A suicidally disillusioned liberal politician puts a contract out on himself and takes the opportunity to be bluntly honest with his voters by affecting the rhythms and speech of hip-hop music and culture.
Porter Stoddard is a well-known New York architect who is at a crossroads... a nexus where twists and turns lead to myriad missteps some with his wife Ellie, others with longtime friends ... See full summary »
Two terrible lounge singers get booked to play a gig in a Moroccan hotel but somehow become pawns in an international power play between the CIA, the Emir of Ishtar, and the rebels trying to overthrow his regime.
An ambitious reporter gets in way-over-his-head trouble while investigating a senator's assassination which leads to a vast conspiracy involving a multinational corporation behind every event in the worlds headlines.
Alan J. Pakula
A mix of hip-hop and politics, after putting a hit out on himself Senator Bulworth becomes a MCing politician akin to a west African griot who isn't afraid to say anything he wants and can offend anyone he wants. Written by
Bulworth (They Talk About It While We Live It)
Written by Larry Muggerud (as L. Muggerud), Kam (as C. Miller), KRS-One (as C. Parker), Prodigy (as A. Johnson), Method Man (as C. Smith)
Performed by Kam (as KAM), Method Man, Prodigy, KRS-One
Produced by Larry Muggerud (as MUGGS) for Soul Assassins, Inc.
KAM appears courtesy of Royal Entertainment/University Records/Interscope
Method Man appears courtesy of Def Jam Records
Prodigy appears courtesy of Loud Records
KRS-One appears courtesy of Jive Records See more »
Other than a few forced silly moments, this is the sharpest, darkest, bravest. most disturbing political satire out of Hollywood since "Network".
This is Beatty's career best performance by far, making his rapidly breaking down liberal Democrat Senator into a character simultaneously howlingly funny, pitiable, admirable, wince inducing, pathetic and horrifying.
Beatty has made a film that walks the razor's edge right along with it's lead character, playing into deliberately provoking racial and cultural stereotypes at the same time it shreds them.
This isn't a polite "the system needs fixing" movie, it's an in-your-face scream that the system is broken, perhaps beyond all repair. That idea seems only more timely now.
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