Billy is released after five years in prison. In the next moment, he kidnaps teenage student Layla and visits his parents with her, pretending she is his girlfriend and they will soon marry... See full summary »
Professional motorcycle racer Bud Clay heads from New Hampshire to California to race again. Along the way he meets various needy women who provide him with the cure to his own loneliness, but only a certain woman from his past will truly satisfy him.
Arriving on a deserted beach in the Mediterranean sea, in a time and a place unspecified, Kaspar Hauser is forced to confront the evil of a Grand Duchess who feels threatened by the power she exercises over the community.
Bennie travels to Buenos Aires to find his long-missing older brother, a once-promising writer who is now a remnant of his former self. Bennie's discovery of his brother's near-finished play might hold the answer to understanding their shared past and renewing their bond.
Francis Ford Coppola
A story about human nature. Two characters depict their soul and personality on the prelude of a deal. 1989 shows the tragedy of violence, not as an act, but as a never ending spiral of short repeated stories.
Promises Written in Water is an extremely stripped down abstract romantic story of a man and a woman, both in crisis. Kevin (Vincent Gallo) is a long-time, professional assassin, ... See full summary »
Billy is released after five years in prison. In the next moment, he kidnaps teenage student Layla and visits his parents with her, pretending she is his girlfriend and they will soon marry (and forcing her to say the same). Written by
The song Billy's father sings to Layla, "Fools Rush In Where Angels Fear To Tread", was actually sung by Vincent Gallo's father, Vincent Gallo Sr. See more »
The positions of the photo album and wine bottle on the dining room table at Billy's parents' house change between shots. See more »
[Trying to start Layla's car]
Is this a shifter car? I cannot drive a shifter car, alright, so we got a little situation here. I can't drive these kinda cars! What the fuck is goin' on! You think that's funny? Would you like to know, smartass? Would you like to know why I can't drive this kinda car? I'll tell you why, I'm used to *luxury* cars. Have you ever heard of a luxury car? You know what luxury means? Ever heard of Cadillac, Cadillac Eldorado? That's what I drive. I drive cars that *shift...
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Outstanding script, great characters; fine film all around
I am a non-fan of ex-con movies; I find Dustin Hoffman's critically acclaimed STRAIGHT TIME especially odious, for instance. Accordingly, I was about to stop watching BUFFALO '66 during the first scene. Thankfully, I kept the tape rolling to be ultimately rewarded by one of the best indie films I have ever seen. Vincent Gallo has put together an excellent character study set against the grimy, subfusc background of his home town.
Christina Ricci deserves the near-unanimous praise she has received for her eminently appealing, understated portrayal of a cooperative kidnaping victim. The spectrum of expressions that chase across her lovely heart-shaped face in the photo booth is especially memorable. This is not to take anything away from Gallo's acting though. His rhythmic, repetitious remonstrations are quite addictive, and I have since found it difficult to keep from imitating his verbal style while dealing with people at work. Ben Gazzara and Angelica Huston are also outstanding as parents in a family so dysfunctional it makes the subjects of AMERICAN BEAUTY look like something out of the Donna Reid Show. A nearly unrecognizable Mickey Rourke shows up in a great cameo as a bookie.
Fans of local color will also like BUFFALO '66. Gallo has a similar eye for his old stomping grounds that the Coen brothers did for theirs in FARGO, but Gallo's execution is more subtle and at least as rewarding.
Bottom line: just stick with it through the opening scene, and you'll find gold here.
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