Critic Reviews



Based on 16 critic reviews provided by
Loose, buoyant and bracingly original.
Thanks largely to the raw bravery and intensity of the two leads' performances, Happy Together takes a quantum leap forward in terms of visceral power.
Happy Together is Wong's most fully realized work. It is a pleasure to watch an interesting mind feel his way, and the result is something more than just a passing fancy.
Stylistically brash, pulsing with life.
The Globe and Mail (Toronto)
Wong returns once more to what he seems to know best - the visual poetry of the urban Asian night, a world of characters on the move, coming and going, never really getting anywhere. [5 Dec 1997]
Chicago Reader
Structurally and dramatically this is all over the place, but stylistically it's gripping, and thematically it suggests an oblique response to the end of Hong Kong's colonial rule.
The vignettes don't add up to a story, but Wong's nervy brio and subterranean-fantasy style make for an arresting work about an exotic subculture.
Wong Kar-Wai, whose energetic and inventive style isn't enough to give the shallow story the substance and resonance it needs.
Happy Together feels joylessly fussed over.
In the absence of any genuine emotional wallop, it is the directorial pizzazz that pulls you through. Just about.

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