Not far from Shanghai, in a country twon stands the palatial home of the Pang family. Old Master Pang is an addict who brings up his beautiful daughter Ruyi on opium smoke. Her older ... See full summary »
Zhou Yu, a ceramic decorative artist, travels twice a week from her home town of San Ming to Chongyang to visit her boyfriend, Chen Qing, a government worker and budding poet. The two met ... See full summary »
Ella is a divorced Chinese American taxi driver who spends her days ferrying people around the roads of Sausalito, San Francisco. After work, she spends time with her 8-year old son, Scott.... See full summary »
Gong Li stars in this low-key drama about a single mother who will do anything to provide for her son. Sun Liying (Li) struggles to care for her hearing-impaired child Zheng Da (Gao Xin) after her taxi driver husband divorces.
Ma Lei which sounds like "Mary" is a Chinese citizen, living in Hong Kong as the kept woman of a jeweler. She wishes for two things: to get her Hong Kong Identity Card, which will enable ... See full summary »
In San Francisco, an immigrant Chinese widow welcomes the new year with some unhappiness: she's 62 now, she wants to make a trip to China to pay last respects to her ancestors, a fortune ... See full summary »
John is an English photojournalist who has spent over a decade in Hong Kong; his friend Jim often crashes in his cramped apartment. John's unrequited love is Vivian whom he aches for but has not the nerve to possess. Concurrent with England's transfer of Hong Kong back to the Chinese, John discovers that he has a rare form of leukemia and has only months to live. So John, Jim, and the disfigured proto-hippy Jean grab a digital video camera and prowl the streets, seeking to document the "real" Hong Kong one last time. Written by
When John and Jim stop during the motorcycle ride up the hill, the shadow of a cameraman is visible. See more »
You were talking about democracy. Don't forget that Hong Kong never had democracy, and Hong Kong never asked for democracy, and didn't get it until 1984. But having been given it as a present, it might miss it if it's taken away again.
See more »
I don't know if Wayne Wang is into photography or painting as a hobby, but just like his last two films, SMOKE and BLUE IN THE FACE, this movie reminded me of a mosaic or a photo album. I can see how some people had problems with it, since it's not a plot-driven film, but rather one of mood and atmosphere. I was moved by the images I saw, not just of the city and the changes it went through, but also of the actors. Irons is so often celebrated for the way that he uses his voice (justly, I might add) that you forget how well he's able to act with his face, and he does a terrific job here, communicating his sadness, his will to live even as disease ravages him, his agony over his unrequited love for Gong Li, and his curiosity and attraction to Maggie Cheung.
I haven't seen much of Cheung that I remember, but I've seen a few of Li's films. Both of them are excellent, Li especially in a role that's a lot more complicated than it might first appear. You really do feel that deep down, if circumstances allowed, she'd love Irons back. Cheung's role is mostly a symbolic one, but she handles it well. Not an easy film to watch, but moving.
10 of 10 people found this review helpful.
Was this review helpful to you?