Years ago, Jack Carter left his Seattle home to become a Las Vegas mob casino financial enforcer. He returns for the funeral of his brother Richard 'Richie' after a car crash during a storm... See full summary »
Rachael Leigh Cook,
Stallone plays a cop who comes undone after witnessing a brutal scene on the job. He checks into a rehab clinic that specializes in treating law enforcement officials. Soon, he finds that his fellow patients are being murdered one by one.
Charles S. Dutton,
Sometime in the 1970's, police officers from New York wanted a safe haven to live, away from the dangers of the streets of New York, this is when they established a "Cop Land" in the small New Jersey town of Garrison. Freddy Heflin who was always admired by the New York cops wanted to become one, but because he was deaf in one ear this prevents him from achieving his goal, but has become sheriff of Garrison. Recently there have been a dark omen surrounding the NYPD, and Freddy is now investigating on this case, then Internal Affairs officer Mo Tilden is also on the case and asks Freddy for help, but Freddy could not. Now Freddy suspects that a New York cop named Ray Donlan might be one of the many cops who is corrupted by the mob and other criminals. Now, Freddy must find a cop who is nicknamed "Superboy" who can testify against Donlan and protect him, before Donlan finds Superboy and kills him. Written by
Sylvester Stallone is excellent in this slow-moving, absorbing film about cops on the take. Sly goes through what must be one of the longest slow-burns in movie history as the dumb, passive sheriff who only has his job thanks to the grace of crooked cop Harvey Keitel and protects him and his gang because of it. When it finally dawns on him, as it was inevitable it would, that he's been played for a fool, the results are explosive. It's well written, with a strong storyline, great dialogue and excellent performances all round (especially from Robert de Niro, Keitel and Ray Liotta). But it stands or falls on Stallone's portrayal of the central character, and he rises surprisingly majestically to the occasion. A very restrained, sensitive performance in a cracking good film.
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