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Storyline
Emmy Coer, a computer genius, devises a method of communicating with the past by tapping into undying information waves. She manages to reach the world of Ada Lovelace, founder of the idea of a computer language and proponent of the possibilities of the "difference engine." Ada's ideas were stifled and unfulfilled because of the reality of life as a woman in the nineteenth century. Emmy has a plan to defeat death and the past using her own DNA as a communicative agent to the past, bringing Ada to the present. But what are the possible ramifications? Written by
James Callan <james@oz.net>
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Trivia
A director's statement in the film's production notes says that the film was "structured around the idea of a double helix". "Every scene," the notes say, "was structured and shot using a DNA image as a model for actors' placement and camera movement."
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Quotes
Doctor:
The uterus is completely destroyed. All that mathematics was too much for your body.
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Connections
References
Demon Seed (1977)
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Expecting a combination of scifi and period film about Ada Lovelace, Charles Babbage, the history of computers, etc, I was disappointed by this movies nonsensical pseudoscience and mixture of real and fabulous history. It gives the impression that its writer (Lynn Hershman-Leeson) has no real understanding of the Math, technology, or history constituting the film's subject, but is working instead from a sort of fuzzy artistic impression of them. This hits a sore spot with me, as I've long been irritated by the tendency of the arts to glom onto and awfully misuse science terms and ideas to the point of confusion, eg: Emmy Coer: "information waves have a half-life", Ada: "I'm not at all certain that half a life is better than no life at all".
This movie does worse than fail to entertain - it misinforms. The only redeeming value I can imagine for it is that it might attract a viewer to learn about the subject it so badly distorts. It's more likely, I think, to promote a superstitious perception of science and technology of any degree of advancement as indistinguishable from magic.