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The Dancer Upstairs (2002)

R  |   |  Drama, Thriller, Crime  |  23 May 2003 (USA)
7.0
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Ratings: 7.0/10 from 5,314 users   Metascore: 64/100
Reviews: 71 user | 88 critic | 40 from Metacritic.com

A police detective in a South American country is dedicated to hunting down a revolutionary guerilla leader.

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(novel), (screenplay)
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Cast

Cast overview, first billed only:
...
Agustín Rejas
...
Sucre
...
Yolanda
...
Llosa
Alexandra Lencastre ...
Sylvina Rejas
...
Merino
Luís Miguel Cintra ...
Calderón
Javier Manrique ...
Clorindo
Abel Folk ...
Ezequiel / Durán
Marie-Anne Berganza ...
Laura
Lucas Rodríguez ...
Gómez
Xabier Elorriaga ...
Pascual
...
Marina
...
Santiago
Ramiro Jiménez ...
Sergeant Pisac
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Storyline

The story of Detective Agustin Rejas, a man clinging to the hope of an impossible love in an impossible world. Tracking Ezequiel, a delusional anarchist who incites the downtrodden masses to join in his brutal revolution against the fascist government in their unnamed Latin American country, Rejas finds solace in his sense of self-respect and the joy that his daughter and wife bring him. Then he meets Yolanda--his daughter's soulfully beautiful ballet teacher--a woman who sparks his long-forgotten passions and represents all that is good and all that is corrupt in their troubled country. But she, who appears to be a shelter from the storm, may in actuality be the storm's eye. Ultimately, as the revolution intensifies and the net closes around hunter and hunted alike, the dancer's truth will prove as elusive as the revolutionary's cause and the detective's peace. Written by Sujit R. Varma

Plot Summary | Plot Synopsis

Taglines:

An honest man caught in a world of intrigue, power and passion.

Genres:

Drama | Thriller | Crime

Motion Picture Rating (MPAA)

Rated R for strong violence, and for language | See all certifications »

Parents Guide:

 »
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Details

Country:

|

Language:

| |

Release Date:

23 May 2003 (USA)  »

Also Known As:

Sendero de sangre  »

Filming Locations:

 »

Box Office

Opening Weekend:

£61,622 (UK) (6 December 2002)

Gross:

$2,374,732 (USA) (15 August 2003)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

Color:

Aspect Ratio:

1.85 : 1
See  »
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Did You Know?

Trivia

In the beginning of the film, one of the revolutionaries tells a checkpoint security guard that his dead dog's name is Tupac. Tupac Amaru was the last indigenous leader of the Inca people in Peru and Tupac Amaru II was the leader of the 1780s uprising in colonial day Cusco, Peru. (The late hip-hop artist Tupac Shakur is named after the latter). See more »

Goofs

Throughout the film, Ezequiel also denounces Chinese Premier Deng Xiaoping. Deng ruled China from 1976 to 1989. However, when Det. Lt. Agustín Rejas browses through several women's magazines such as Glamour, he encounters "recent" pictures of models such as Josie Maran and Gisele Bündchen. Maran didn't start her modeling career until 1990, a year after Deng left office. See more »

Quotes

[Rejas and Sucre are looking at a dead dog hanging from a lamp-post, with dynamite stuck down its throat]
Sucre: What sort of a person would do that?
Agustín Rejas: I don't know, but I wouldn't entirely rule out a cat-lover.
See more »

Crazy Credits

The producers would like to thank ... the residents of Narcisos Street ... See more »

Connections

Featured in Revealing 'The Dancer Upstairs' (2003) See more »

Soundtracks

Who Knows Where the Time Goes
(1967)
Written by Sandy Denny
Performed by Nina Simone from her album "Black Gold"
Courtesy of BMG, Spain
© Clippers Ediciones Musicales, Barcelona
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User Reviews

 
An impressive, deep, and finely constructed movie
8 December 2002 | by (United Kingdom) – See all my reviews

Javier Bardem plays a head of police in an unnamed South American country that is teetering between a corrupt government and an even more corrupt revolutionary movement. The film's preoccupations, however, are moral dilemmas and the nature of corruption, the movie's bent is primarily aesthetic, and the acting, screenplay and direction are simply little short superb. The characterisation of a man deeply torn in a search for decency and ultimately failing somewhat through his own higher aspiration is, by Hollywood standards, monumental. This is a film that is at once gripping, original, deep and subtly crafted. The role of the dancer is also, in its own right, a complex one and one which begins to address the nature of evil, the ability of art to take us beyond logic (in both a positive and a dangerous way) and also underlines that art generally, unless specifically directed, is neither good nor evil, but more a door that we can open.


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