 86 critic | 40 from Metacritic.com

A police detective in a South American country is dedicated to hunting down a revolutionary guerilla leader.

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(novel), (screenplay)
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Title: The Dancer Upstairs (2002)

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Cast

Cast overview, first billed only:
...
Agustín Rejas
...
Sucre
...
Yolanda
...
Llosa
Alexandra Lencastre ...
Sylvina Rejas
...
Merino
Luís Miguel Cintra ...
Calderón
Javier Manrique ...
Clorindo
Abel Folk ...
Ezequiel / Durán
Marie-Anne Berganza ...
Laura
Lucas Rodríguez ...
Gómez
Xabier Elorriaga ...
Pascual
...
Marina
...
Santiago
Ramiro Jiménez ...
Sergeant Pisac
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Storyline

The story of Detective Agustin Rejas, a man clinging to the hope of an impossible love in an impossible world. Tracking Ezequiel, a delusional anarchist who incites the downtrodden masses to join in his brutal revolution against the fascist government in their unnamed Latin American country, Rejas finds solace in his sense of self-respect and the joy that his daughter and wife bring him. Then he meets Yolanda--his daughter's soulfully beautiful ballet teacher--a woman who sparks his long-forgotten passions and represents all that is good and all that is corrupt in their troubled country. But she, who appears to be a shelter from the storm, may in actuality be the storm's eye. Ultimately, as the revolution intensifies and the net closes around hunter and hunted alike, the dancer's truth will prove as elusive as the revolutionary's cause and the detective's peace. Written by Sujit R. Varma

Plot Summary | Plot Synopsis

Taglines:

An honest man caught in a world of intrigue, power and passion.

Genres:

Drama | Thriller | Crime

Motion Picture Rating (MPAA)

Rated R for strong violence, and for language | See all certifications »

Parents Guide:

 »
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Details

Country:

|

Language:

| |

Release Date:

20 September 2002 (Spain)  »

Also Known As:

Sendero de sangre  »

Filming Locations:

 »

Box Office

Opening Weekend:

$106,142 (USA) (2 May 2003)

Gross:

$2,374,732 (USA) (15 August 2003)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

Color:

Aspect Ratio:

1.85 : 1
See  »
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Did You Know?

Trivia

The story is inspired by the Maoist insurgency in Peru known as the Shining Path. Its leader Abimael Guzmán, who was known by the nom de guerre President Gonzalo, was captured in an apartment above a ballet studio in the capital Lima in 1992. The ballet teacher Yolanda was based on Maritza Garrido Lecca, the woman in whose apartment Guzmán was found. Bardem's character was inspired by Benedicto Jimenez and General Antonio Ketin Vidal, the leading figures responsible for Guzmán's capture. See more »

Goofs

There is a scene were Javier (the main cop) and Yolanda are talking about judging characters, Javier has the book in his hands. One shot, the camera is on Javier then goes back to Yolanda. In between those two shots, Yolanda's position changes. See more »

Quotes

[Rejas and Sucre are looking at a dead dog hanging from a lamp-post, with dynamite stuck down its throat]
Sucre: What sort of a person would do that?
Agustín Rejas: I don't know, but I wouldn't entirely rule out a cat-lover.
See more »

Crazy Credits

The producers would like to thank ... the residents of Narcisos Street ... See more »

Connections

Features State of Siege (1972) See more »

Soundtracks

Pearl Curtain in the Moon
Written by Liping Wang (as Wang Liping) and Wu Ming Xiao Zi
(SSS 034CD /17; Sonoton Creative Sound Solutions)
© Sonoton Music GmbH & Co. KG
Authorized by Multimusic, S.L.
See more »

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User Reviews

 
An impressive, deep, and finely constructed movie
8 December 2002 | by (United Kingdom) – See all my reviews

Javier Bardem plays a head of police in an unnamed South American country that is teetering between a corrupt government and an even more corrupt revolutionary movement. The film's preoccupations, however, are moral dilemmas and the nature of corruption, the movie's bent is primarily aesthetic, and the acting, screenplay and direction are simply little short superb. The characterisation of a man deeply torn in a search for decency and ultimately failing somewhat through his own higher aspiration is, by Hollywood standards, monumental. This is a film that is at once gripping, original, deep and subtly crafted. The role of the dancer is also, in its own right, a complex one and one which begins to address the nature of evil, the ability of art to take us beyond logic (in both a positive and a dangerous way) and also underlines that art generally, unless specifically directed, is neither good nor evil, but more a door that we can open.


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