6.2/10
318
4 user 2 critic

Backroads (1997)

Carreteras secundarias (original title)

Director:

(as Emilio Martínez-Lázaro)

Writer:

(based on his novel)
Reviews
1 win & 5 nominations. See more awards »
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Cast

Cast overview, first billed only:
...
Lozano
Fernando Ramallo ...
Felipe
...
Paquita (as Maribel Verdu)
Miriam Díaz-Aroca ...
Estrella (as Miriam Diaz Aroca)
Jesús Bonilla ...
Félix (as Jesus Bonilla)
Maite Blasco ...
Tía Elvira (as Mayte Blasco)
Ramón Langa ...
Tío Jorge (as Ramon Langa)
Montserrat Carulla ...
Abuela
Alicia Hermida ...
Benita
Fernando Vivanco ...
Funcionario Jefe
Natalia Menéndez ...
Tía Cristina (as Natalia Menendez)
Tania Adam ...
Miranda
Kathya Adam ...
Amy
Luis Pérezagua ...
Guardia Civil 1 (as Luis Perezagua)
Roger Álvarez ...
Padre Apellániz (as Roger Alvarez)
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Storyline

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Genres:

Drama | Romance

Certificate:

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Details

Country:

Language:

|

Release Date:

28 November 1997 (Spain)  »

Also Known As:

Backroads  »

Filming Locations:

 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

Color:

Aspect Ratio:

1.85 : 1
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Did You Know?

Soundtracks

El barbero de Sevilla
Written by Gioachino Rossini (as G. Rossini)
Performed by Belén Herrero
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User Reviews

 
Quixotic foibles and sexy dames for a light-hearted story
4 October 2001 | by (La Rioja, Spain) – See all my reviews

Having recently seen and commented on `La Buena Estrella' which turned out better than expected, I thought I would check out `Carreteras Secundarias' when it popped up on the little screen a few nights ago, again coupling Antonio Resines with Maribel Verdú and adding Miriam Díaz Aroca for good measure; though frankly there is not much to measure. The two young ladies mentioned only had to be sexy little playmates for the errant husband (Resines) travelling around with his son (Fernando Ramallo) trying to make a living from what might be called itinerant selling but is best in Spanish `trapicheo'.

Falling back on the usual facile foibles running from the quixotic to the `cantamañanas' (literally a tomorrow singer, as today he only has a lot to say but not very much to go on), the film is at best a light-hearted entertainment. However, it must be noted that after the usual ready-made formulas common to this type of film and this type of actors, well into the film there are some interesting scenes which might just be taken a little more seriously, but the end scene just falls back onto the predictable frivolessness of time-worn and definitely overdone quixote-macho traits.

But, then, I suppose, Spanish humour at times arduously overworks its shortcomings.

Resines and Ramallo are not too bad; the delightful ladies do just that without any effort and scarcely avoid being merely laughable; some of the coastal scenes are pretty (the film was shot in about three quarters of Spain!), and the music at times accompanies very well. But apart from that, if there is nothing else on the box and you want a bit of light entertainment, you could see a lot worse in Spanish filmography. Perhaps it is just that Martínez Lázaro has not moved on very much from the early seventies ……………


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