Young Queen Margot finds herself trapped in an arranged marriage amidst a religious war between Catholics and Protestants. She hopes to escape with a new lover, but finds herself imprisoned by her powerful and ruthless family.
The solitary Daniel and Sonia share an uneasy love/hate relationship. Daniel's life is disrupted by the appearance of a stranger that proceeds to insinuate himself in his life. The man's ... See full summary »
As a little girl, Federica fantasized about having beautiful long hair that would grow back as soon as she cut it, about never-ending cones of cotton candy and about countless adventures ... See full summary »
A failed London musician meets once a week with a woman for a series of intense sexual encounters to get away from the realities of life. But when he begins inquiring about her, it puts their relationship at risk.
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A disturbed young woman is kept prisoner in a castle by her aunt for her money. The game-keeper, her guardian, tries to rape her but she escapes. In her flight she meets a man also running ... See full summary »
In the scene where Claire and Viviane are sitting at the table discussing Viviane's name, Claire's hands alternate between touching her face and resting on the table repeatedly between shots. See more »
The credit scroll reverses direction for the soundtrack section, temporarily scrolling down instead of up. See more »
Let me say first of all that I'm not a train freak - but for train freaks, the shots on board the train were well done, there was a good sense of movement all through. Even after the funeral - and no trains, this was sustained.
I was amused at Jean-Baptiste's desire for everyone who loved him to go by train, but his coffin to be transported by car - and did have to ask if those who came to the funeral by car did it from lack of love for the dear departed or from geographical necessity? I enjoyed this film more than I expected to; it was well paced, the characters were compelling, if not exactly your average circle of family and friends.
The standard of acting was generally very good - I particularly enjoyed Vincent Perez's performance.
If it reminded me of anything, the use of a widely varied soundtrack put me in mind of some of Fassbinder's better work.
I feel this film justifies watching more than once, if only to sort out who's who and where they fit together, but, from first viewing, plenty of life, despite being based round a death.
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