A suicidally disillusioned liberal politician puts a contract out on himself and takes the opportunity to be bluntly honest with his voters by affecting the rhythms and speech of hip-hop music and culture.
Recent college graduate Benjamin Braddock is trapped into an affair with Mrs. Robinson, who happens to be the wife of his father's business partner and then finds himself falling in love with her daughter, Elaine.
A mix of hip-hop and politics, after putting a hit out on himself Senator Bulworth becomes a MCing politician akin to a west African griot who isn't afraid to say anything he wants and can offend anyone he wants. Written by
Other than a few forced silly moments, this is the sharpest, darkest, bravest. most disturbing political satire out of Hollywood since "Network".
This is Beatty's career best performance by far, making his rapidly breaking down liberal Democrat Senator into a character simultaneously howlingly funny, pitiable, admirable, wince inducing, pathetic and horrifying.
Beatty has made a film that walks the razor's edge right along with it's lead character, playing into deliberately provoking racial and cultural stereotypes at the same time it shreds them.
This isn't a polite "the system needs fixing" movie, it's an in-your-face scream that the system is broken, perhaps beyond all repair. That idea seems only more timely now.
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