After being released from prison, Billy is set to visit his parents with his wife, who he does not actually have. This provokes Billy to act out, as he kidnaps a girl and forces her to act as his wife for the visit.
Professional motorcycle racer Bud Clay heads from New Hampshire to California to race again. Along the way he meets various needy women who provide him with the cure to his own loneliness, but only a certain woman from his past will truly satisfy him.
Promises Written in Water is an extremely stripped down abstract romantic story of a man and a woman, both in crisis. Kevin (Vincent Gallo) is a long-time, professional assassin, ... See full summary »
Bennie travels to Buenos Aires to find his long-missing older brother, a once-promising writer who is now a remnant of his former self. Bennie's discovery of his brother's near-finished play might hold the answer to understanding their shared past and renewing their bond.
Francis Ford Coppola
With only the plan of moving in together after high school, two unusually devious friends seek direction in life. As a mere gag, they respond to a man's newspaper ad for a date, only to find it will greatly complicate their lives.
Billy is released after five years in prison. In the next moment, he kidnaps teenage student Layla and visits his parents with her, pretending she is his girlfriend and they will soon marry (and forcing her to say the same). Written by
A piece of Billy Brown's dialogue can be heard playing backwards in the song "I'm Getting Closer" by M83. See more »
When Layla does her tap dance in the bowling alley, several of the tap hits on the soundtrack do not match her foot movements at all. See more »
Want to know the truth? I could have had any girl l wanted in school. Any girl l wanted. You know why l didn't have a girlfriend? Huh? Because there was nobody that l liked. Nobody that l liked. That's the truth. I could have had anybody. There was nobody that l liked, because girls stink. They stink. They're evil. And they're all bad, all of them. They're backstabbers like you.
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scruffy little film crescendos into overwhelming power
buffalo 66 is a lot like its creator, vincent gallo: harsh, unkempt, dangerous looking,a sure bet to be a miserable loser. at first glance this film seems to have nothing going for it, but give it ten minutes and then see if you can turn away. a dissection of a loose circling collection of emotional misfits, Vincent Gallo's creation (he wrote, directed, starred in the thing and even wrote the original music for the film) of billy brown, his parents and Layla, the girl who comes to love him is an amazing thing. what at first sounds like annoyingly fake bravado soon reveals the tormented souls beneath. again and again the film confounds expectations morphing into one of the most moving and convincing portraits of love and redemption imaginable. a justly deserving winner of its numerous art film awards (especially those earned by former child actress christina ricci in a devastated angel performance)buffalo 66 earns all the risks it takes and reminds us that even the worst first impressions can sometimes be wrong
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