| Photos (See all 13 | slideshow) | Videos (see all 2) |
| Pascal Greggory | ... | François | |
| Valeria Bruni Tedeschi | ... | Claire (as Valeria Bruni-Tedeschi) | |
| Charles Berling | ... | Jean-Marie | |
| Jean-Louis Trintignant | ... | Lucien Emmerich / Jean-Baptiste Emmerich | |
| Bruno Todeschini | ... | Louis | |
| Sylvain Jacques | ... | Bruno | |
| Vincent Perez | ... | Viviane | |
| Roschdy Zem | ... | Thierry | |
| Dominique Blanc | ... | Catherine | |
| Delphine Schiltz | ... | Elodie | |
| Nathan Kogen | ... | Sami (as Nathan Cogan) | |
| Marie Daëms | ... | Lucie | |
| Chantal Neuwirth | ... | Geneviève | |
| Thierry de Peretti | ... | Dominique | |
| Olivier Gourmet | ... | Bernard | |
| Geneviève Brunet | ... | Marie-Rose | |
| Didier Brice | ... | Cédric | |
| Guillaume Canet | ... | L'auto-stoppeur | |
| rest of cast listed alphabetically: | |||
| Nicolas Maury | ... | (uncredited) | |
Directed by | |||
| Patrice Chéreau | |||
Writing credits | ||
| Danièle Thompson | (scenario) & | |
| Patrice Chéreau | (scenario) & | |
| Pierre Trividic | (scenario) | |
| Danièle Thompson | (original idea) | |
Produced by | |||
| Charles Gassot | .... | producer: Téléma | |
| Jacques Hinstin | .... | executive producer | |
Cinematography by | |||
| Eric Gautier | |||
Film Editing by | |||
| François Gédigier | (as François Gedigier) | ||
Casting by | |||
| Pascale Béraud | |||
| Margot Capelier | |||
Production Design by | |||
| Sylvain Chauvelot | |||
| Richard Peduzzi | |||
Set Decoration by | |||
| Dominique Castan | |||
| Eric Chemel | |||
| Sylvie Espinasse | |||
| Vincent Grand d'Esnon | |||
| Emmanuel Lavrut | |||
| Joël Lavrut | |||
| Victor Leitao | |||
| Raph Salis | |||
| Gilles Tissot | |||
| Gilles Viaud | |||
Costume Design by | |||
| Caroline de Vivaise | |||
Production Management | |||
| Claire Augé | .... | unit manager | |
| Matthieu Belghiti | .... | unit manager | |
| Arnaud Briquet | .... | unit manager | |
| Jean-Marc Duez | .... | unit manager | |
| Philippe Dumas | .... | unit manager | |
| Denis Jacquey | .... | unit manager | |
| Patrick Lancelot | .... | production manager | |
| Thibaut Rigeot | .... | unit manager (as Thibault Rigeot) | |
| Julien Toujan | .... | unit manager | |
| Sylvie Zadjner | .... | unit manager | |
Art Department | |||
| Maxime Rebière | .... | storyboard (as Maxime Rebiere) | |
Sound Department | |||
| Serge Arthus | .... | stereo sound consultant: Dolby | |
| Michel Casang | .... | boom operator | |
| Pascal Chauvin | .... | sound effects | |
| Pascal Dedeye | .... | sound effects | |
| Olivier Dô Hùu | .... | assistant sound mixer | |
| Jean-Pierre Laforce | .... | sound | |
| Jean-Louis Lebras | .... | post-synchronization | |
| Jacques Lévy | .... | post-synchronization (as Jacques Levy) | |
| Françoise Maulny | .... | post-synchronization (as Françoise Maulny-Levy) | |
| Nadine Muse | .... | sound editor | |
| Christophe Pinel | .... | post-synchronization | |
| Hervé Roux | .... | sound consultant: DTS | |
| Laurent Roüan | .... | dialogue editor (as Laurent Rouan) | |
| Guillaume Sciama | .... | sound | |
Stunts | |||
| Roland Neunreuther | .... | stunts | |
Camera and Electrical Department | |||
| François Berroir | .... | electrician | |
| Graham Berry | .... | camera operator: Wescam camera | |
| Paul-Claude Bessière | .... | grip | |
| Xavier Cholet | .... | electrician | |
| Stéphane Fontaine | .... | assistant camera | |
| Arnaud Hermeline | .... | grip | |
| Sophie Lemaire | .... | second assistant camera | |
| Michel Michau | .... | electrician | |
| Olivier Neveu | .... | electrician | |
| Robert Polonia | .... | electrician | |
| Luc Roux | .... | still photographer | |
| Joël Toupense | .... | grip | |
| Valérie Vignol | .... | assistant camera | |
| Oliver Ward | .... | camera technician: Wescam camera | |
Costume and Wardrobe Department | |||
| Robert Isaac | .... | assistant costumer | |
| Laure Jeger | .... | costumer | |
| Patricia Saalburg | .... | costumer | |
| Christopher Sorg | .... | costumer | |
| Annie Thiellement | .... | costumer | |
Editorial Department | |||
| Laurence Briaud | .... | assistant editor | |
| Beatrice Herminie | .... | assistant editor (as Béatrice Herminie) | |
| Pierre Réali | .... | color timer | |
| Soazic Veillon | .... | assistant editor | |
Other crew | |||
| Frédérick Debut | .... | administrator | |
| Suzanne Durrenberger | .... | script supervisor | |
| Michel Flaesch | .... | animal trainer | |
| Tony Krantz | .... | press attache | |
| Yves-Marie Le Guillou | .... | caterer | |
| Laurence Leroy | .... | caterer | |
| Béatrice Merimée | .... | public relations | |
| Frédéric North | .... | helicopter (as Fred North) | |
| Annick Paroutaud | .... | administrator (as Annick Parroutaud) | |
| Dominique Segall | .... | press attache | |
| Marc Thibault | .... | caterer | |
| Jean-François Tymen | .... | caterer (as Jean-Francois Tymen) | |
| Roland Vallet | .... | administrator (as Roland Valet) | |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Drama section | IMDb France section |
A drama queen's wet dream. It offers up a magnificent, almost epic gloss of the melodrama of at least 14 characters. The problem is that with a Robert Altman-sized cast crammed into 2 hours (Altman would take 3 or more), and screen time distributed more or less democratically, it's hard to get to know the characters--but some are very compelling anyway. The film is narrated and edited ridiculously, as if a novel had been tossed into a blender. Most scenes feel like they're less than a minute long yet are packed with dialogue. You might wonder if the filmmakers are trying to obscure script problems by making routine exposition an unusual chore.
However, the film's melodrama is presented in a lushly dark, romantic, Gallic way. There's something heady about the experience. And the film has some extraordinary settings. The cemetery is one of the most stunning locations since Scarlet O'Hara walked through the endless Confederate dead. And the train, crowded and zipping through the French countryside, is metaphoric in an undeniably physical way. Since Americans don't support public transportation, esp. trains, this experience struck me as unique.