A suicidally disillusioned liberal politician puts a contract out on himself and takes the opportunity to be bluntly honest with his voters by affecting the rhythms and speech of hip-hop music and culture.
Andrew Garfield, Mahershala Ali, Ruth Negga, and five others received their first-ever acting nominations for 2017. While these actors are new to the Academy Awards, you may recognize them from their earlier work.
Senator Jay Bulworth is facing speculation-induced financial ruin, so he puts out a contract on his own life in order to collect a large, new insurance policy for his family. Living each moment on borrowed time, he suddenly begins spouting raw, unfiltered--and sometimes offensive in word but satirical in spirit -- thoughts to shocked audiences and handlers in the speech of hip-hop music and culture. His newfound uninhibitedness and new relationship with Nina carry him on a journey of political and spiritual renewal. Written by
Warren Beatty was described by writing partner Jeremy Pikser and biographer Peter Biskind as so insecure about his script that he went to former collaborator Elaine May with the script. She told him it wasn't any good but Beatty suspected that because May was writing the script to a rival political satire, Primary Colors (1998) that she was looking out for her own interests. See more »
Bulworth tells the assassin that he will be traveling to Los Angeles via American Airlines, yet the arrival airplane footage shown is clearly a Southwest Airline plane. See more »
You have to hand it to Warren Beatty, he redefines the term "maverick". He could be, like many of his contemporaries, taking it easy. Instead, "Bullworth". One of the most outrageously funny satires I've seen in a long time. Satire? Somebody asked me. Well yes, satire. A realistic, daring, clearheaded, masterful satire. We live in satirical times, we have no choice in the matter. It takes an artist of Beatty's caliber to turns things around and makes us laugh and shiver at this mess of our own making. After seeing "Bullworth" I felt compelled to revisit some of Beatty's earlier work as an actor or producer or director. From "Mickey One" to "Reds" passing through "Bonnie And Clyde" and "Shampoo" not to mention "Heaven Can Wait" Mr. Beatty's legacy is one of amazing consistency. As I smiled enjoying his funny portrayal in "The Roman Spring of Mrs. Stone" with Vivien Leigh, I thought: that beautiful man is not just a pretty face.
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