In future Britain, charismatic delinquent Alex DeLarge is jailed and volunteers for an experimental aversion therapy developed by the government in an effort to solve society's crime problem - but not all goes according to plan.
A botched card game in London triggers four friends, thugs, weed-growers, hard gangsters, loan sharks and debt collectors to collide with each other in a series of unexpected events, all for the sake of weed, cash and two antique shotguns.
When "The Dude" Lebowski is mistaken for a millionaire Lebowski, two thugs urinate on his rug to coerce him into paying a debt he knows nothing about. While attempting to gain recompense for the ruined rug from his wealthy counterpart, he accepts a one-time job with high pay-off. He enlists the help of his bowling buddy, Walter, a gun-toting Jewish-convert with anger issues. Deception leads to more trouble, and it soon seems that everyone from porn empire tycoons to nihilists want something from The Dude. Written by
Almost all the music on the soundtrack is revealed to be playing on a radio at some point - the official term for this concept is "diegesis". Examples: "The Man in Me" in the first dream sequence fades out after The Dude wakes up, but we still hear it, tinny and distant on his Walkman. "Hotel California" plays through out the entire scene with Jesus at the bowling alley, and even during the brief flashback, apparently as a song playing on the alley's PA system. The big band music that plays as The Dude leaves his house fades and is heard playing on Da Fino's car radio as they talk. Additionally, at the beginning of the film, the opening song, "Tumblin' Tumbleweeds", fades into a muzak version of itself as the Dude shops for his creamer in the grocery store; when it cuts to the Dude outside the store, the song has faded back into its original version. See more »
When the nihilists are ordering pancakes in the restaurant, the female nihilist orders "Heidelbeer Pfannkuchen" (blueberry pancakes) which one of the other nihilists incorrectly translates to the waitress as "lingonberry pancakes." (This may be because the nihilists don't care enough to get her order right.) See more »
Way out west there was this fella... fella I wanna tell ya about. Fella by the name of Jeff Lebowski. At least that was the handle his loving parents gave him, but he never had much use for it himself. Mr. Lebowski, he called himself "The Dude". Now, "Dude" - that's a name no one would self-apply where I come from. But then there was a lot about the Dude that didn't make a whole lot of sense. And a lot about where he lived, likewise. But then again, maybe that's why I ...
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Written by Ray Evans and Jay Livingston
Performed by Debbie Reynolds
Published by St. Angelo Music,
Administered by MCA Music Publishing, A division of Universal Studios, Inc. (ASCAP) / Jay Livingston Music,
Courtesy of MCA Records
Under license from Universal Music Special Markets See more »
A celebration of the ultimate man, nay, the ultimate dude
I'd heard a lot of bad press about this movie. Not as good as Fargo, was a much used phrase. I wasn't overly impressed with Fargo, the atmosphere just didn't click for me, but anyway, that made me a little apprehensive about this.
It's easily better than Fargo, IMHO, and it's right up there with Barton Fink or Miller's Crossing. A true comedy classic with so many memorable lines and characters, but it's the movie's atmosphere which is so truly joyous, a wonderful celebration of basically doing nothing. Achieving one's goals is important, yes, but it's okay to set them low, is what I perceived this movie to be saying. As long as one is basically a good guy, then that's enough. Well, that's what it seemed like to me, and it was expressed so beautifully in the stunning cast of grotesques, lovely music ( although more Burwell would have been nice ), and the trippiest, funniest, most absurd dream sequences you've ever seen. Great stuff.
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