After being released from prison, Billy is set to visit his parents with his wife, whom he does not actually have. This provokes Billy to act out, as he kidnaps a girl and forces her to act as his wife for the visit.
Billy is released after five years in prison. In the next moment, he kidnaps teenage student Layla and visits his parents with her, pretending she is his girlfriend and they will soon marry (and forcing her to say the same). Written by
The dinner scene with Billy's parents pays homage to the static visual style of Japanese director Yasujirô Ozu, who is referred to by the OZU on the license plate of Layla's car. See more »
In the bowling alley scene when Billy ask Layla "What's so funny?", the boom mic shadow is visible on the ceiling behind his head when the camera pulls back. See more »
Want to know the truth? I could have had any girl l wanted in school. Any girl l wanted. You know why l didn't have a girlfriend? Huh? Because there was nobody that l liked. Nobody that l liked. That's the truth. I could have had anybody. There was nobody that l liked, because girls stink. They stink. They're evil. And they're all bad, all of them. They're backstabbers like you.
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Heart of the Sunrise
Written by Jon Anderson, Chris Squire and Bill Bruford
Performed by Yes
Published by WB Music Corp. (ASCAP) O/B/O Topographic Music, Ltd.
Courtesy of Atco Records
By Arrangement with Warner Special Products See more »
After seeing this film for the first time I absolutely loved it! It was only after I purchased it on DVD that I saw in the credits just how much Gallo had to do with this film. He did just about everything major to complete this movie...from the music to the writing credits. Personally, I think that he did a fabulous job and I compliment him highly on this piece of motion picture art.
I tend to take this story on a personal level. I have never been to prison, but I know that I can relate to a lot of what Gallo's character feels about his family. My family life was not too great whilst growing up, but it really put things in perspective for me to see someone who's parents are that oblivious to their son's most basic needs.
Some of the scenes may seem absurd and extreme as far as the obliviousness of the parents, but in a sense I think that is what Gallo was trying to get across to the viewing audience. This factor makes it all the more pertinent as to why Gallo's character is the way he is. To me this film is a reflection of an individual's life who has nothing to lose and yet so much to gain. Everything from the cold and gloomy atmosphere during the first half of the film to Gallo's character's pessimistic demeanor and repetitiveness of phrases only emphasize the aura of his life-long frustration and contempt for the world while revealing his desperate and longing need to find something tangible for once in his life...something that he apparently never had and that he thankfully finds in the confidence of Ricci's character.
I could go on and on and on about how much this film meant to me and how beautifully directed, written and acted out this piece of work is, especially in the end since I have had thoughts and have considered and contemplated such things in the past. I admit that the height of the film's end freaked me out for a few moments, but left me feeling overwhelmed with relief and joy during the final concluding moments.
To sum up: You HAVE TO watch this film. Period.
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