A psychologically troubled novelty supplier is nudged towards a romance with an English woman, all the while being extorted by a phone-sex line run by a crooked mattress salesman, and purchasing stunning amounts of pudding.
Paul Thomas Anderson
Philip Seymour Hoffman
John has lost all his money. He sits outside a diner in the desert when Sydney happens along, buys him coffee, then takes him to Reno and shows him how to get a free room without losing ... See full summary »
Paul Thomas Anderson
Philip Baker Hall,
John C. Reilly,
Eddie Adams would have been just another high-school drop-out had he not met the likes of adult film director Jack Horner. Horner transforms Eddie into Dirk Diggler, a rising-star actor with a special gift. Set in the late 1970s and early 1980s, the film is a tribute to the decor, style, culture, and social attitudes of the era. Written by
Electric Light Orchestra leader Jeff Lynne originally refused to let the song "Livin' Thing" be used in the film because he has "a problem with sex and violence in movies". Lynne asked to see a screening of the film and loved it so much that he allowed the song to be used. See more »
When Amber and her ex-husband met with a judge about custody
in September of 1983, portraits of President Ronald Reagan and Governor Jerry Brown are on the wall. Brown was governor from January 1975 to January 1983; George Deukmejian had been governor for several months by September 1983. See more »
See this system here? This is Hi-Fi... high fidelity. What that means is that it's the highest quality fidelity.
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Boogie Nights is full of surprises, nothing quite prepares one for it its soul. Yes, it does have soul, whilst tackling the tackiest of subject matter, with both a wry smile and respect. Brillantly cast and wonderful character development, the performances somehow combine the best of stage acting with improvisation within a cinema verite style.
The plot proved richer than I expected and the underlying themes are teased out quite profoundly as each "B grade" human being is brought, through crisis, into perspective.
A sociologist's dream case study, the film resonates the raw truth of what we all know about self-esteem, parental love and lack of it, attention/love deficit and its manifestation in adulthood, the desperate need to belong. Something for everyone here.. almost camouflaged as issues of untouchables and their separate milieu but of course they are universal.
The film works on a number of levels. The ironic loop is that the milieu portrayed exists only because of the voyeur, who happens to be watching the film...
Boogie Nights is non judgmental of its subject matter and characters, a rarity. It deserves every accolade it has achieved and more.
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