SHE IS BLESSED WITH THE VOICE OF AN ANGEL-MARLA DARLAND, A LEGEND BUT WHEN HER AGENT MARTY STARR FINDS HIS AGENCY IN TROUBLE HE CONCOCTS A SINISTER PLOT TO BRING UP RECORD SALES. AMAZED AT ...
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SHE IS BLESSED WITH THE VOICE OF AN ANGEL-MARLA DARLAND, A LEGEND BUT WHEN HER AGENT MARTY STARR FINDS HIS AGENCY IN TROUBLE HE CONCOCTS A SINISTER PLOT TO BRING UP RECORD SALES. AMAZED AT THE POSTHUMOUS RECORD SALES OF ELVIS, JIMI HENDRIX BECOMES DETERMINED TO ARRANGE A SIMILAR FATE FOR MARLA, STAGING THE PERFECT TRAGIC DEMISE. BUT HE DIDN'T COUNT ON MARLA NOT BEING QUITE READY TO GO. Written by
If you don't like Rick Mayall forget it, otherwise see it
I think this film is very funny and highly underrated.
You have to have seen Rick Mayall in the New Statesman to understand how well he can play a shifty businessman. Jane Horrocks performs very well (Particularly when you realise she does her own singing) and for me seemed very believable. Whilst some of the side plot lines may seem tenuous and dare I say it even a little dry, the whole piece spirals toward the climax of both the tour and the movie with Rick Mayall 's character bouncing in an emotional maelstrom between love and hate. (One of the smaller scenes which is actually very funny is when Mayle is being driven to see the gang boss. in a 30 second piece they manage to put a parody of Pulp Fiction and a very funny gag about answering questions. (In fact when they get to talk the secondary characters (and the thugs in particular) are given some great lines) If you can forgive the straight-to-tv look and like the Rick Mayall of Alan B'Stard instead of the Young ones or Bottom then this will have you laughing out loud.
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