Billy is released after five years in prison. In the next moment, he kidnaps teenage student Layla and visits his parents with her, pretending she is his girlfriend and they will soon marry... See full summary »
Professional motorcycle racer Bud Clay heads from New Hampshire to California to race again. Along the way he meets various needy women who provide him with the cure to his own loneliness, but only a certain woman from his past will truly satisfy him.
A story about human nature. Two characters depict their soul and personality on the prelude of a deal. 1989 shows the tragedy of violence, not as an act, but as a never ending spiral of short repeated stories.
Bennie travels to Buenos Aires to find his long-missing older brother, a once-promising writer who is now a remnant of his former self. Bennie's discovery of his brother's near-finished play might hold the answer to understanding their shared past and renewing their bond.
Francis Ford Coppola
Arriving on a deserted beach in the Mediterranean sea, in a time and a place unspecified, Kaspar Hauser is forced to confront the evil of a Grand Duchess who feels threatened by the power she exercises over the community.
Promises Written in Water is an extremely stripped down abstract romantic story of a man and a woman, both in crisis. Kevin (Vincent Gallo) is a long-time, professional assassin, ... See full summary »
Billy is released after five years in prison. In the next moment, he kidnaps teenage student Layla and visits his parents with her, pretending she is his girlfriend and they will soon marry (and forcing her to say the same). Written by
Christina Ricci and Lance Acord both had difficult working relationships with Vincent Gallo resulting in Gallo publicly disparaging them after the film's release, calling Ricci a "puppet" and overweight and Acord a "button pusher". See more »
In the bowling alley scene when Billy ask Layla "What's so funny?", the boom mic shadow is visible on the ceiling behind his head when the camera pulls back. See more »
I'm gonna step out of the car for one minute. One minute, I'm gonna step out. Put your hands on the dashboard like that. Hold em like that. Don't let me see you move them one finger, not one finger move, not one twitch of a move or I'll come back and choke you to death. I swear to God. I'll take a bite out of your cheek and I'll shit you out.
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scruffy little film crescendos into overwhelming power
buffalo 66 is a lot like its creator, vincent gallo: harsh, unkempt, dangerous looking,a sure bet to be a miserable loser. at first glance this film seems to have nothing going for it, but give it ten minutes and then see if you can turn away. a dissection of a loose circling collection of emotional misfits, Vincent Gallo's creation (he wrote, directed, starred in the thing and even wrote the original music for the film) of billy brown, his parents and Layla, the girl who comes to love him is an amazing thing. what at first sounds like annoyingly fake bravado soon reveals the tormented souls beneath. again and again the film confounds expectations morphing into one of the most moving and convincing portraits of love and redemption imaginable. a justly deserving winner of its numerous art film awards (especially those earned by former child actress christina ricci in a devastated angel performance)buffalo 66 earns all the risks it takes and reminds us that even the worst first impressions can sometimes be wrong
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