Paul Scheer sheds some light on The Room, lets us in on a secret in The Disaster Artist, and answers your questions. Plus, we explore the origins of midnight movies and take a look at IMDb's Top 10 Stars of 2017.
Elwood, the now lone "Blues Brother" finally released from prison, is once again enlisted by Sister Mary Stigmata in her latest crusade to raise funds for a children's hospital. Once again hitting the road to re-unite the band and win the big prize at the New Orleans Battle of the Bands, Elwood is pursued cross-country by the cops, led by Cabel the Curtis' son (and Elwood's step-brother), the Russian Mafia, and a militia group. On his new "mission from God" Elwood enlists the help of a young orphan, and a strip club bartender. Written by
Stephen Scaia <firstname.lastname@example.org>
The only way this film can not be awe inspiring is if you watch it on a 10" black and white TV with a 4 watt sound system. Maybe that's a bit extreme, but I watched this on a 70" projection screen and 7.2 pristine and precise surround sound. I have seen this film at least 20 times and get the same pleasure from it each time. Aretha Franklin's voice and the musical abilities of almost the entire cast would carry any film, but this one doesn't need it. The story might not be completely developed (euphemism) but the Russian mobsters and GI Joes scenes are gutbustingly funny. Also, for anyone who has ever listened to "modern" music and wondered where the world was going to, Dan Akroyd's motivational speech is something to behold. Although I never expected to say this, because I'm a non-religious person, the gospel choir's rendition of "John the Revelator" sends shivers down your spine. I love this film, and would recommend it to anyone who likes good music.
18 of 29 people found this review helpful.
Was this review helpful to you?