A suicidally disillusioned liberal politician puts a contract out on himself and takes the opportunity to be bluntly honest with his voters by affecting the rhythms and speech of hip-hop music and culture.
Recent college graduate Benjamin Braddock is trapped into an affair with Mrs. Robinson, who happens to be the wife of his father's business partner and then finds himself falling in love with her daughter, Elaine.
A mix of hip-hop and politics, after putting a hit out on himself Senator Bulworth becomes a MCing politician akin to a west African griot who isn't afraid to say anything he wants and can offend anyone he wants. Written by
Shot entirely on Steadicam with the exception for the opening scene. See more »
Crewmember visible twice when Bulworth is dancing with Nina in the nightclub. See more »
I'm giving them entry-level positions into the only growth-sector occupation that's truly open to them right now. That's the substance supply industry. They gonna run this shit someday. They gonna have the whole empire. Man, y'all don't give a fuck about it. You greedy-ass politicians. That's what you tell me every time that y'all vote to cut them school programs; every time y'all vote to cut them funds to the job programs. What the fuck; how a... how a young man gonna take care of his ...
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For the song "Bulworth Breakdown", the title character Jay Bulworth is credited as a writer and performer. See more »
I wasn't exactly sure how to rate this film, and I bet others weren't either. It's difficult to say but fascinating to watch. Some scenes are terrific, others just terrible trash.
Halle Berry plays anything but a likable lead, nor are the characters people you can root for, except for Oliver Platt in the first half of the film. Then he totally changes.
Nonetheless, this is Warren Beatty's film, anyway. He dominates it and is what makes the movie fun. Knowing him and knowing this was political, I expected big-time Liberal propaganda but didn't find any heavy-handedness there.
For a comedy, there are way, way too many f-words, even in the "music," if you want to call it that. Despite that, the film has some charm, if it's possible to use that word in a film this profane. Beatty's rap lyrics were genuinely funny, no matter what your political persuasion might happen to be. An odd film.
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