A psychologically troubled novelty supplier is nudged towards a romance with an English woman, all the while being extorted by a phone-sex line run by a crooked mattress salesman, and purchasing stunning amounts of pudding.
Paul Thomas Anderson
Philip Seymour Hoffman
The discovery of a severed human ear found in a field leads a young man on an investigation related to a beautiful, mysterious nightclub singer and a group of psychopathic criminals who have kidnapped her child.
A New York City doctor, who is married to an art curator, pushes himself on a harrowing and dangerous night-long odyssey of sexual and moral discovery after his wife admits that she once almost cheated on him.
Adult film director Jack Horner is always on the lookout for new talent and it's only by chance that he meets Eddie Adams who is working as a busboy in a restaurant. Eddie is young, good looking and plenty of libido to spare. Using the screen name Dirk Diggler, he quickly rises to the top of his industry winning awards year after year. Drugs and ego however come between Dirk and those around him and he soon finds that fame is fleeting. Written by
According to an interview with Paul Thomas Anderson, he and Burt Reynolds did not get along during filming. Anderson still planned to hire Reynolds for Magnolia (1999), but Reynolds became angry with Anderson during the film's promotional tour and turned the role down. See more »
When Jack Horner walks through the kitchen, a 5-gallon white bucket has a warning label on the side that first appeared in the early 1990s. See more »
I've been around this block twice now. Looking for something. A clue. I've been looking for clues and something led me back here. Yeah. So here I am. It could have been me, the one who was at Ringo's place when the shit went down. Hey. I know how it is. I've been there. We've all done bad things. We've all had those guilty feelings in our heart. I'm going to take your brain out of your head and wash it and scrub it and make it clean. I don't know. But I'm going to have to settle ...
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Boogie Nights is full of surprises, nothing quite prepares one for it its soul. Yes, it does have soul, whilst tackling the tackiest of subject matter, with both a wry smile and respect. Brillantly cast and wonderful character development, the performances somehow combine the best of stage acting with improvisation within a cinema verite style.
The plot proved richer than I expected and the underlying themes are teased out quite profoundly as each "B grade" human being is brought, through crisis, into perspective.
A sociologist's dream case study, the film resonates the raw truth of what we all know about self-esteem, parental love and lack of it, attention/love deficit and its manifestation in adulthood, the desperate need to belong. Something for everyone here.. almost camouflaged as issues of untouchables and their separate milieu but of course they are universal.
The film works on a number of levels. The ironic loop is that the milieu portrayed exists only because of the voyeur, who happens to be watching the film...
Boogie Nights is non judgmental of its subject matter and characters, a rarity. It deserves every accolade it has achieved and more.
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