Robert Rath is a seasoned hitman who just wants out of the business with no back talk. But, as things go, it ain't so easy. A younger, peppier assassin named Bain is having a field day ... See full summary »
Years ago, Jack Carter left his Seattle home to become a Las Vegas mob casino financial enforcer. He returns for the funeral of his brother Richard 'Richie' after a car crash during a storm... See full summary »
Rachael Leigh Cook,
Frank Leone is nearing the end of his prison term for a relatively minor crime. Just before he is paroled, however, Warden Drumgoole takes charge. Drumgoole was assigned to a hell-hole ... See full summary »
Stallone plays a cop who comes undone after witnessing a brutal scene on the job. He checks into a rehab clinic that specializes in treating law enforcement officials. Soon, he finds that his fellow patients are being murdered one by one.
Charles S. Dutton,
A woman (Madeleine Stowe) who has just discovered she is the daughter of a murdered Mafia chieftain (Anthony Quinn) seeks revenge, with the aide of her Father's faithful bodyguard (Sylvester Stallone).
Sometime in the 1970's, police officers from New York wanted a safe haven to live, away from the dangers of the streets of New York, this is when they established a "Cop Land" in the small New Jersey town of Garrison. Freddy Heflin who was always admired by the New York cops wanted to become one, but because he was deaf in one ear this prevents him from achieving his goal, but has become sheriff of Garrison. Recently there have been a dark omen surrounding the NYPD, and Freddy is now investigating on this case, then Internal Affairs officer Mo Tilden is also on the case and asks Freddy for help, but Freddy could not. Now Freddy suspects that a New York cop named Ray Donlan might be one of the many cops who is corrupted by the mob and other criminals. Now, Freddy must find a cop who is nicknamed "Superboy" who can testify against Donlan and protect him, before Donlan finds Superboy and kills him. Written by
At the end of the film, when Freddy and Gary are bringing in Murray Babitch to the NYC authorities, there is one shot of Moe Tilden coming out of a building. In this one shot, his mustache is noticeably longer. Director James Mangold wanted to get a shot of Robert De Niro's character walking out of the building. De Niro had already completed his scenes and was already working on another film, Jackie Brown (1997). De Niro agreed to return and appear in the shot, but could not trim his longer mustache as it was required for his character, Louis Gara, in Jackie Brown (1997). See more »
After Babitch is on the run he is visiting Heflin asking for help. When Babitch is at the door still in the shadow his mouth is clearly saying something, but we hear nothing. See more »
Every precinct has its cop bar - a private club - all blue. For the 3-7 it was the Four Aces, just across the river.
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Normally, the credits display the actor's name on the left side with the character's name on the right. The credits here are reversed. See more »
Freddie Heflin is a sheriff in a New Jersey suburb mainly populated by NYPD cops seeking a break from the big city. Freddie lives in awe of the cops, unable to join due to deafness in one ear. However he is forced to confront Donlan and his colleagues when an IA officer Tilden begins to investigate the killing of two unarmed black men by, and subsequent suicide of Donlan's nephew Murray Babitch.
This `independent' thriller boast a deep cast and certainly had a lot to shout about in the run up to it's release. The problem is with the actual story that the film has to work with. The start is exciting with Babitch's killing of two black motorists but it is also quite stretched. Similarly the denouncement is exciting but is quite easy to see it coming. However the middle section is good, as it relies on the characters and the actors to develop the story - although there is probably too much history to squeeze into a short time.
Stallone proves that he can act, being excellent in a particularly unglamorous role, carrying extra weight for the part and looking like he took lessons from De Niro. The rest of the cast would find it hard to be bad - De Niro and Harvey Keitel rekindle their Scorsese partnership and both are good here. Liotta, Rapaport, Patrick and Sciorra are all excellent in smaller roles. Even small roles are played by heavyweights - Emmerich, Moriarty, Spencer, Vincent and Garofalo (who only seems to have 2 scenes!)
Overall the film benefits from a fantastic cast but needed a much stronger plot to justify the depth of the performances.
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