Dr. Ellie Arroway, after years of searching, finds conclusive radio proof of intelligent aliens, who send plans for a mysterious machine.

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Cast

Cast overview, first billed only:
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...
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Sami Chester ...
Vernon (as SaMi Chester)
Timothy McNeil ...
Davio
Laura Elena Surillo ...
Cantina Woman
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...
Minister
Michael Chaban ...
Hadden Suit
...
Willie (as Maximilian Martini)
...
Thomas Garner ...
Ian Broderick
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Storyline

Astronomer Dr. Ellie Arroway has long been interested in contact to faraway lands, a love fostered in her childhood by her father, Ted Arroway, who passed away when she was nine years old leaving her then orphaned. Her current work in monitoring for extraterrestrial life is based on that love and is in part an homage to her father. Ever since funding from the National Science Foundation (NSF) was pulled on her work, which is referred to some, including her NSF superior David Drumlin, as more science fiction than science, Ellie, with a few of her rogue scientist colleagues, have looked for funding from where ever they could get it to continue their work. When Ellie and her colleagues hear chatter originating from the vicinity of the star Vega, Ellie feels vindicated. But that vindication is short lived when others, including politicians, the military, religious leaders and other scientists such as Drumlin, try to take over her work. When the messages received from space are decoded, ... Written by Huggo

Plot Summary | Plot Synopsis

Taglines:

From the Academy Award-winning director of "Forrest Gump" and Pulitzer Prize-winning author of "Contact" take you on a journey to the heart of the universe See more »


Motion Picture Rating (MPAA)

Rated PG for some intense action, mild language and a scene of sensuality | See all certifications »

Parents Guide:

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Details

Country:

Language:

| | |

Release Date:

11 July 1997 (USA)  »

Also Known As:

Contacto  »

Box Office

Budget:

$90,000,000 (estimated)

Opening Weekend:

$20,584,908 (USA) (11 July 1997)

Gross:

$100,853,835 (USA) (31 October 1997)
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Company Credits

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Technical Specs

Runtime:

Sound Mix:

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Color:

(Technicolor)

Aspect Ratio:

2.35 : 1
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Did You Know?

Trivia

Jodie Foster notes on her DVD commentary for the film that the first special effect seen is the changing of the younger Eleanor Arroway's eye colour to match hers. People have pointed out, however, that the opening cgi scene taking the viewer from earth to the outer cosmos would also technically be a special effect. See more »

Goofs

In a flashback to the early- to mid-'70s, we see a toy horse on young Ellie's nightstand. The horse is made by Breyer Animal Creations in the mid to late 1980s. See more »

Quotes

[first lines]
Young Ellie: CQ, this is W9GFO. CQ, this is W9GFO here. Come back?
See more »

Connections

Referenced in Star Stuff (2015) See more »

Soundtracks

Itsy Bitsy Teenie Weenie Yellow Polka Dot Bikini
(uncredited)
Written by Lee Pockriss and Paul Vance
Performed by Brian Hyland
Played briefly during the opening sequence
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Frequently Asked Questions

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User Reviews

 
Different from the book doesn't mean bad.
20 September 2002 | by (Alexandria, Virginia) – See all my reviews

I am used to hearing from just about everyone who has read a book that was made into a movie that the book is always better. I tend to agree with this opinion. Contact, however, shows that in the arts the norm is not always the truth; opinion, no matter how often it is backed up with evidence, can never break through the barrier into be a hardened and absolute truth.

I saw this movie first before I read the book. That is partly because I didn't know that there was the book until after the movie. So, a year or so after the viewing, I got the book. Of course, the movie, in general terms, follows the book fairly well. I have to say, the movie can easily stand on its own merits just as the book can also.

The immediate impression of the film after the book is that there is a great emphasis on faith, proof, truth and opinion. These themes are not much brought up in the book - at least not with the same impact nor in the same way as in the film. Of course, the field of Astrophysics, of which Carl Sagan was a practitioner, lends itself very easily to ultimate questions such as God, faith, truth etc. The vastness of space and complexity of reality, viewed through the scrutiny of the scientific eye, is mind-boggling. As was repeated in the movie several times: "if we're all that there is, "its an awful waste of space." Personally, I think that the book relates these notions of vastness and complexity much better than the movie. But, the audience of the book was certainly not necessarily the same audience as the movie.

To be more fair, the vastness which was expressed in the book was demonstrated to an equal degree, but differed in quality, by the "aloneness" of Dr. Arroway as she scuttles across the universe. In the book, Dr. Arroway is not alone but go with a team of scientists, all of whom make their appearance in the movie. There is much more detail given in the book of the trip through the device than in the movie. In fact, there are very deliberate omissions made which eliminate the technological bent of the book. Yet, the focus of the movie does not allow the movie to be diminished by these omissions in the same way that the book would unavoidably be lacking without those details.

One final aspect of the movie which is relevant with respect to the book is time. Of course, in physics, time has its leading role so it must make at least a cameo in a movie which relies on physics. Astrophysics is tied inextricably to relativity which is likewise tied to time. The timelessness of the device design sent via radio signals and the instantaneous trip Dr. Arroway seemed to put relativity into perfect perspective. The book takes a slightly different view by using distance and the experience of each traveler of moving fast distances with no other apparent sensations of motion. It all adds up to different but equal expressions of the science which Carl Sagan had mastered.

Both the book and the movie are simply fantastic, one not outshining the other as regards their scope and vision. Watch the film, it is a beautiful one. Read the book, it is equally beautiful.


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