IMDb > Conceiving Ada (1997)

Conceiving Ada (1997) More at IMDbPro »

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Conceiving Ada -- Emmy Coer, a computer genius, devises a method of communicating with the past by tapping into undying information waves...

Overview

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4.7/10   320 votes »
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Release Date:
19 February 1999 (USA) See more »
Genre:
Plot:
Emmy Coer, a computer genius, devises a method of communicating with the past by tapping into undying information waves... See more » | Add synopsis »
Awards:
1 nomination See more »
NewsDesk:
(4 articles)
!War At Sundance
 (From WeAreMovieGeeks.com. 29 December 2010, 6:00 PM, PST)

Sci-Fi Feminist tale 'Conceiving Ada' finally out on DVD
 (From Planet Fury. 5 August 2010, 4:32 PM, PDT)

Tilda Swinton, Posterized
 (From FilmExperience. 25 June 2010, 5:00 PM, PDT)

User Reviews:
Passionate calculation maybe, but deeply flawed See more (22 total) »

Cast

  (in credits order) (verified as complete)

Tilda Swinton ... Ada Augusta Byron King, Countess of Lovelace
Francesca Faridany ... Emmy Coer
Timothy Leary ... Sims

Karen Black ... Lady Byron / Mother Coer
John O'Keefe ... Charles Babbage
John Perry Barlow ... John Crosse
J.D. Wolfe ... Nicholas Clayton
Owen Murphy ... William Lovelace
David Brooks ... Children's Tutor (David)
Esther Mulligan ... Mary Shelley
Ellen Sebastian ... Dr. Fury
Mark Capri ... Dr. Locock
Joe Wemple ... Priest / Talk Show Host
Chris von Sneidern ... Musician In Elevator
David Eppel ... Simon
R.U. Sirius ... Barlow
Kashka Peck ... Teenage Ada
Rose Lockwood ... Child Ada / Claire
Jesse Talman Boss ... Baby Ada
Lillian L. Malmberg ... Anne Isabelle Byron
Cyrus Mare ... Ralph Byron

Michael Oosterom ... Lord Byron
Pollyanna Jacobs ... Cocktail Server
Roger Shaw ... Voice of Priest
Bruce Sterling ... CD-ROM Voice

Dave Nelson ... CD-ROM Voice (voice)

Henry S. Rosenthal ... CD-ROM Voice
George Leeson ... CD-ROM Voice / Club Patron
Melissa Howden ... CD-ROM Voice
Josh Rosen ... CD-ROM Voice (voice)

Lynn Hershman-Leeson ... CD-ROM Voice (voice) (as Lynn Hershman Leeson)
Lavay Smith ... Club Band: Lead Singer
Bing Nathan ... Club Band: Upright Bass
Chris Siebert ... Club Band: Piano
Bill Stewart ... Club Band: Alto Sax
Rosemary Astromsky ... Club Patron
Brooke Baggett ... Club Patron
Lori Baker ... Club Patron
Stack Buss ... Club Patron
Ellen Sebastian Chang ... Club Patron
Ethan Hay ... Club Patron
Geoffrey Herreman ... Club Patron
Seanne-Marie Jacobsen ... Club Patron
Michelle Kopecky ... Club Patron
Sharon Leong ... Club Patron
Jafer Louahdi ... Club Patron
Kenneth Lorber ... Club Patron
Melissa Margolis ... Club Patron
Phillip Ristaino ... Club Patron
Kit Robberson ... Club Patron
Dawn Robinson ... Club Patron
Jackie D. Stewart ... Club Patron
Lena Strayhorn ... Club Patron
Greg Thomas ... Club Patron
Tabitha Warren ... Club Patron
rest of cast listed alphabetically:
Charles Pinion ... (uncredited)
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Directed by
Lynn Hershman-Leeson 
 
Writing credits
(in alphabetical order)
Lynn Hershman-Leeson 
Eileen Jones 
Sadie Plant  CD-ROM Women, Weaving and Cybernetics
Betty A. Toole  biography Ada, the Enchantress of Numbers, A Selection Letters of Lord Byron's Daughter and Her Description of the First Computer

Produced by
Lynn Hershman-Leeson .... producer
Henry S. Rosenthal .... producer
 
Original Music by
The Residents 
 
Cinematography by
Hiro Narita 
Bill Zarchy (director of photography)
 
Film Editing by
Robert Dalva 
 
Production Design by
Lynn Hershman-Leeson 
 
Art Direction by
Laura F. Haynes 
 
Makeup Department
Gretchen Davis .... makeup artist
Marine Macerot .... hair stylist
Marine Macerot .... makeup artist
Gretchen West .... makeup assistant
 
Production Management
Debbie Brubaker .... unit production manager
Kevin O'Lone .... computer graphics production manager
 
Second Unit Director or Assistant Director
Sue Marcoux .... second assistant director
Eden Wurmfeld .... first assistant director
 
Art Department
David Bjorngaard .... art department
Nathalie Diericks .... assistant art director
Andrea Terry .... art department production assistant
 
Sound Department
Tom Bruchs .... consultant: Dolby surround
Inze Byl .... boom operator
Christopher Forrest .... dialogue editor
Kim Foscato .... dialogue editor
Paul Gainakos .... boom operator
Louis Hohenstein .... sound effects editor
Jennifer Myers .... foley artist
Dave Nelson .... foley recordist (as David Nelson)
Dave Nelson .... sound designer (as David Nelson)
Dave Nelson .... sound re-recording mixer (as David Nelson)
Dave Nelson .... supervising sound editor (as David Nelson)
Josh Rosen .... sound designer
Kerry Rosen .... dialogue editor
Tone Sanchez .... production sound
Andy Smitzer .... dialogue editor
Daniel Sperry .... stereo sound consultant: Dolby
Keith Terry .... foley artist
 
Visual Effects by
Jamie Clay .... computer graphics artist
Jamie Clay .... digital video effects supervisor
Jamie Clay .... modeler: mechincal bird
Walter Grey .... computer graphics artist
Walter Grey .... modeler: mechincal bird
Lynn Hershman-Leeson .... composite editing supervisor (as Lynn Hershman Leeson)
Scott Johnson .... computer graphics artist
Scott Johnson .... modeler: mechanical bird
Jonah Loop .... computer graphics artist
Jonah Loop .... digital effects artist
Karl Raade .... digital artist
Jim Rolin .... compositor: ultimatte
Laurel Roth .... computer graphics artist
Laurel Roth .... modeler: mechincal bird
Ed Rudolph .... on-line digital effects editor
Jarrod Sartain .... digital photgrapher
Carter Tomassi .... title opticals
 
Camera and Electrical Department
Kathleen Beeler .... camera operator: second unit
David B. Brubaker .... video playback operator
Isaac Camner .... gaffer
Jesse Drew .... camera operator: second unit
Mark Garrett .... virtual set photographer
Hrafnhildur Gunnarsdóttir .... camera operator: second unit
Mia Lor Houlberg .... camera operator: second unit
Mia Lor Houlberg .... first assistant camera: video
Gregor Keller .... best boy electric
Alan Kelley .... first assistant camera: film
Matthew Kenney .... second electrician
David Shippy .... key grip
Anjali Sundaram .... second assistant camera
Skip Sweeney .... camera operator: second unit
 
Animation Department
Robin Berman .... animator: main titles
Clarity .... animator: main titles
Hrafnhildur Gunnarsdóttir .... animator: Godsdog animation
Helen Plotkin .... animator: Godsdog animation
Keith Sands .... animator: main titles
David Schwartz .... animator: main titles
Anna Wagner .... animator: Godsdog animation
Mark Wallenberg .... animator: Godsdog animation
Mark White .... animator: Godsdog animation
 
Costume and Wardrobe Department
Lea Ditson .... costume designer: Ada's cape and velvet dresses
Terrance Graven .... costume consultant
Pollyanna Jacobs .... costume assistant (as Pollyanna M. Jacobs)
Mirka Morales .... costumer
 
Editorial Department
Joe Bini .... assistant editor: avid
David Cerf .... additional on-line editor
Angela Chou .... negative cutter
Lynn Hershman-Leeson .... off-line editor (as Lynn Hershman Leeson)
Stephen R. Sheridan .... color timer
Chryss Terry .... assistant editor
 
Music Department
Jake Tornatzky .... music editor
 
Other crew
Rosemary Astromsky .... production assistant
Robin Berman .... title designer: main titles
David Bjorngaard .... production assistant
Peter Buchanan .... legal consultant
Tom Bullock .... 35 mm post-production wrangler
Clarity .... title designer: main titles
Alfred Equitz .... legal consultant
Mark Garrett .... virtual set realisator
Kim Gonzales .... craft service
Susan A. Grode .... legal consultant (as Susan Grode)
Lynn Hershman-Leeson .... virtual set constructor (as Lynn Hershman Leeson)
Mia Lor Houlberg .... documentation
Jyoti Jalali .... assistant: Mr. Rosenthal
Suki Jones .... production assistant
Ivan Kraljevic .... production assistant
Paul Lederman .... production assistant
Meredith MacArthur .... production assistant
Cat McGrath .... production assistant
William Murray .... production coordinator
Paula Nederman .... assistant: Tilda Swinton
Paula Nederman .... production assistant
Jakob Nielsen .... title typography
Keith Sands .... title designer: main titles
Jarrod Sartain .... virtual set realisator
David Schwartz .... title designer: main titles
Luis Sola .... title treatment
Chryss Terry .... script supervisor
November Wanderin .... theatrical release promotion assistant
 
Thanks
B. Ruby Rich .... special thanks
 

Production CompaniesDistributorsOther Companies
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Additional Details

Also Known As:
"Clone of Ada" - Japan (English title)
See more »
Runtime:
85 min
Country:
Language:
Color:
Aspect Ratio:
1.85 : 1 See more »
Sound Mix:
Certification:

Did You Know?

Trivia:
A director's statement in the film's production notes says that the film was "structured around the idea of a double helix". "Every scene," the notes say, "was structured and shot using a DNA image as a model for actors' placement and camera movement."See more »
Quotes:
Ada Augusta Byron King, Countess of Lovelace:[her last words] Death makes the fragility of life delicious. In general, I'm not opposed to it.See more »
Movie Connections:
References Demon Seed (1977)See more »

FAQ

This FAQ is empty. Add the first question.
7 out of 8 people found the following review useful.
Passionate calculation maybe, but deeply flawed, 29 January 2007
Author: benkidlington from North West England

I'm the sort of person who went down to the local library and read books on Babbage's difference engine whilst my schoolmates were playing football etc.. So, if there is any such thing as a target audience for this film, then I guess I'd probably be included in that.

Maybe I just need to watch it again. A previous reviewer mentioned not to watch this film whilst being tired. Maybe that was my mistake.

I tried my best to enjoy this film, and there are aspects of it that I do like, but overall I found it amateurish and quite plodding.

Being somewhat of a self confessed computer nerd, I just can't help but pick up on the exact time frame when the movie was actually made, and how the employed graphics reflect that time (i.e. 1997). Having played games of the era c.f. "Mind Grind" to cite one example, this film cannot escape that 16-bit colour low res multimedia explosion of that time. Now thankfully this has somewhat lessened in more recent years in the gaming world at least, in favour of actual game play.

Having to resort to watching this movie via a German FTA satellite channel (as I don't think it's ever been aired on UK FTA TV, well not recently anyway), I was mildly amused to see the end credits note Gottdog (God dog) had 4 people working on it's design. Maybe it's mean spirited of me to be amused by this, given that ten years have elapsed since the movie was made, nevertheless the end result makes movie graphics from the eighties look good by comparison.

But, as for the main story, I agree that the format isn't the best idea. Like others I agree that Ada deserves a film without the sci-fi angle, and a more straightforward biographical approach would perhaps be better suited to covering the life story of this remarkable lady.

There are fundamental mistakes that undermine my enjoyment of this movie. First of all the underlying idea that somehow lost real-world information from the past can be accurately reconstructed through some sort of extrapolation via software based intelligent agents, seems somehow ludicrous.

Also, the theme running through the movie that a computing device can indeed predict the mechanics of all things through the course of time (e.g. the winds) is now known not to be the case.

OK, so the Victorians may have held this view, but the 20th century works of Gödel proving that no mathematical system can be complete, Turing's works on the limits of computability, not to mention chaos theory and quantum mechanics, have all completely undermined these ideas, which seem central to how the modern day researcher's software is supposed to work.

Finally, the clicking of the mouse in the air to mean "programming" is also just plain wrong, as previously mentioned.

This film maybe could have been OK, but at least some technical and scientific consultation would have given the film some much needed credit in the believability stakes.

I won't forget the film though, as like "Pi", it is clearly a unique work, but with too many fatal mistakes for me to truly enjoy it, 3/10 from me.

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