| Photos (see all 25 | slideshow) | Videos |
| Ethan Suplee | ... | Fan | |
| Ben Affleck | ... | Holden McNeil | |
| Scott Mosier | ... | Collector | |
| Jason Lee | ... | Banky Edwards | |
| Casey Affleck | ... | Little Kid | |
| Dwight Ewell | ... | Hooper X | |
| Joey Lauren Adams | ... | Alyssa Jones | |
| Guinevere Turner | ... | Singer | |
| Carmen Llywelyn | ... | Kim (as Carmen Lee) | |
| Brian O'Halloran | ... | Jim Hicks - Executive #1 | |
| Matt Damon | ... | Shawn Oran - Executive #2 | |
| Alexander Goebbel | ... | Train Kid | |
| Tony Torn | ... | Cashier | |
| Rebecca Waxman | ... | Dalia | |
| Paris Petrick | ... | Tory | |
| Welker White | ... | Jane | |
| Kelli Simpkins | ... | Nica | |
| John Willyung | ... | Cohee Lundin | |
| Tse-Mach Washington | ... | Young Black Kid at Record Store (as Tsemach Washington) | |
| Ernest O'Donnell | ... | Bystander (as Ernie O'Donnell) | |
| Jason Mewes | ... | Jay | |
| Kevin Smith | ... | Silent Bob | |
| Kristin Mosier | ... | Waitress | |
| Virginia Smith | ... | Con Woman | |
| rest of cast listed alphabetically: | |||
| Mike Allred | ... | Himself (uncredited) | |
| Robert Hawk | ... | Hooper's Lover (uncredited) | |
| Brian Jude | ... | Train Station Passenger (uncredited) | |
| Brian Lynch | ... | Bryan White (uncredited) | |
| Jeff Millstein | ... | Record store patron (uncredited) | |
| Vincent Pereira | ... | Startled Pinball Player (uncredited) | |
| Joe Quesada | ... | Himself (uncredited) | |
Directed by | |||
| Kevin Smith | |||
Writing credits(WGA) | ||
| Kevin Smith | (written by) | |
Produced by | |||
| Robert Hawk | .... | associate producer | |
| Scott Mosier | .... | producer | |
| John Pierson | .... | executive producer | |
| Derrick Tseng | .... | line producer | |
Original Music by | |||
| David Pirner | |||
Cinematography by | |||
| David Klein | (director of photography) | ||
Film Editing by | |||
| Scott Mosier | |||
| Kevin Smith | |||
Casting by | |||
| Shana Lory | |||
Production Design by | |||
| Robert Holtzman | (as Robert 'Ratface' Holtzman) | ||
Art Direction by | |||
| Jim Williams | |||
Set Decoration by | |||
| John Carlucci | |||
| Susannah McCarthy | |||
Costume Design by | |||
| Christopher Del Coro | |||
Makeup Department | |||
| Jane Choi | .... | hair stylist | |
| Jane Choi | .... | makeup artist | |
| Kristin Mosier | .... | hair/makeup assistant | |
Production Management | |||
| Monica Hampton | .... | post-production manager | |
| Monica Hampton | .... | production manager | |
Second Unit Director or Assistant Director | |||
| David Klein | .... | second unit director | |
| Linda Krantz | .... | second assistant director | |
| Chip Signore | .... | second second assistant director (as Stephen 'Chip' Signore) | |
| John Tyson | .... | first assistant director (as John M. Tyson) | |
Art Department | |||
| Laura Allred | .... | artwork: Bluntman & Chronic action sequence | |
| Mike Allred | .... | artwork: Bluntman & Chronic action sequence | |
| Scott 'Whitey' Anderson | .... | construction foreman | |
| Mike 'Gold Bond' Baker | .... | construction coordinator | |
| Kate Bartouldus | .... | scenic artist (as Kate Bartoldus) | |
| Matt Brundage | .... | artwork: Bluntman & Chronic action sequence | |
| Howard Chelder | .... | leadman | |
| Jennifer Cooke | .... | set dresser | |
| Augusta 'Gussy' Hopkins | .... | property master | |
| Mitchell Landsman | .... | scenic artist | |
| Amanda Nanawa | .... | art department production assistant | |
Sound Department | |||
| Tim J. Carroll | .... | stereo sound consultant: Dolby | |
| Gary Funicelli | .... | foley artist | |
| David Glaser | .... | foley artist | |
| David Glaser | .... | sound designer | |
| David Glaser | .... | sound editor | |
| Don Hankinson | .... | foley artist | |
| William Kozy | .... | production sound mixer | |
| Brian Mackewich | .... | foley artist | |
| Brian Mackewich | .... | sound designer | |
| Brian Mackewich | .... | supervising adr editor | |
| Brian Mackewich | .... | supervising sound editor | |
| Susan Mackewich | .... | foley artist | |
| Sean McAuliffe | .... | foley artist | |
| Sean McAuliffe | .... | sound editor | |
| Don Powell | .... | foley artist | |
| Dominick Tavella | .... | sound re-recording mixer (as Dominick 'The Dominator' Tavella) | |
| Joe White | .... | boom operator (as Joseph White Jr.) | |
Camera and Electrical Department | |||
| Kelly Baldwin | .... | first assistant camera (as Kelly S. Baldwin) | |
| Lorenzo Bevilaqua | .... | still photographer | |
| Andrew Blauner | .... | additional electrician | |
| Eric Boncher | .... | additional electrician | |
| Jay Chandrasekhar | .... | additional grip | |
| Divine Cox | .... | additional grip | |
| Raphaelle Gosse-Gardet | .... | additional electrician (as Raphaelle Gardet) | |
| Jeremy Graham | .... | rigging electrician | |
| Kevin Hackenberg | .... | additional electrician | |
| Monica Hampton | .... | still photographer: opening credit stills | |
| Takeshi Hattori | .... | third electrician | |
| Alan Jacobsen | .... | best boy electric | |
| Learan Kahanov | .... | gaffer (as Learan 'Skippy' Kahanov) | |
| Michele Lee Kirwan | .... | second assistant camera | |
| David Klein | .... | Steadicam operator | |
| David Klein | .... | camera operator | |
| Seth Loft | .... | third grip | |
| Roberto Lopez | .... | rigging grip | |
| John McEnerney | .... | additional grip | |
| Malcolm Murray | .... | additional grip (as M.C. Murray) | |
| Christian O'Reilly | .... | additional grip | |
| Michael 'Rodi' Rodia | .... | best boy grip | |
| Michael 'Rodi' Rodia | .... | ice dolly grip | |
| Nat Russell | .... | rigging grip | |
| Ron Stone | .... | grip and electrical equipment supplier: R.D. Sparks Inc. | |
| Peter Vietro-Hannum | .... | key grip | |
| Elizabeth Wick | .... | additional electrician | |
Casting Department | |||
| Paris Petrick | .... | extras casting | |
Costume and Wardrobe Department | |||
| Melissa Crawford | .... | assistant costume designer | |
Editorial Department | |||
| David Glaser | .... | assistant editor: avid | |
| Fred Heid | .... | color timer | |
| Noëlle Penraat | .... | negative cutter | |
| Arnold Shuster | .... | additional negative cutter | |
Music Department | |||
| Lisa Brown | .... | music consultant | |
| Jennifer Chouinard | .... | music clearances | |
| David Glaser | .... | music editor | |
| Bonnie Greenberg | .... | music consultant | |
| Brian Mackewich | .... | music editor | |
| Sean McAuliffe | .... | music editor | |
| Jill Meyers | .... | music business affairs | |
Other crew | |||
| Mike Allred | .... | artwork: Bluntman & Chronic 'Chasing Amy' | |
| Paul Brennan | .... | legal services: Sloss Law Office | |
| John T. Copeland | .... | caterer | |
| Christopher Cram | .... | office production assistant | |
| Nicole Duryea | .... | set production assistant | |
| Randi Eaton | .... | office production assistant | |
| Doug Edwards | .... | office production assistant | |
| Nick Giovannetti | .... | set production assistant | |
| Shai Halperin | .... | set production assistant | |
| Monica Hampton | .... | auditor | |
| Mike Hansen | .... | set production assistant | |
| Carlo Hart | .... | office production assistant | |
| David Hurlburt | .... | set production assistant | |
| Bryan Johnson | .... | assistant production coordinator | |
| Brian Lynch | .... | key craft service | |
| Colleen Lynch | .... | caterer | |
| Ian MacGregor | .... | location manager | |
| David McCole | .... | firearms specialist | |
| Glenn Mobley | .... | key set production assistant | |
| Gary Muscato | .... | avid supervisor | |
| Jimmy Palmiotti | .... | artwork: "White Hating Coon" | |
| Jodi Peikoff | .... | legal services: Sloss Law Office | |
| Karen Phillips | .... | location assistant | |
| Joe Quesada | .... | artwork: "White Hating Coon" | |
| David Rhee | .... | location assistant | |
| Lance Rosario | .... | security: New York | |
| John Sloss | .... | legal services: Sloss Law Office | |
| Luis R. Soto | .... | security: New York | |
| Ritamarie Stapleton | .... | caterer | |
| Devon J. Start | .... | set production assistant | |
| Bryan W. Strang | .... | craft service assistant | |
| Peggy Sutton | .... | script supervisor | |
| Gary Vander-Voort | .... | key office production assistant | |
| Kirk Van Wormer | .... | artwork: "Idiosyncratic" & "Baby Dave" | |
| Kyle V. White | .... | set production assistant | |
| Mike Zittle | .... | set production assistant (as Mike Zittel) | |
| Neal Bennett | .... | production assistant (uncredited) | |
| Vincent Pereira | .... | set production assistant (uncredited) | |
Thanks | |||
| Brooke Adams | .... | thanks | |
| Mike Allred | .... | thanks | |
| Jack Anderson | .... | thanks | |
| Mike Brodzik | .... | thanks | |
| John Burzichelli | .... | thanks: Hill Studio (as John Burzachelli) | |
| Mark Cohen | .... | thanks | |
| Chris Davis | .... | thanks | |
| John Gordon | .... | thanks | |
| Robert Hawk | .... | thanks (as Bob Hawk) | |
| Charles Herzfeld | .... | thanks (as Charlie Herzfeld) | |
| Jason Lee | .... | thanks | |
| Brian Mackewich | .... | thanks | |
| Jimmy Palmiotti | .... | thanks: Event Comics (as Jim Palmiotti) | |
| John Pierson | .... | thanks | |
| Scott Purcell | .... | thanks | |
| Joe Quesada | .... | thanks: Event Comics | |
| Tony Romano | .... | thanks | |
| Matt Zoller Seitz | .... | thanks (as Matt Seitz) | |
| Joe Violante | .... | thanks (as Joey Violante) | |
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| Jay and Silent Bob Strike Back | Threesome | Basic Instinct | Mallrats | Clerks. |
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"Chasing Amy" has to be the best love story of 1997. It was emotional, gripping, funny, sad, heartwarming, and had some great jokes. How could anyone deny that this screenplay was anything less than original, or perfection. Absolutely intoxicating. The performances were right on and the writing was magnificent. Kevin Smith is, without a doubt, one of the best new writers. With this movie he goes to a whole new level. "Clerks" was great, and I think I'm one of the five people that enjoyed "Mallrats", but "Chasing Amy" takes the cake. Nothing else came even close that year. That movie should have made a star out of Joey Lauren Adams. She gave the BEST performance in 1997 and was robbed of an Oscar nomination, as was the script. The scene outside of the ice rink is more than enough to show just how good she was. And anyone who can watch that ending, the you don't know if you should cry or jump for joy ending, and not feel something, is heartless. The movie was great. It is one of my personal favorites, and will always be.