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Boogie Nights (1997)

R  |   |  Drama  |  31 October 1997 (USA)
7.9
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Ratings: 7.9/10 from 170,387 users   Metascore: 85/100
Reviews: 547 user | 149 critic | 28 from Metacritic.com

The story of a young man's adventures in the Californian pornography industry of the late 1970s and early 1980s.

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Title: Boogie Nights (1997)

Boogie Nights (1997) on IMDb 7.9/10

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Nominated for 3 Oscars. Another 36 wins & 38 nominations. See more awards »

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Cast

Cast overview, first billed only:
...
Maurice TT Rodriguez (as Luis Guzman)
...
...
...
Hot Traxx Waiter
...
...
...
...
...
...
Samson Barkhordarian ...
Hot Traxx Chef
...
Brad Braeden ...
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Lawrence Hudd ...
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Storyline

Adult film director Jack Horner is always on the lookout for new talent and it's only by chance that he meets Eddie Adams who is working as a busboy in a restaurant. Eddie is young, good looking and plenty of libido to spare. Using the screen name Dirk Diggler, he quickly rises to the top of his industry winning awards year after year. Drugs and ego however come between Dirk and those around him and he soon finds that fame is fleeting. Written by garykmcd

Plot Summary | Plot Synopsis

Taglines:

The life of a dreamer, the days of a business, and the nights in between. See more »

Genres:

Drama

Motion Picture Rating (MPAA)

Rated R for strong sex scenes with explicit dialogue, nudity, drug use, language and violence | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

Release Date:

31 October 1997 (USA)  »

Also Known As:

Pushing Thirteen  »

Box Office

Budget:

$15,000,000 (estimated)

Opening Weekend:

$50,168 (USA) (10 October 1997)

Gross:

DEM 265,943 (Germany) (5 June 1998)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

|

Color:

Aspect Ratio:

2.35 : 1
See  »
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Did You Know?

Trivia

Burt Reynolds played a character named Paul Anderson (the name of the director of Boogie Nights) in an episode of Burn Notice. See more »

Goofs

When the stereo store customer exits the scene, he takes an unusually large step forward because he is stepping over the dolly track. See more »

Quotes

Todd Parker: We're not leaving yet. We're here now, and we want something else from you. Hey... hey, hey, hey, hey! Hey! We want something else from you.
Rahad Jackson: ...What?
Dirk: Todd, what the hell are you doing man? Let's just go.
Todd Parker: In the master bedroom... under the bed... in a floor safe. Understand?
Dirk: What the fuck is the matter with you Todd, let's go! Come on, man!
Reed Rothchild: Todd!
Todd Parker: Shhhut up Dirk. I t... I told you I got a plan. I got a very good plan.
Rahad Jackson: Are you-are you kidding me, kitty?
Todd Parker: Nah, I'm not, see? I'm not kidding. I want ...
[...]
See more »

Crazy Credits

As the credit for Robert Downey Sr. scrolls up the screen, the words "(a prince)" appear next to his name. See more »

Connections

Spoofed in The Boondocks: Bitches to Rags (2010) See more »

Soundtracks

Fatman
Written by Ian Anderson
Performed by Jethro Tull
Courtesy of Chrysalis Records, a Division of EMI
Under License from EMI-Capitol Music Special Markets
See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

 
Boogie Nights OR "How I learned to ignore the consequences, and love the freedom of the 1970's."
8 August 2001 | by (Peterborough, Ontario) – See all my reviews

Boogie Nights is perhaps one of the greatest examples any would-be filmmaker should take a long hard look at. Sure, you could spend loads of quality time reviewing the clasics from Hitchcock to Scorsese; but lets follow suit for the modern generation and study half-heartedly.

Where to begin, I suppose one could look at the film as simply a story, perhaps even docudrama which focuses on the late 1970's porn industry-and what an industry it was! The other half could focus on the incredible detail one brillant filmmaker can achieve simply by using polyester and *ahem* rubber. But honestly, Boogie Nights brings back the pure, no-bul!shi$, in your face kind of cinema I haven't experienced since the film greats of the 1970's...ironic...or stroke of genius. The story is full of richly detailed characters, all of which you either can relate too, love, or hate; but the impact is clear-you are feeling something for them. Among the characters the two performances which stand out are: Burt Reynolds as Director Jack Horner, and Mark Wahlberg as Eddie Adams/Dirk Diggler. Julianne Moore is also brillant, as is Heather Graham...but if I focus on any one actor it would have to be John C. Reilly. John's performance is a perfect balance of comedic timing and character driven emotion...I'm a sucker for the line "Ever see the movie Star Wars?...People say I look like Han Solo." Anyway, the look of the film is incredible, the Director of Photography and Director/Writer/Producer, have come up with a vibrant colour, and flashy style that compares to Martin Scorsese, and Stanley Kubrick(in terms of his perfection of his craft); but with creating his own unique look, and pushing the edge with the longest single shot I'ver ever seen...that being the New Year's party sequence.

The music, like in any great film, is a character of its own. At times, it consumes oneself with sorrow or grief...but mainly its all about fun, dancing, and having a good time; the spirit of the 1970's. OK, back to the performances.

Burt Reynolds plays the character of Jack Horner, a porn director who feels the burden of what the future of "film" means to his genre. The awful transition from shooting on film to recording on magnetic tape. The lose of his art, as it were...and the changes in mentality to the people he works with. Walhberg adds the perfect blend of innocense and sexual bravado needed for the character. For all those individuals who have seen Burton's Planet of the Apes, pay no attention to the performance of Wahlberg in that film...rent boogie nights and see what a difference a good script can make!

Julianne Moore plays the would-be mother to all, and with that comes the torment and anguish she feels, as life imitates art; and she loses all those close to her. Heather Graham is the eye-candy, but later holds her own, and steals some of the scenes from even the great Mr. Reynolds himself. Each character is multidimensional, rich with life, and performed by actors that seem to be picture perfect for the part.

The film itself is often funny, tragic, exciting, and provides a uncompromising look into the turblulant lifestyle of the fast-pace 1970's. It makes no excuses, and tells no lies; and offers the audience a trip back. But even more importantly, the movie gives us a grand example of how films should be made; and a new director whose bold visions bring back art in film.


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