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Michael T. Weiss,
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A wealthy, successful, East-Anglian tulip grower, Dad Savage is also something of a godfather in the local criminal fraternity but doesn't trust banks to take care of his money. On recommendation from his son, Sav, Dad hires two of Sav's unemployed school friends, Bob and Vic, to help with the business and the crime. After some careless talk from Harold, just known as 'H', about Dad's pension fund, Vic and Bob decide to steal the money from Dad if they can find it. The plans to liberate the money go awry and Sav is killed requiring Bob to call upon his sister Chris to rescue them. Dad intercepts their escape and forces a showdown to try to determine exactly the events of the night in order to identify his son's killer. Written by
Mark Smith <firstname.lastname@example.org>
I have never considered myself a serious critics of films. I like what I like, and I seldom reference films to one another. So Dad Savage was for me no like Pulp Fiction meets Res. Dogs only English. It was and will always be: And English film on it's own.
So what did I think of Dad Savage? I loved it. It keeps you guessing from beginning to end, and Patrick Stewart is simply the cherry on the top. He is wonderful in this film, and unlike some of his other roles, which are typically upright and moral, he plays a mean, nasty crook, who loves his son.
The film flows quickly and easily around the intricate plot that once revealed makes wonderful and dark sense. It's in my collection because it's trying to be different from the rest, and it's what I'd like to term - a surprise film. It's quirky, sharp and fast and at no point does it give us a moral lecture, nor does it attempt to cover up anything.
If you liked Complicity (Johnny Lee Miller) or Peter's Friends (Stephen Fry) then you're bound to love Dad Savage. All my thumbs up!
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