Yiu-Fai and Po-Wing arrive in Argentina from Hong Kong and take to the road for a holiday. Something is wrong and their relationship goes adrift. A disillusioned Yiu-Fai starts working at a... See full summary »
A graying black-clad swordsman slays palace guards, as he flies through the air to an uncertain purpose. Centuries (or is it days?) later, gun-toting, Armani-clad super policemen -- Hong ... See full summary »
Set in 1960, the film centres on the young, boyishly handsome Yuddy, who learns from the drunken ex-prostitute who raised him that she is not his real mother. Hoping to hold onto him, she ... See full summary »
A disillusioned killer embarks on his last hit but first he has to overcome his affections for his cool, detached partner. Thinking it's dangerous and improper to become involved with a ... See full summary »
Yiu-Fai and Po-Wing arrive in Argentina from Hong Kong and take to the road for a holiday. Something is wrong and their relationship goes adrift. A disillusioned Yiu-Fai starts working at a tango bar to save up for his trip home. When a beaten and bruised Po-Wing reappears, Yiu-Fai is empathetic but is unable to enter a more intimate relationship. After all, Po-Wing is not ready to settle down. Yiu-Fai now works in a Chinese restaurant and meets the youthful Chang from Taiwan. Yiu-Fai's life takes on a new spin, while Po-Wing's life shatters continually in contrast. Written by
Perry Yu <firstname.lastname@example.org>
Cheng Chang's storyline was completely improvised. Wong Kar-Wai discovered restaurant China Central by chance and, seizing Leslie Cheung's absence due to a concert tour, decided to keep shooting. So Chang's plot was created. See more »
Before Fai push starts the old car, the engine has already started while it is standing still. See more »
Do you regret being with me?
Damn right I do! I had no regrets until I met you. Now my regrets could kill me.
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In some prints, Jacques Picoux (the French subtitle translator) is listed twice in a row in the closing credits. See more »
Brilliant & Touching Story of loneliness & dislocation
I didn't think so the first time I saw HAPPY TOGETHER, but I really think this film is a masterpiece. Technically it's amazing - the hand-held camera-work is incredible, and the mindbending shifts from saturated colors to monochrome (which I first felt was a stylish stunt) really underscores the loneliness and alienation of the characters brilliantly - the overall effect by the films' end is devastating.
HAPPY TOGETHER was apparently also - at least partially - inspired by the Argentine novelist Manuel Puig, author of 'Kiss Of The Spider Woman' among many other novels, and Puig's fiction tackles similar issues in a similarly fractured style (filled with footnotes, digressions and sudden shifts in perspective), all to incredibly powerful emotional effect.
If HAPPY TOGETHER is something of an homage to Puig, it's a great one. On it's own it's also a devastating portrait of a disintegrating relationship.
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