Iris can best be described as a wallflower. She begins her first day as a temp for the nondescript Global Credit Association by waiting in a chair for two hours. This sets the scene for her... See full summary »
Mary is a free-spirited young woman with a run-down New York apartment and a high fashion wardrobe. She calls her godmother, a librarian, for bail money after being arrested for throwing an... See full summary »
Daisy von Scherler Mayer
When a petty criminal escapes from jail, she lays low by posing as a babysitter for two semmingly precious children. But when she decides to sell them for a quick profit, she gets more than... See full summary »
Ed Begley Jr.,
Brian is a television writer-producer who has to script a 22-episode anthology, but lacks inspiration. He witnesses a strange romantic encounter between two figures on the balcony of hotel ... See full summary »
A struggling actor lands the part of a rapist in a TV reenactment for a "Crimebusters" segment. He soon meets a beautiful rich woman whom he begins an affair with, even though she is ... See full summary »
Andre Rosey Brown,
A comedy about misfits in which a veterinarian becomes involved with a client, whose wife has begun acting like a dog. Lisa Kudrow plays the vet while Lee Tergensen is the frazzled husband,... See full summary »
A string of murders at a local strip joint give a reporter the chance to do undercover investigation. She gets a job as a stripper at the establishment, where she befriends some of the ... See full summary »
Charles Philip Moore
Barbara Alyn Woods,
Iris can best be described as a wallflower. She begins her first day as a temp for the nondescript Global Credit Association by waiting in a chair for two hours. This sets the scene for her (mis)adventures with the other "corporate orphans", Margaret, Paula and Jane. Led by Margaret, they find subtle ways to lessen the ennui of corporate oppression. The tension escalates when the new permanent hire, Cleo, enters the picture. Written by
Vanessa Exum <email@example.com>
When Paula says, "I'm so bad," after bumping into a guy on the bus, her mouth does not match the audio. See more »
Everything is temporary. Everything begins and ends and begins again. When I look ahead, I imagine infinite possible futures repeated like countless photocopies, a thousand blank pages, and in each one I see myself, never hiding, never sitting silently, and never just waiting and waiting and watching the world go by.
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Blistering black comedy co-written by Jill Sprecher (who also directed) and Karen Sprecher, "Clockwatchers" gives us a suffocating office setting so vivid and real I half-expected my own co-workers to show up in it. Toni Collette plays the new temporary in a nondescript building wherein office-incidentals are slowly disappearing from the supply cabinet. The ensemble acting is delightfully accurate, and the strife which ensues in this scenario is comically overwrought and horrifying. Sprecher's direction is focused and brave (no overtures to broadly comical sensibilities), and she nimbly stretches the film's satirical edge quite far without faltering. The movie is a genuine American original, and by the final third I couldn't wait to see it again from the start. ***1/2 from ****
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