A suicidally disillusioned liberal politician puts a contract out on himself and takes the opportunity to be bluntly honest with his voters by affecting the rhythms and speech of hip-hop music and culture.
Two terrible lounge singers get booked to play a gig in a Moroccan hotel but somehow become pawns in an international power play between the CIA, the Emir of Ishtar, and the rebels trying to overthrow his regime.
Porter Stoddard is a well-known New York architect who is at a crossroads... a nexus where twists and turns lead to myriad missteps, some with his wife Ellie, others with longtime friends ... See full summary »
An ambitious reporter gets in way-over-his-head trouble while investigating a senator's assassination which leads to a vast conspiracy involving a multinational corporation behind every event in the worlds headlines.
Alan J. Pakula
Senator Jay Bulworth is facing speculation-induced financial ruin, so he puts out a contract on his own life in order to collect a large, new insurance policy for his family. Living each moment on borrowed time, he suddenly begins spouting raw, unfiltered--and sometimes offensive in word but satirical in spirit -- thoughts to shocked audiences and handlers in the speech of hip-hop music and culture. His newfound uninhibitedness and new relationship with Nina carry him on a journey of political and spiritual renewal. Written by
Bitches Are Hustlers Too
Written by Jamecia 'Mimi' Ward, Denice 'Nece' Saulsberry, Owen Ratliff, and B. Major
Performed by D-Fyne
Produced by Eddie B for Nu Flavor Music and Don White
Courtesy of Ratti Records/Columbus Mob Production Company and The Major Group See more »
You have to hand it to Warren Beatty, he redefines the term "maverick". He could be, like many of his contemporaries, taking it easy. Instead, "Bullworth". One of the most outrageously funny satires I've seen in a long time. Satire? Somebody asked me. Well yes, satire. A realistic, daring, clearheaded, masterful satire. We live in satirical times, we have no choice in the matter. It takes an artist of Beatty's caliber to turns things around and makes us laugh and shiver at this mess of our own making. After seeing "Bullworth" I felt compelled to revisit some of Beatty's earlier work as an actor or producer or director. From "Mickey One" to "Reds" passing through "Bonnie And Clyde" and "Shampoo" not to mention "Heaven Can Wait" Mr. Beatty's legacy is one of amazing consistency. As I smiled enjoying his funny portrayal in "The Roman Spring of Mrs. Stone" with Vivien Leigh, I thought: that beautiful man is not just a pretty face.
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