Clockwatchers (1997)

User Rating:

5.9/10   

Director:

Jill Sprecher

Writers:

Jill Sprecher (written by) and
Karen Sprecher (written by)

Release Date:

15 May 1998 (USA)

Genre:

Comedy

Tagline:

FOUR GIRLS. FOUR DREAMS. ONE OFFICE.

Plot:

Iris can best be described as a wallflower. She begins her first day as a temp for the nondescript Global...

Plot Keywords:

Office | Temporary Worker | Origami | Secretary | Bar

Awards:

2 wins & 1 nomination

Cast

Toni Collette	...	Iris Chapman
Parker Posey	...	Margaret Burre
Lisa Kudrow	...	Paula
Alanna Ubach	...	Jane
Helen FitzGerald	...	Cleo
Stanley DeSantis	...	Art
Jamie Kennedy	...	Eddie
David James Elliott	...	Mr. MacNamee
Debra Jo Rupp	...	Barbara
Kevin Cooney	...	Mr. Kilmer
Bob Balaban	...	Milton Lasky
Paul Dooley	...	Bud Chapman
Scott Mosenson	...	Jack Shoberg
Irene Olga López	...	Coffee Lady (as Irene Olga Lopez)
Joshua Malina	...	Global Credit Receptionist

MPAA:

Rated PG-13 for brief language.

Runtime:

96 min

Country:

USA

Language:

English

Color:

Color

Sound Mix:

Dolby

Certification:

Iceland:L | Netherlands:AL | Australia:M | Norway:A | Spain:13 | UK:12 | USA:PG-13

Filming Locations:

Los Angeles, California, USA

Company:

Goldcrest Films International

Goofs:

Continuity: When Iris attempts to retrieve the bag Paula drops on the bus, the small child who was sitting immediately in front of Paula vanishes. Iris immediately sits where the missing child was last seen.

Quotes:

Dianne: I keep a pair of shoes in my desk, and now *one* of them is missing.

Movie Connections:

Referenced in New Guy (2003)

Soundtrack:

Magenta Mountain

Accuracy is never boring.

I suppose the viewers who label Clockwatchers "boring" simply don't understand that dramas are MEANT to be slower than your garden-variety Indiana Jones or Die Hard. These "action" flicks are ten-times as dull as the corporate setting for this astonishing study on class, friendship, and inner-awareness. Or maybe it is the female perspective or "chick-flick" factor that turn certain people off. Or maybe temporary status in modern American business isn't relevant to everyone. Or the subtle, less gimmicky observations of reality.

Clockwatchers is all of these things at once. Toni Collette plays the ultra-shy newcomer to Global Credit, the ultimate transnational corporation, who slowly comes to realize that the doomed bond she makes with three other temps is an extremely sacred event in her life. Iris slowly gains confidence through such comradery and at one point she doesn't want to leave, even though her father has higher career expectations for his daughter. Iris comes full circle at the end of the film, confronts one of her many bosses whom plot against her, and atones for not standing with Parker Posey, who is the life of the party as Margaret.

The creators of this film are SO incredibly accurate in revealing what worklife is actually like (the boredom, sharing someone else's space, not knowing someone's name or them not knowing yours), that I felt almost honored to know I wasn't alone. (Movies that are this honest about despair are never depressing.) This is combined by the subtle observations of Iris, which I suppose aren't as exciting as blowing someone's head off or toilet humor, but intriguing nonetheless. It is finally layered with political analysis as the female temps organize a strike.

Suffice it to say, Clockwatchers covers a lot of ground, but the layers are folded well together in a way that makes you care about what happens to these characters and their station in life. A must-see sleeper for those who prefer (for example) Merchant & Ivory over Van Damme & Seagal. 9 out of 10.