A cab driver finds himself the hostage of an engaging contract killer as he makes his rounds from hit to hit during one night in Los Angeles. He must find a way to save both himself and one last victim.
Sometime in the 1970's, police officers from New York wanted a safe haven to live, away from the dangers of the streets of New York, this is when they established a "Cop Land" in the small New Jersey town of Garrison. Freddy Heflin who was always admired by the New York cops wanted to become one, but because he was deaf in one ear this prevents him from achieving his goal, but has become sheriff of Garrison. Recently there have been a dark omen surrounding the NYPD, and Freddy is now investigating on this case, then Internal Affairs officer Mo Tilden is also on the case and asks Freddy for help, but Freddy could not. Now Freddy suspects that a New York cop named Ray Donlan might be one of the many cops who is corrupted by the mob and other criminals. Now, Freddy must find a cop who is nicknamed "Superboy" who can testify against Donlan and protect him, before Donlan finds Superboy and kills him. Written by
Sylvester Stallone gained 40 pounds to add realism to his portrayal of the police officer. He also was only paid SAG minimum wages. By the time that reshoots were required, he had lost the weight again. See more »
When Moe Tilden first meets the crooked cops in the New Jersey coffee shop, you can see through the window that it's raining outside, with water dripping from the eaves of the building. When he walks outside to his car, not only is it not raining but the streets are dry. See more »
Every precinct has its cop bar - a private club - all blue. For the 3-7 it was the Four Aces, just across the river.
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Normally, the credits display the actor's name on the left side with the character's name on the right. The credits here are reversed. See more »
Freddie Heflin is a sheriff in a New Jersey suburb mainly populated by NYPD cops seeking a break from the big city. Freddie lives in awe of the cops, unable to join due to deafness in one ear. However he is forced to confront Donlan and his colleagues when an IA officer Tilden begins to investigate the killing of two unarmed black men by, and subsequent suicide of Donlan's nephew Murray Babitch.
This `independent' thriller boast a deep cast and certainly had a lot to shout about in the run up to it's release. The problem is with the actual story that the film has to work with. The start is exciting with Babitch's killing of two black motorists but it is also quite stretched. Similarly the denouncement is exciting but is quite easy to see it coming. However the middle section is good, as it relies on the characters and the actors to develop the story - although there is probably too much history to squeeze into a short time.
Stallone proves that he can act, being excellent in a particularly unglamorous role, carrying extra weight for the part and looking like he took lessons from De Niro. The rest of the cast would find it hard to be bad - De Niro and Harvey Keitel rekindle their Scorsese partnership and both are good here. Liotta, Rapaport, Patrick and Sciorra are all excellent in smaller roles. Even small roles are played by heavyweights - Emmerich, Moriarty, Spencer, Vincent and Garofalo (who only seems to have 2 scenes!)
Overall the film benefits from a fantastic cast but needed a much stronger plot to justify the depth of the performances.
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