A cab driver finds himself the hostage of an engaging contract killer as he makes his rounds from hit to hit during one night in Los Angeles. He must find a way to save both himself and one last victim.
Sometime in the 1970's, police officers from New York wanted a safe haven to live, away from the dangers of the streets of New York, this is when they established a "Cop Land" in the small New Jersey town of Garrison. Freddy Heflin who was always admired by the New York cops wanted to become one, but because he was deaf in one ear this prevents him from achieving his goal, but has become sheriff of Garrison. Recently there have been a dark omen surrounding the NYPD, and Freddy is now investigating on this case, then Internal Affairs officer Mo Tilden is also on the case and asks Freddy for help, but Freddy could not. Now Freddy suspects that a New York cop named Ray Donlan might be one of the many cops who is corrupted by the mob and other criminals. Now, Freddy must find a cop who is nicknamed "Superboy" who can testify against Donlan and protect him, before Donlan finds Superboy and kills him. Written by
There is a disclaimer at the end of the credits which states "This film is a work of fiction. It is currently illegal for New York City Police officers to live outside the state of New York." See more »
When Moe Tilden first meets the crooked cops in the New Jersey coffee shop, you can see through the window that it's raining outside, with water dripping from the eaves of the building. When he walks outside to his car, not only is it not raining but the streets are dry. See more »
Every precinct has its cop bar - a private club - all blue. For the 3-7 it was the Four Aces, just across the river.
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Normally, the credits display the actor's name on the left side with the character's name on the right. The credits here are reversed. See more »
I know that everyboby's laughing about a movie that Stallone's starring in. His name is an easy target even to the most ignorant ones; they immediately put him under the 'action movie' label, like Arnold or Jean-Claude. What people forget (or don't know) about is that Stallone differs from all those action movie actors, in that he turned into this icon we all know by making a series of (really) bad choices. Do you know that Sly's the one who wrote the script of the Oscar winning Rocky? Do you know that because his face is half paralyzed (from birth) he speaks in that weird way that some people find difficult to understand what he's saying (and always joke about it)? Do you know that he was paid only $60.000 for his acting in Cop Land, while he had to gain 30 pounds for his role?
To me Cop land is the kind of movie Stallone should have made after First Blood. The director knows what Sly's really capable of so he gives him this role of the cop that is so fair and just, but inside him a burning past lives on. He's a hero and because of that he's lost half of his hearing to save the woman he loves, but she went on to marry another man. He can't be promoted because of his hearing, and while he wants to stay integral, he has to face the deeds of his fellow police officers.
The movie showcases the struggle of a man to overcome his past, the temptation of corruption and the triumph of one's will to remain true to what he believes in. The final sequence is similar to the one's of The Unforgiven or Taxi Driver and it provides a hymn to the human spirit. Stallone's perfomance is unforgettable and he should be nominated for an academy award. Do you think that it's an accident that his performance overshadows De Niro's and Keitel's appearences?
I believe that if Stallone did a movie like that right after his first 2 triumphs he could be leading a career similar to the one of De Niro's. But unfortunately, to all of us Sly's only capable of throwing hand grenades. Right Leonard Maltin?
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