| Cast overview, first billed only: | |||
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Kimberly Deauna Adams | ... | |
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Vinny Argiro | ... | |
| Sean Astin | ... | ||
| Kirk Baltz | ... | ||
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Ernie Lee Banks | ... |
Leroy
(as Ernie Banks)
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Amiri Baraka | ... | |
| Christine Baranski | ... |
Constance Bulworth
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| Adilah Barnes | ... | ||
| Warren Beatty | ... | ||
| Graham Beckel | ... | ||
| Halle Berry | ... | ||
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Brandon N. Bowlin | ... | |
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Mongo Brownlee | ... |
Henchman #3
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| Thomas Jefferson Byrd | ... | ||
| J. Kenneth Campbell | ... | ||
Senator Jay Bulworth is facing speculation-induced financial ruin, so he puts out a contract on his own life in order to collect a large, new insurance policy for his family. Living each moment on borrowed time, he suddenly begins spouting raw, unfiltered--and sometimes offensive in word but satirical in spirit -- thoughts to shocked audiences and handlers in the speech of hip-hop music and culture. His newfound uninhibitedness and new relationship with Nina carry him on a journey of political and spiritual renewal. Written by Stuart Hoffman
I wasn't exactly sure how to rate this film, and I bet others weren't either. It's difficult to say but fascinating to watch. Some scenes are terrific, others just terrible trash.
Halle Berry plays anything but a likable lead, nor are the characters people you can root for, except for Oliver Platt in the first half of the film. Then he totally changes.
Nonetheless, this is Warren Beatty's film, anyway. He dominates it and is what makes the movie fun. Knowing him and knowing this was political, I expected big-time Liberal propaganda but didn't find any heavy-handedness there.
For a comedy, there are way, way too many f-words, even in the "music," if you want to call it that. Despite that, the film has some charm, if it's possible to use that word in a film this profane. Beatty's rap lyrics were genuinely funny, no matter what your political persuasion might happen to be. An odd film.