Susan wants her reprehensible ex-husband dead and, in several bungled attempts by henchmen, tries to accomplish the deed. First her boyfriend hires two dim-witted hitmen. Then she hires a ... See full summary »
Elwood, the now lone "Blues Brother" finally released from prison, is once again enlisted by Sister Mary Stigmata in her latest crusade to raise funds for a children's hospital. Once again hitting the road to re-unite the band and win the big prize at the New Orleans Battle of the Bands, Elwood is pursued cross-country by the cops, led by Cabel the Curtis' son (and Elwood's step-brother), the Russian Mafia, and a militia group. On his new "mission from God" Elwood enlists the help of a young orphan, and a strip club bartender. Written by
Stephen Scaia <email@example.com>
The list of names that Elwood (Dan Aykroyd) gives as a reason to not quit ends with Robert K. Weiss, the studio executive who convinced Aykroyd and Landis not to quit the film. See more »
In the scene with Wilson Pickett singing "634-5789" in the phone sex office, the computers and phones are not plugged in. See more »
The suit's real neat, but do I have to wear the hat?
These are unsophisticated men. They only respond to fear and the draw of lucre. We elicit this by using iconographic symbols, and psychological intimidation. The way we look together presents a uniform image of strength and organization. Don't say anything. Look mean. No smiling.
See more »
After the last credit has finished rolling, James Brown and the Blues Brothers sing "Please, Please, Please (don't go)" for another 3 minutes. See more »
It takes guts to make a sequel to a movie after 20 years, especially after the original has become a legend and the star has died since.
However this movie does a lot of things right and frankly, even if it had been perfect, some people would hate it anyway. The film suffers from not having John Belushi, but John Goodman puts in a good effort, and I for one was surprised at the quality of his singing. James Brown and Aretha Franklin reprise their guest roles. The music is not as good as the original but still better than most music in the charts these days.
The humour from the original is here but it is not as funny as the original. In fact all elements from the original are here in slightly inferior forms, with the exception of the car chase, which is better.
To be honest, it is worth seeing this film just to see how all the band has aged. i would recommend it to anyone who enjoys Blues music, though fans of the original may be disappointed
63 of 78 people found this review helpful.
Was this review helpful to you?