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| Index | 937 reviews in total |
314 out of 379 people found the following review useful:
The Best Movie I've seen for a long long time, 6 December 1999
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Author:
kvonarx from Halifax, Canada
I am surprised about the negative comments that some people made on this
web-page. I can see how some people might not experience the same kind of
uplift or joy that most of us lived through when seeing the movie. But
that
some viewers felt insulted and betrayed because the movie did not depict
"reality" as it really was or is, is not fair.
I must concur with my fellow proponents of the movie -- it was a great and
very satisfying movie. It provided me with something that everyone in one
or another shape or form needs -- Hope. The movie showed the cruelty of
life and yet managed to shed some light and insight into the beauty of love
and life in general.
I urge anyone who has not seen La Vita è bella to go out there and watch
it.
If we all take with us just little bit of that hope and love that this
movie is trying to convey; this world would be a much better place.
Thank you for reading this and I hope you enjoyed or will enjoy the movie
as
much as I did.
262 out of 343 people found the following review useful:
Courage Personified...10/10, 23 October 2004
Author:
Conservative-SNAG from Australia
I can't understand how other reviewers see this as a film about the
Nazis or the Holocaust. It's not!!! "Life is Beautiful" is a film about
love, optimism, courage and inner strength.
To be honest I can't get this film out of my thoughts and decided to
write this brief review in the hope that I could move on.
"Life is Beautiful" is an unforgettable film. You go through emotions
you were surprised could have for a fictional film. The story, although
totally implausible, is uplifting and depressing at the same time.
Please see it for yourself. Have a box of tissues handy.
Best film ever seen!!!
228 out of 292 people found the following review useful:
One of the best movies ever., 29 August 2000
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Author:
Amira Berzi (amira_berzi@yahoo.com) from Egypt
This is one of those movies that have a lasting effect on you. After watching it, I found that it has less to do with the Holocaust and more to do with the human feelings and the beautiful relationship of a father and his son. The holocaust provides the ultimate context, that brings and highlights the story and adds yet another deep dimension to the movie. No such piece of art has ever before combined laughter and tears of sadness in me before and that is the miracle of the movie. The realism of the movie is not its strong point, but then again it is not supposed to be; this helps in bringing the audiences to a state of mind away from reality, focusing on the feelings generated by forgetting about all external events and developments of the war. Despite that, the movie does not fail to point out an element of the nazi psychology demonstrated by the doctor who was obsessed with riddles. This portrayed the nazi 'state of mind' (if ever such an expression existed) as a sick mentally disturbed state. Life is really beautiful as you watch Guido's relentless efforts to make a lovely exciting experience of the concentration camp to his son. You get exhausted just watching him going through his painful day and yet you smile as he speaks to his son and makes him laugh. One can go on forever describing the creativity of this movie, but one will not be able to capture all its beauty in writing.
157 out of 206 people found the following review useful:
A superb tragi-comedy, 26 February 1999
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Author:
Chris Williams from Durham, England
Roberto Benigni's Vita e bella, is in many ways similar to Chaplin's Great
Dictator. Both are comic attacks on fascism, but the former's is the more
successful. Benigni initially accesses the emotions of his audience through
simple comedy, which is a pleasant mix of Keaton and Chaplin. Romance
ensues with his real life wife Nicoletta Braschi. The first half of this
film has been seen by various critics as being inferior to the second, but
this is certainly not the case. In the first section we follow the
delightful romance that will eventually lead to marriage and the creation of
the wonderful Giosue (Giorgio Cantarini).
It is the first half where the audience can laugh the loudest and delight at
the immense comedy talent of Benigni. Unlike so many films nowadays there
is nothing crude or course, his is simple innocent humour, which is all the
more effective. The way he ties together little strand in the film to
create comedy elements shows a great writing ability, and a mastery of timing
when it comes to their execution on screen. Various incidents related to
the rise of anti-semitism and fascism in Italy show that there are sinister
forces at work which come to the fore in the second segment.
Guido (Benigni) moves events on from Tuscany in 1939 to the last year of the
war in a concentration camp. In this period he and Dora (Braschi) have had
their son Giosue (Cantanarini). The five year old greatly reminds me of
Toto in Cinema Paradiso, and plays an equally important role in his
prospective film (though in Paradiso's case it is at the beginning of the
movie). The relationship between the two is very similar to that of Jackie
Coogan and Charlie Chaplin (though Benigni, unlike Chaplin, keeps the best
of the comedy moments). Guido attempts to keep from the boy the horrors of
what is going on, and this eventually manifests itself as a game where the
aim is to score 100 points, with the winner winning a real tank (which, of
course appeals to the young boy). Comic moments are still present, that
involving Guido's translation of the rules of the camp is particularly
notable, but it becomes somewhat more difficult to laugh when we consider
the gravity of what is going on.
The emphasis begins shifts, and we realise that this is a film about human
spirit above all else. Guido not only appeals to the audience due to his
comedy and sheer pleasantness, but also in the way that he loves his family
and the measures that he will go to to protect them.
This is certainly no Schindler's List, but it never pretends to be.
Occasionally events seem a little contrived, but this does seem to work in
the film's favour. However, this film avoids the tendency of Hollywood to
go far over the top in emotional and credibility terms.
Benigni shines like a lantern throughout the picture, showing that he is a
talent, not only in comedy terms, that far outshines his peers. Cantanari
is a delight, and Braschi also plays her part well. There is even an
appearance by The Magnificent Seven's Horst Buchholz as Doctor Lessing, a
man who events change for the worse.
Please don't let the fact that it, to all but the Italians, is a foreign
language film. The language itself adds a beauty of form to the film, much
as it did in the case of Il Postino. This has to be a certainty for the
Best Foreign Language Film Oscar, though something tells me that it will be
overlooked for other awards as it is Italian and not a mainstream English
language picture.
Please see this film, and make up your own mind. It is appealing in so many
different ways that I'm sure that you will not be disappointed.
139 out of 176 people found the following review useful:
Funny, entertaining, and amazingly intense and dramatic., 27 March 2000
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Author:
Michael DeZubiria (miked32@hotmail.com) from Luoyang, China
I find it sad that so many people are so narrow-minded that they will not
watch a movie that is black and white or, in this case, is subtitled. I feel
sorry for people who refuse to watch a movie like Life Is Beautiful just
because it is a foreign film. They have no idea what a beautifully acted and
directed film this is, and they'll never know what an amazing experience
they are missing.
Life Is Beautiful manages to walk the extremely thin line between humor,
fantasy, and tragedy. Sure, the film is clearly comedic, but nevertheless it
manages to very effectively communicate the tremendous losses suffered in
the Nazi concentration camps and has scenes at least as intense as any scene
in Schindler's List.
This is one of the best films that I have ever seen. It manages to be so
encompassing that you hardly notice the subtitles are even there. I proudly
cast my vote of 10.
134 out of 181 people found the following review useful:
Outstanding, 3 January 2000
Author:
Monika-5 from United States
This may be one of the best films ever made. I've never seen a movie with such a balance of hysterical comedy and serious drama. Roberto Benigni totally deserved his Oscars. People on this site have said such negative things about him and this film. Mr. Benigni had a lot of guts to make this film, and there's not another film like it. He handled both the comedy and drama aspects beautifully. I loved the beautiful cinematography, scenery, and the characters. This movie is magnificent in every way. Don't miss it!
129 out of 173 people found the following review useful:
One of the Best Movies I've Ever Seen, 30 January 2006
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Author:
farkas419 from Rheinland-Pfalz, Germany
The first time I saw the movie was when I was about seventeen or so, and I never forgot it. The incredibly human characters (such as the doctor who loved riddles), the fantastic script-writing, the amazing acting, and of course the heartwarming story. This movie proves once and for all how strong we are, as humans, that in the face of adversity we can make the best of things. There is so much love in the characters; Dora's love for her husband Guido is boundless, as well as Guido's love for his son. Sure, it's a slightly unrealistic movie, but hey, aren't they all a little unrealistic? I've also seen people review this movie and say that it made light of the Holocaust, which was of course a dark point in history. I don't think so; I think that it's only delicately handled, and because of that, the movie is one that a person can watch in one sitting without being thoroughly disgusted by mankind. I would say that those who think this movie is too "light" are cynical and bitter. The whole point to the movie is to show what love is capable of, and to provide encouragement and perhaps guidance. This movie changed my life from the first time I watched it. I came away with this feeling that no matter what I have to face in life, that I can overcome it. This is a movie that I would recommend to anyone over the age of eleven. The acting is superb (though Roberto Benigni is a little over-the-top, LOL), the story heartwarming and easy to understand. It's excellent!
101 out of 141 people found the following review useful:
The most aptly named movie - A classic, 12 November 2005
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Author:
gaur-abhi from New Delhi
I have never in my life seen a movie that so truly symbolizes its name
and its message. Roberto Benigni - 'The Italian Treasure House' has
probably given to his viewers his best. The story, the performances,
the entire theme of a person performing his duties as a husband, as a
father is very 'moving' and inspiring. 'Life is beautiful' as the name
goes is about a Jewish man, who falls in love with a non-Jewish lady,
marries her, has a kid and who is then taken as a prisoner in a
concentration camp along with his wife and kid. But the way he protects
his kid from the horrors of the genocide, how he always tries to find
ways to make his wife and kid smile and laugh, is what makes the movie,
a MUST SEE.
It is certainly one of the best movies that I have seen.
135 out of 219 people found the following review useful:
The best foreign language film I have ever seen., 25 June 1999
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Author:
Dan Grant (dan.grant@bell.ca) from Toronto, Ontario
I typically don't care much for sub-titled movies. Foreign films to me
are
slow and about nothing. So I naturally went to see Life is Beautiful with
a
chip on my shoulder. I wanted to hate it. I wanted it to be just another
movie that Hollywood was praising to show that they were an intelligent
bunch of people. Oh boy was I in for the surprise of my life. Not only
is
this film good, I honestly believe that it was the second best film of 98,
next to Saving Private Ryan. The mere fact that Shakespeare in Love won
best picture over not only Ryan but over this, is a joke. It's actually
funny.
Benigni did everything in this film. He wrote, produced, directed and
probably swept the floors at night. There is that much raw energy in this
film. There really is. For someone to have that kind of vision is truly
incredible. And not only is the film a terrific cinematic experience
because of the importance and seriousness of the subject matter, but it is
one of the funnier films I've ever seen. When Roberto is translating the
German soldiers insructions to his son so that he isn't scared, it is at
that moment that you realize you are under his spell. He's got you and no
matter how much sceptisism you may have about the film you know you're
witnessing a classic in every sense of the word.
I loved this film. Loved everything about it and I am so glad that I got
to
see it and cheer Benigni at the Oscars. He certainly deserved his best
actor award and he should have gotten more.
73 out of 100 people found the following review useful:
A satire set in a concentration camp, tough a hit internationally, was thought by some critics to be in bad taste..., 4 September 2001
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Author:
ironside (robertfrangie@hotmail.com) from Mexico
*** This review may contain spoilers ***
Mixing humor and the Holocaust isn't anything new: Ernst Lubitsch's 'To
Be Or Not To Be' is just one enduring classic; Mel Brooks' 'The
Producers' is another; and 'Life Is Beautiful' has the small-town charm
and ambiance of 'Amarcord,' and light-straight satire of 'The Great
Dictator.'
Set against the stark reality of World War II Europe, Roberto Benigni's
sentimental fable is not a film about the Holocaust, it's a film about
life and hope merely against the backdrop of the Holocaust... It's not
a denial of the Holocaust, it is a manifestation that humor itself can
be courage... It's not about betraying the experience of millions of
Jews, it is about the great lengths a father will go to protect his
family from the horrors of the Nazis... It's a demonstration of the
power of cinema, it's art without claim, hope without fear, dreams
without limitations... It's a motion picture about love, not a
documentary about the Nazis... It delivers a powerful message that
despite everythinglife is truly beautiful...
The story begins in 1939 Italy, where a simple, free-spirited Italian
Jew Guido Orefice (Benigni) and his poet friend Ferrucio (Sergio Bini
Bustic) have dreams of owning their own bookstore... For now, however,
Guido must be satisfied to wait tables, while Ferrucio is unable to get
a job...
Benigni's character is introduced during a long set of fast comedy
scenes, particularly when he meets a cute gentile woman, DoraNicoletta
Braschi, Benigni's real-life wife... When she 'falls out of the sky,'
and he quickly nicknames her 'Principessa'... When he rides, in a
fascist ball, on a horse painted green... When he turns a gloomy rainy
night into a red carpet event... When he is caught by the Nazis as he
hurries about securing the safety of his wife and son.. When his car
speeds, without brakes, through a village and is mistaken for a king...
Guido falls hard for the radiant schoolteacher, daughter of a wealthy
family, and pursues her with all the charm and imagination he can
discharge... In one sequence he pretends to be a school inspector and
gives an impromptu speech on racial superiority before the assembled
students and teachers, ending with a striptease...
That hilarious side of the film takes up the first half... Benigni (who
also wrote and directed) borrows a bit of Chaplin's grace and a bit of
Groucho Marx charm... All of the action is so neatly contrived that the
film essentially ends when it's over, and then begins again with the
introduction of Guido and Dora's cute five-year-old son Giosue (Giorgio
Cantarini) few years later...
There, in 1945, we catch a glimpse of their enchanting household, but
things are soon shattered, and the Nazis take Guido, with his tolerant
uncle (Giustino Durano) and little Giosue off to an unidentified
concentration camp... Dora races to the train station and demands to be
put also on the train...
At the death camp, and in order to protect his son from the nightmare
of the place, Guido uses his imagination by creating the illusion that
everything that's happening is just a game, an epic game that will be
exciting and fun...
He convinces Giosue that by hiding from the Gestapo soldiers (whom he
refers to simply as the "men who yell a lot") and maintaining silence,
he can gain the necessary points to win a tank... Not a toy tank, but a
full-size tank, which they'll be free to take home...
As co-writer, Benigni (with Vincenzo Cerami), doesn't just mix drama
and comedy, he often hides drama in the comedy... The film does not
dwell on the horrors of the camp, nor does it ignore them...
With a memorable score by Nicola Piovani, "Life Is Beautiful" is an
important film, triumphant, timeless, and sublime... It manages to
entertain, educate, and move with its potent combination of humor,
poignancy, and dignity... Roberto Benigni has taken pure horror and
turned it into a love story between a man and a woman, between a father
and his son... As an actor, Benigni manages with his wise and simple
performance to make us laugh in tragic situations... He was very
realistic, natural, distant from great special effects, far from
Hollywood style, only nice and beautiful cinema...
The film won Academy Awards for Best Actor, Best Foreign Film and Best
Dramatic Score...
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