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Critical Care (1997)

Werner Ernst is a young hospital resident who becomes embroiled in a legal battle between two half-sisters who are fighting over the care of their comatose father. But are they really ... See full summary »

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1 nomination. See more awards »

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Cast

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Storyline

Werner Ernst is a young hospital resident who becomes embroiled in a legal battle between two half-sisters who are fighting over the care of their comatose father. But are they really fighting over their father's care, or over his $10 million estate? Meanwhile, Werner must contend with his nutty supervisor, who insists that he only care for patients with full insurance. Can Werner sidestep the hospital's legal team and do what's best for the patient? Written by Martin Lewison <mlewison@utk.edu>

Plot Summary | Add Synopsis

Taglines:

At Memorial Hospital no one ever dies... Until their insurance runs out.

Genres:

Comedy | Drama

Motion Picture Rating (MPAA)

Rated R for language and a scene of sexuality | See all certifications »
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Details

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Release Date:

31 October 1997 (USA)  »

Also Known As:

Cuidados Intensivos  »

Filming Locations:


Box Office

Budget:

$12,000,000 (estimated)

Opening Weekend:

$43,380 (USA) (31 October 1997)

Gross:

$141,853 (USA) (14 November 1997)
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Company Credits

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Technical Specs

Runtime:

Sound Mix:

Color:

Aspect Ratio:

1.85 : 1
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Did You Know?

Quotes

[first lines]
Stella: [dropping clipboard] That's six's blood gases. I'm up to oxygen 60%.
Dr. Werner Ernst: Thank you.
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Soundtracks

Quintet in G Minor, K516
Written by Wolfgang Amadeus Mozart
Performed by Pinchas Zukerman and The Tokyo String Quartet
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User Reviews

 
Not completely believable medical drama
11 May 2013 | by (United States) – See all my reviews

Not bad medical drama hampered by the fact that for a great deal of the film Spader's character behaves like an idiot. This isn't the actors fault, he gives as good a performance as possible considering the actions forced on him by the script. He is certainly supported by a high quality cast in almost every role. Kyra Sedgwick is annoying and not terribly convincing but she is the lone sore spot. Helen Mirren is wonderful as an understanding and compassionate nurse and Albert Brooks a stitch as a loony doctor well past his sell by date. The script has many holes but it does make a strong plea for doctors seeing patients as people not just science projects and sources of income.


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