General Rancor is threatening to destroy the world with a missile he is hiding at his secret base. But to complete his goal, he needs a special computer chip, invented by the scientist Prof... See full summary »
Elwood, the now lone "Blues Brother" finally released from prison, is once again enlisted by Sister Mary Stigmata in her latest crusade to raise funds for a children's hospital. Once again hitting the road to re-unite the band and win the big prize at the New Orleans Battle of the Bands, Elwood is pursued cross-country by the cops, led by Cabel the Curtis' son (and Elwood's step-brother), the Russian Mafia, and a militia group. On his new "mission from God" Elwood enlists the help of a young orphan, and a strip club bartender. Written by
Stephen Scaia <firstname.lastname@example.org>
The "new" Bluesmobile is a 1991 Ford LTD Crown Victoria K9 (canine) unit. Bluesmobile tribute cars based on the 'new' film are easier to obtain than the Dodge Monaco since the former has became a collector's item; the 1979-91 Ford Panther platform cars (LTD Crown Victoria, Grand Marquis) have been in production even after the square-bodied generation ended in 1991 (the Panther platform is the final body-on-frame rear wheel drive passenger car which was phased out of production on September 15, 2011 - a brief run of Crown Victorias were manufactured as final editions for the Middle East market). A Houston, TX music duo known for performing Blues Brothers tribute music used an actual 1991 Crown Victoria former squad painted in the Bluesmobile livery - this particular Bluesmobile has been sighted in the Houston Art Car Parade until 2011 (including the previous year where Dan Aykroyd was the Grand Marshal alongside Houston Mayor Annise Parker (footage of this is seen in the documentary film Art Car: The Movie) when the music duo sold the car. See more »
As the Bluesmobile is driving up out of the river (with the fanatics' boat on top), one can just barely make out an optical effect just under and ahead of the car, roughly aligned with the water pouring off. This was probably the result of a camera trick used to hide a tow cable. See more »
Seeing as we're kinda like step-brothers, I thought maybe you could help me out.
How could I do that?
I need $500 for this car, see? And I thought maybe you could, you know, loan me the money... OR...
I'm thinking of putting the band back together. Maybe you could join us.
I'm a commander in the Illinois State Police, and I enjoy my job. You *waltz* in here telling me I have a dead, white criminal brother, who was in a band which, the last time they played anywhere, were charged with
[...] See more »
After "Please, Please, Please" there is an advertisement for Universal Studios Florida. Under the logo reads "Ride the Movies" which fades out to read "(Ask for Babs)" as in The Blues Brothers (1980) and Landis's Animal House. See more »
Contrary to popular opinion, this is not a sequel. It is supposed to be a tribute to the original. People who bash this movie without reading Aykroyd's interviews are ignorant to the intent here. This movie was originally to be a sequel back in 1981 just before Belushi died. When that happened, the idea for another adventure fell away. But after almost two decades, Aykroyd wanted to do something to revisit the classic film and pay homage to his friend and co-star Belushi, so he assembled this "Concert Movie", which is supposed to be all about THE MUSIC, not the story. The only reason a story was put in was to keep it moving from musical number to musical number, because everyone knows that straight concert films are pretty boring, even if you really like the performer(s). So here it is, for the true Blues Brothers fans to enjoy. P.S.-And if your problem with the plot was some of the cartoony style actions that occur (Cabel being pulled heavenward and his clothes magically "changing", et cetera), remember that the original had the same things. In the first one the entire band's clothing "magically" changes for a concert, but if you know that this is merely a representation of the character's psychological state and not a literal change, then the film works much better. The same idea works for the much-maligned "zombie" sequence near the end at Queen Mousette's mansion. Also, people complain about the Bluesmobile in this film being able to drive underwater. Well, in the first film the car flew, performed flips, and was nearly indestructible. In fact, if you watch the DVD of the first film, you find in the deleted scenes and "Making-of" section that the Bluesmobile is supposed to be "magic", because it was parked each night inside a power transformer. How is that for cheesiness on the first film? So that also explains Elwood's ability to smuggle himself in the dash of the car in this one, and the car being able to crash land from a fiery loop-de-loop at the fairgrounds. Even though I wish this film could have been a little edgier and darker in tone like the original, I do find its bold and effective use of color to be magnificent and fascinating. Perhaps this film has a little more depth than people expect, so they incorrectly perceive it to be a lackluster and shallow mindnumbing entertainment. I know better ....... Remove the stars in the address to e-mail me.
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