Kika, a young cosmetologist, is called to the mansion of Nicolas, an American writer to make-up the corpse of his stepson, Ramon. Ramon, who is not dead, is revived by Kika's attentions and... See full summary »
A girl's mother returns after 15 years to find her daughter has married one of her (the mother's) old boyfriends. They try to mend their broken mother/daughter relationship and deal with ... See full summary »
A woman's lover leaves her, and she tries to contact him to find out why he's left. She confronts his wife and son, who are as clueless as she. Meanwhile her girlfriend is afraid the police... See full summary »
An ex-bullfighter who gets turned on by killing, a lady lawyer with the same fetish and a young man driven insane by his religious upbringing - these are the main characters in this stylish... See full summary »
Pizza delivery man Victor is having an argument with Elena, whom he met a few days ago, but she was high then and doesn't want to hear about him. Reacting to the noise, two cops, young David and older Sancho, arrive at the scene, the gun accidentally goes off.. Four years later David is a wheelchair basketball star, he's married to Elena, Victor is released out of prison and their destinies begin to cross again. Written by
(Folk Police Mix)
Written by Simon Emmerson, Martin Russell and Davy Spillane
Performed by Afro Celts and The A.C. Sound System
Produced by Simon Emmerson
Published by Real World Music Ltd., EMI Virgin Music Publishing, Sony Music Publishing
Copyright 1996 Real World Records Ltd.
Courtesy of Real World Records Ltd., Virgin Records Ltd., Carolina Records (North America) See more »
He touches on deep stuff without pretending that he has to do so in a story. Thus he avoids moralizing and is able to maintain all sorts of ambiguities and overlaps between different parts of the world. Oh, there's always a story, but they are so soap opera-ish and delivered so jauntily that they actually separate from the movie.
He does everything cinematically. He really has an eye that is a treasure. Every element of what we see, WE SEE. It isn't explained. It isn't in dialog that we happen to overhear, we see it. Not only does he use a cinematic vocabulary to deliver the main goods, but similar devices are used to show us that it is a layered structure.
He mixes television (in several modes), old movies, and out of body narrative. Often dreams and visions. Paintings, photographs and postcards and in this case an imagined ending (after "Taxi Drviver). Often one or more characters is a generator of public stories; here it is a wounded cop who becomes a wheelchair basketball star.
He's not my favorite Spaniard, and this isn't my most valued of his films. But its hard to better than any visit from Pedro.
Its an honestly vaginal world (with the connection among several layers being there) and I suppose therefore most women will actually think the story matters.
Ted's Evaluation -- 3 of 3: Worth watching.
7 of 10 people found this review helpful.
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