Mathilda, a 12-year-old girl, is reluctantly taken in by Léon, a professional assassin, after her family is murdered. Léon and Mathilda form an unusual relationship, as she becomes his protégée and learns the assassin's trade.
When their relationship turns sour, a couple undergoes a procedure to have each other erased from their memories. But it is only through the process of loss that they discover what they had to begin with.
In 1930s Italy, a carefree Jewish book keeper named Guido starts a fairy tale life by courting and marrying a lovely woman from a nearby city. Guido and his wife have a son and live happily together until the occupation of Italy by German forces. In an attempt to hold his family together and help his son survive the horrors of a Jewish Concentration Camp, Guido imagines that the Holocaust is a game and that the grand prize for winning is a tank. Written by
Anthony Hughes <firstname.lastname@example.org>
Box office of the film reached more than $225 million internationally. See more »
The champagne bottle changes position when Guido is describing how to serve lobster (first it's tilted towards the right, then centered, then tilted again, etc.). Also, the bottle is first completely sealed (with all the labels and stuff) and then we can see it without all those labels, to appear completely sealed again in a backward-to-forward take, and then opened again. See more »
[narrating as an adult]
This is a simple story... but not an easy one to tell.
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This is one of those movies that have a lasting effect on you. After watching it, I found that it has less to do with the Holocaust and more to do with the human feelings and the beautiful relationship of a father and his son. The holocaust provides the ultimate context, that brings and highlights the story and adds yet another deep dimension to the movie. No such piece of art has ever before combined laughter and tears of sadness in me before and that is the miracle of the movie. The realism of the movie is not its strong point, but then again it is not supposed to be; this helps in bringing the audiences to a state of mind away from reality, focusing on the feelings generated by forgetting about all external events and developments of the war. Despite that, the movie does not fail to point out an element of the nazi psychology demonstrated by the doctor who was obsessed with riddles. This portrayed the nazi 'state of mind' (if ever such an expression existed) as a sick mentally disturbed state. Life is really beautiful as you watch Guido's relentless efforts to make a lovely exciting experience of the concentration camp to his son. You get exhausted just watching him going through his painful day and yet you smile as he speaks to his son and makes him laugh. One can go on forever describing the creativity of this movie, but one will not be able to capture all its beauty in writing.
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