| Photos (See all 22 | slideshow) | Videos (see all 5) |
| Ethan Suplee | ... | Fan | |
| Ben Affleck | ... | Holden McNeil | |
| Scott Mosier | ... | Collector | |
| Jason Lee | ... | Banky Edwards | |
| Casey Affleck | ... | Little Kid | |
| Dwight Ewell | ... | Hooper X | |
| Joey Lauren Adams | ... | Alyssa Jones | |
| Guinevere Turner | ... | Singer | |
| Carmen Llywelyn | ... | Kim (as Carmen Lee) | |
| Brian O'Halloran | ... | Jim Hicks - Executive #1 | |
| Matt Damon | ... | Shawn Oran - Executive #2 | |
| Alexander Goebbel | ... | Train Kid | |
| Tony Torn | ... | Cashier | |
| Rebecca Waxman | ... | Dalia | |
| Paris Petrick | ... | Tory | |
| Welker White | ... | Jane | |
| Kelli Simpkins | ... | Nica (as Kelly Simpkins) | |
| John Willyung | ... | Cohee Lundin | |
| Tse-Mach Washington | ... | Young Black Kid at Record Store (as Tsemach Washington) | |
| Ernest O'Donnell | ... | Bystander (as Ernie O'Donnell) | |
| Jason Mewes | ... | Jay | |
| Kevin Smith | ... | Silent Bob | |
| Kristin Mosier | ... | Waitress | |
| Virginia Smith | ... | Con Woman | |
| rest of cast listed alphabetically: | |||
| Mike Allred | ... | Himself (uncredited) | |
| Illeana Douglas | ... | Alyssa's Roommate (uncredited) | |
| 'Krazy Joe' Fiore | ... | Guy at Hockey Game (uncredited) | |
| Walter Flanagan | ... | Fanboy (uncredited) | |
| Robert Hawk | ... | Hooper's Lover (uncredited) | |
| Brian Jude | ... | Train Station Passenger (uncredited) | |
| Brian Lynch | ... | Bryan White (uncredited) | |
| Jeff Millstein | ... | Record Store Patron (uncredited) | |
| Vincent Pereira | ... | Startled Pinball Player (uncredited) | |
| Joe Quesada | ... | Himself (uncredited) | |
Directed by | |||
| Kevin Smith | |||
Writing credits(WGA) | ||
| Kevin Smith | (written by) | |
Produced by | |||
| Robert Hawk | .... | associate producer | |
| Scott Mosier | .... | producer | |
| John Pierson | .... | executive producer | |
| Derrick Tseng | .... | line producer | |
Original Music by | |||
| David Pirner | |||
Cinematography by | |||
| David Klein | (director of photography) | ||
Film Editing by | |||
| Scott Mosier | |||
| Kevin Smith | |||
Casting by | |||
| Shana Lory | |||
Production Design by | |||
| Robert Holtzman | (as Robert 'Ratface' Holtzman) | ||
Art Direction by | |||
| Jim Williams | |||
Set Decoration by | |||
| John Carlucci | |||
| Susannah McCarthy | |||
Costume Design by | |||
| Christopher Del Coro | |||
Makeup Department | |||
| Jane Choi | .... | hair stylist | |
| Jane Choi | .... | makeup artist | |
| Kristin Mosier | .... | hair/makeup assistant | |
Production Management | |||
| Monica Hampton | .... | post-production manager | |
| Monica Hampton | .... | production manager | |
Second Unit Director or Assistant Director | |||
| David Klein | .... | second unit director | |
| Linda Krantz | .... | second assistant director | |
| Chip Signore | .... | second second assistant director (as Stephen 'Chip' Signore) | |
| John M. Tyson | .... | first assistant director | |
Art Department | |||
| Laura Allred | .... | artwork: Bluntman & Chronic action sequence | |
| Mike Allred | .... | artwork: Bluntman & Chronic action sequence | |
| Scott 'Whitey' Anderson | .... | construction foreman | |
| Mike 'Gold Bond' Baker | .... | construction coordinator | |
| Kate Bartouldus | .... | scenic artist (as Kate Bartoldus) | |
| Matt Brundage | .... | artwork: Bluntman & Chronic action sequence | |
| Howard Chelder | .... | leadman | |
| Jennifer Cooke | .... | set dresser | |
| Augusta 'Gussy' Hopkins | .... | property master | |
| Mitchell Landsman | .... | scenic artist | |
| Amanda Nanawa | .... | art department production assistant | |
Sound Department | |||
| Tim J. Carroll | .... | stereo sound consultant: Dolby | |
| Gary Funicelli | .... | foley artist | |
| David Glaser | .... | foley artist | |
| David Glaser | .... | sound designer | |
| David Glaser | .... | sound editor | |
| Don Hankinson | .... | foley artist | |
| William Kozy | .... | production sound mixer | |
| Brian Mackewich | .... | foley artist | |
| Brian Mackewich | .... | sound designer | |
| Brian Mackewich | .... | supervising adr editor | |
| Brian Mackewich | .... | supervising sound editor | |
| Susan Mackewich | .... | foley artist | |
| Sean McAuliffe | .... | foley artist | |
| Sean McAuliffe | .... | sound editor | |
| Don Powell | .... | foley artist | |
| Dominick Tavella | .... | sound re-recording mixer (as Dominick 'The Dominator' Tavella) | |
| Joe White | .... | boom operator (as Joseph White Jr.) | |
Camera and Electrical Department | |||
| Kelly Baldwin | .... | first assistant camera (as Kelly S. Baldwin) | |
| Lorenzo Bevilaqua | .... | still photographer | |
| Andrew Blauner | .... | additional electrician | |
| Eric Boncher | .... | additional electrician | |
| Jay Chandrasekhar | .... | additional grip | |
| Divine Cox | .... | additional grip | |
| Raphaelle Gosse-Gardet | .... | additional electrician (as Raphaelle Gardet) | |
| Jeremy Graham | .... | rigging electrician | |
| Kevin Hackenberg | .... | additional electrician | |
| Monica Hampton | .... | still photographer: opening credit stills | |
| Takeshi Hattori | .... | third electrician | |
| Alan Jacobsen | .... | best boy electric | |
| Learan Kahanov | .... | gaffer (as Learan 'Skippy' Kahanov) | |
| Michele Lee Kirwan | .... | second assistant camera | |
| David Klein | .... | Steadicam operator | |
| David Klein | .... | camera operator | |
| Seth Loft | .... | third grip | |
| Roberto Lopez | .... | rigging grip | |
| John McEnerney | .... | additional grip | |
| Malcolm Murray | .... | additional grip (as M.C. Murray) | |
| Christian O'Reilly | .... | additional grip | |
| Michael 'Rodi' Rodia | .... | best boy grip | |
| Michael 'Rodi' Rodia | .... | ice dolly grip | |
| Nat Russell | .... | rigging grip | |
| Ron Stone | .... | grip and electrical equipment supplier: R.D. Sparks Inc. | |
| Peter Vietro-Hannum | .... | key grip | |
| Elizabeth Wick | .... | additional electrician | |
Casting Department | |||
| Paris Petrick | .... | extras casting | |
Costume and Wardrobe Department | |||
| Melissa Crawford | .... | assistant costume designer | |
Editorial Department | |||
| David Glaser | .... | assistant editor: avid | |
| Fred Heid | .... | color timer | |
| Noëlle Penraat | .... | negative cutter | |
| Arnold Shuster | .... | additional negative cutter | |
Music Department | |||
| Lisa Brown | .... | music consultant | |
| Jennifer Chouinard | .... | music clearances | |
| David Glaser | .... | music editor | |
| Bonnie Greenberg | .... | music consultant | |
| Brian Mackewich | .... | music editor | |
| Sean McAuliffe | .... | music editor | |
| Jill Meyers | .... | music business affairs | |
Other crew | |||
| Mike Allred | .... | artwork: Bluntman & Chronic 'Chasing Amy' | |
| Paul Brennan | .... | legal services: Sloss Law Office | |
| John T. Copeland | .... | caterer | |
| Christopher Cram | .... | office production assistant | |
| Nicole Duryea | .... | set production assistant | |
| Randi Eaton | .... | office production assistant | |
| Doug Edwards | .... | office production assistant | |
| Nick Giovannetti | .... | set production assistant | |
| Shai Halperin | .... | set production assistant | |
| Monica Hampton | .... | auditor | |
| Mike Hansen | .... | set production assistant | |
| Carlo Hart | .... | office production assistant | |
| David Hurlburt | .... | set production assistant | |
| Bryan Johnson | .... | assistant production coordinator | |
| Brian Lynch | .... | key craft service | |
| Colleen Lynch | .... | caterer | |
| Ian MacGregor | .... | location manager | |
| David McCole | .... | firearms specialist | |
| Glenn Mobley | .... | key set production assistant | |
| Gary Muscato | .... | avid supervisor | |
| Jimmy Palmiotti | .... | artwork: "White Hating Coon" | |
| Jodi Peikoff | .... | legal services: Sloss Law Office | |
| Karen Phillips | .... | location assistant | |
| Joe Quesada | .... | artwork: "White Hating Coon" | |
| David Rhee | .... | location assistant | |
| Lance Rosario | .... | security: New York | |
| John Sloss | .... | legal services: Sloss Law Office | |
| Luis R. Soto | .... | security: New York | |
| Ritamarie Stapleton | .... | caterer | |
| Devon J. Start | .... | set production assistant | |
| Bryan W. Strang | .... | craft service assistant | |
| Peggy Sutton | .... | script supervisor | |
| Kirk Van Wormer | .... | artwork: "Idiosyncratic" & "Baby Dave" | |
| Gary Vander-Voort | .... | key office production assistant | |
| Kyle V. White | .... | set production assistant | |
| Mike Zittle | .... | set production assistant (as Mike Zittel) | |
| Neal Bennett | .... | production assistant (uncredited) | |
| Vincent Pereira | .... | set production assistant (uncredited) | |
Thanks | |||
| Brooke Adams | .... | thanks | |
| Joey Lauren Adams | .... | the director would like to thank: For giving me something personal to say. I love you poopie. (First one who laughs gets decked! ) (as Joey) | |
| Mike Allred | .... | the director would like to thank: For fulfilling this fanboy's dream. See you in the funny papers. | |
| Jack Anderson | .... | thanks | |
| Mike Brodzik | .... | thanks | |
| John Burzichelli | .... | thanks: Hill Studio (as John Burzachelli) | |
| Mark Cohen | .... | thanks | |
| Chris Davis | .... | thanks | |
| Dwight Ewell | .... | the director would like to thank: Hi Duh-Wight. (as Dwight) | |
| John Gordon | .... | thanks | |
| Jonathan Gordon | .... | the director would like to thank: Why, Why, Why?!? (as Jon Gordon) | |
| Robert Hawk | .... | the director would like to thank: For being there from the start, teaching us what makes a movie great, and always doing the dishes. (as Bob Hawk) | |
| Charles Herzfeld | .... | thanks (as Charlie Herzfeld) | |
| David Klein | .... | the director would like to thank: For the prettiest pictures yet. At bargain basement prices, no less! (as Dave) | |
| Jason Lee | .... | the director would like to thank: For kicking it Reynold's style. | |
| Brian Mackewich | .... | the director would like to thank: For the extra mile... and the hundred more that followed. | |
| Scott Mosier | .... | the director would like to thank: Master of the Impossible, ying to my yang, heart of my heart... He's my cherry pie. (as Scott) | |
| Jimmy Palmiotti | .... | thanks: Event Comics (as Jim Palmiotti) | |
| John Pierson | .... | the director would like to thank: Guru, Czar, friend. | |
| Scott Purcell | .... | thanks | |
| Joe Quesada | .... | thanks: Event Comics | |
| Tony Romano | .... | thanks | |
| Matt Zoller Seitz | .... | the director would like to thank: For the one review that made a difference. (as Matt Seitz) | |
| Donald E. Smith | .... | the director would like to thank: I know I've got a PG in me somewhere. (as Dad) | |
| Grace Smith | .... | the director would like to thank: I know I've got a PG in me somewhere. (as Mom) | |
| Joe Violante | .... | thanks (as Joey Violante) | |
| Harvey Weinstein | .... | the director would like to thank: Who, like a good parent, gives us money, offers endless moral support, and spanks us when we need spanking (okay... everything but the spanking part .) (as Harvey) | |
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| My Own Private Idaho | Sex: The Annabel Chong Story | Jay and Silent Bob Strike Back | Clerks. | Caligula |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Comedy section | IMDb USA section |
Love stories are difficult to do well. So is comedy. Kevin Smith does both. Very very well.
Chasing Amy is, in my opinion Kevin Smith's best movie (Clerks 2nd, Dogma 3rd) and I really don't know where to start the praise.
Traditionally, Hollywood romantic comedies are... well, bad. Really lame PG-13 comedy, with some catch phrase repeated ad nauseum, and always some sort of "hilarious" incident involving a baby or a cute dog. And the characters are just as annoying as the lame jokes, so ultimately, you don't really care about whether or not they get together in the end.
Chasing Amy is different. These characters are lifelike.This isn't a romantic comedy for teenage girls. It's a movie for adults. Almost everyone can relate to being a situation where they've loved someone so much, but due to certain circumstances, you just weren't able to have that person. And I guess that's what Amy's all about. Unrequited love. Well, Unrequited love and sexual identity, but that's another topic for another day.
The real genius of this film is that for all it's serious themes, it manages to convey it's message without being at all pretentious. Most independent films have this sort of, arrogant pretentious "I'm so artistic" feel about them.......And I hate that. Smith's success lies in the fact that his movies are meaningful, and they're actually funny as well. And Chasing Amy is no exception.
In short, you'll be hard pressed to find a more entertaining, and realistic love story than Chasing Amy. It's combination of hilarious dialogue, interesting characters, and realistic themes makes it a winner.