A psychologically troubled novelty supplier is nudged towards a romance with an English woman, all the while being extorted by a phone-sex line run by a crooked mattress salesman, and purchasing stunning amounts of pudding.
Paul Thomas Anderson
Philip Seymour Hoffman
John has lost all his money. He sits outside a diner in the desert when Sydney happens along, buys him coffee, then takes him to Reno and shows him how to get a free room without losing ... See full summary »
Paul Thomas Anderson
Philip Baker Hall,
John C. Reilly,
Eddie Adams would have been just another high-school drop-out had he not met the likes of adult film director Jack Horner. Horner transforms Eddie into Dirk Diggler, a rising-star actor with a special gift. Set in the late 1970s and early 1980s, the film is a tribute to the decor, style, culture, and social attitudes of the era. Written by
Although Amber Waves' actual name is never stated in the film, it's clear that her real first name is Maggie. During the party scene, Amber's young son, whom her ex-husband has forbidden her to have contact with due to her work in porn and drug use, calls her house asking for her. Maurice Rodriguez tries to find her, but can't because he and the people he asks at the party don't know that Maggie and Amber are the same person. Her ex-husband later calls her as Maggie during their custody hearing. See more »
When Scotty cries in his Datsun, the shadow of first camera assistant Michael G. Riba falls on the car's side mirror. See more »
Want to hear a poem I wrote? "I love you, you love me. Going down the sugar tree. We'll go down the sugar tree, and see lots of bees: playing, playing. But the bees won't sting, because you love me." That's it.
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The title is shown on a movie theater marquee in the opening shot. See more »
Boogie Nights OR "How I learned to ignore the consequences, and love the freedom of the 1970's."
Boogie Nights is perhaps one of the greatest examples any would-be filmmaker should take a long hard look at. Sure, you could spend loads of quality time reviewing the clasics from Hitchcock to Scorsese; but lets follow suit for the modern generation and study half-heartedly.
Where to begin, I suppose one could look at the film as simply a story, perhaps even docudrama which focuses on the late 1970's porn industry-and what an industry it was! The other half could focus on the incredible detail one brillant filmmaker can achieve simply by using polyester and *ahem* rubber. But honestly, Boogie Nights brings back the pure, no-bul!shi$, in your face kind of cinema I haven't experienced since the film greats of the 1970's...ironic...or stroke of genius. The story is full of richly detailed characters, all of which you either can relate too, love, or hate; but the impact is clear-you are feeling something for them. Among the characters the two performances which stand out are: Burt Reynolds as Director Jack Horner, and Mark Wahlberg as Eddie Adams/Dirk Diggler. Julianne Moore is also brillant, as is Heather Graham...but if I focus on any one actor it would have to be John C. Reilly. John's performance is a perfect balance of comedic timing and character driven emotion...I'm a sucker for the line "Ever see the movie Star Wars?...People say I look like Han Solo." Anyway, the look of the film is incredible, the Director of Photography and Director/Writer/Producer, have come up with a vibrant colour, and flashy style that compares to Martin Scorsese, and Stanley Kubrick(in terms of his perfection of his craft); but with creating his own unique look, and pushing the edge with the longest single shot I'ver ever seen...that being the New Year's party sequence.
The music, like in any great film, is a character of its own. At times, it consumes oneself with sorrow or grief...but mainly its all about fun, dancing, and having a good time; the spirit of the 1970's. OK, back to the performances.
Burt Reynolds plays the character of Jack Horner, a porn director who feels the burden of what the future of "film" means to his genre. The awful transition from shooting on film to recording on magnetic tape. The lose of his art, as it were...and the changes in mentality to the people he works with. Walhberg adds the perfect blend of innocense and sexual bravado needed for the character. For all those individuals who have seen Burton's Planet of the Apes, pay no attention to the performance of Wahlberg in that film...rent boogie nights and see what a difference a good script can make!
Julianne Moore plays the would-be mother to all, and with that comes the torment and anguish she feels, as life imitates art; and she loses all those close to her. Heather Graham is the eye-candy, but later holds her own, and steals some of the scenes from even the great Mr. Reynolds himself. Each character is multidimensional, rich with life, and performed by actors that seem to be picture perfect for the part.
The film itself is often funny, tragic, exciting, and provides a uncompromising look into the turblulant lifestyle of the fast-pace 1970's. It makes no excuses, and tells no lies; and offers the audience a trip back. But even more importantly, the movie gives us a grand example of how films should be made; and a new director whose bold visions bring back art in film.
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