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Boogie Nights (1997) 7.9
Ratings:
7.9/10 from 126,451 users
Metascore: 85/100
Reviews: 513 user | 134 critic | 28 from Metacritic.com The story of a young man's adventures in the Californian pornography industry of the 1970s and 1980s. Director:Paul Thomas AndersonWriter:Paul Thomas Anderson |
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Title: Boogie Nights (1997)
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Cast
| Cast overview, first billed only: | |||
| Luis Guzmán | ... |
Maurice TT Rodriguez
(as Luis Guzman)
|
|
| Burt Reynolds | ... | ||
| Julianne Moore | ... | ||
| Rico Bueno | ... |
Hot Traxx Waiter
|
|
| John C. Reilly | ... | ||
| Nicole Ari Parker | ... | ||
| Don Cheadle | ... | ||
| Heather Graham | ... | ||
| Mark Wahlberg | ... | ||
| William H. Macy | ... | ||
 |
Samson Barkhordarian | ... |
Hot Traxx Chef
|
| Nina Hartley | ... | ||
|
|
Brad Braeden | ... | |
| Joanna Gleason | ... | ||
|
|
Lawrence Hudd | ... | |
Edit
Plot Summary
|
Plot Synopsis
Storyline
Eddie Adams would have been just another high-school drop-out had he not met the likes of adult film director Rick Horner. Horner transforms Eddie into Dirk Diggler, a rising-star actor with a special gift. Set in the late 1970s and early 1980s, the film is a tribute to the decor, style, culture, and social attitudes of the era. Written by John Selbie
Taglines:
Everyone has one special thing See more »Genres:
DramaMotion Picture Rating (MPAA)
Rated R for strong sex scenes with explicit dialogue, nudity, drug use, language and violence | See all certifications »Parents Guide:
View content advisory »
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See more »
See full technical specs »
Details
Country:
USALanguage:
EnglishRelease Date:
31 October 1997 (USA) See more »Also Known As:
Pushing Thirteen See more »Box Office
Budget:
$15,000,000 (estimated)Opening Weekend:
DEM 265,943 (Germany) (5 June 1998)Gross:
DEM 265,943 (Germany) (5 June 1998)Company Credits
Show detailed
company contact information
on
IMDbPro »
Technical Specs
Runtime:
Color:
ColorAspect Ratio:
2.35 : 1
Edit
Eddie Adams: Well, I don't know, I guess so.
Colonel James: May I see it?
Eddie Adams: Really?
Colonel James: Please!
[stares as Eddie lowers his shorts]
Colonel James: Thank you, Eddie!
Eddie Adams: No problem.
[the Colonel continue to stare as Eddie walks away]
See more »
(1981)
Written by Rick Springfield
Performed by Rick Springfield
Courtesy of The RCA Records Label of BMG Entertainment
See more »
Did You Know?
Trivia
The opening scene is three minutes long, taken in a single camera shot, beginning in the street where Jack Horner and Amber Waves drive up and follow them as they get out of the car and walk into a night club. Most of the characters in the movie are introduced in this shot. See more »Goofs
When Maggie asks Eddie if he's all right before his first shoot, she puts her hand on his face in the close up and then takes her hand away. In the next shot however, she begins to pull her hand away once again. See more »Quotes
Colonel James: I'm looking forward to seeing you in action. Jack says you've got a great big cock.Eddie Adams: Well, I don't know, I guess so.
Colonel James: May I see it?
Eddie Adams: Really?
Colonel James: Please!
[stares as Eddie lowers his shorts]
Colonel James: Thank you, Eddie!
Eddie Adams: No problem.
[the Colonel continue to stare as Eddie walks away]
See more »
Soundtracks
"Jessie's Girl"(1981)
Written by Rick Springfield
Performed by Rick Springfield
Courtesy of The RCA Records Label of BMG Entertainment
See more »
Boogie Nights is full of surprises, nothing quite prepares one for it its soul. Yes, it does have soul, whilst tackling the tackiest of subject matter, with both a wry smile and respect. Brillantly cast and wonderful character development, the performances somehow combine the best of stage acting with improvisation within a cinema verite style.
The plot proved richer than I expected and the underlying themes are teased out quite profoundly as each "B grade" human being is brought, through crisis, into perspective.
A sociologist's dream case study, the film resonates the raw truth of what we all know about self-esteem, parental love and lack of it, attention/love deficit and its manifestation in adulthood, the desperate need to belong. Something for everyone here.. almost camouflaged as issues of untouchables and their separate milieu but of course they are universal.
The film works on a number of levels. The ironic loop is that the milieu portrayed exists only because of the voyeur, who happens to be watching the film...
Boogie Nights is non judgmental of its subject matter and characters, a rarity. It deserves every accolade it has achieved and more.