A mentally unstable Vietnam War veteran works as a night-time taxi driver in New York City where the perceived decadence and sleaze feeds his urge for violent action, attempting to save a preadolescent prostitute in the process.
Robert De Niro,
A botched card game in London triggers four friends, thugs, weed-growers, hard gangsters, loan sharks and debt collectors to collide with each other in a series of unexpected events, all for the sake of weed, cash and two antique shotguns.
When "The Dude" Lebowski is mistaken for a millionaire Lebowski, two thugs urinate on his rug to coerce him into paying a debt he knows nothing about. While attempting to gain recompense for the ruined rug from his wealthy counterpart, he accepts a one-time job with high pay-off. He enlists the help of his bowling buddy, Walter, a gun-toting Jewish-convert with anger issues. Deception leads to more trouble, and it soon seems that everyone from porn empire tycoons to nihilists want something from The Dude. Written by
The Dude has a habit of repeating phrases he hears from other characters. The George Bush speech "This aggression will not stand" is repeated by the Dude to the Big Lebowski. Brandt tells the Dude that "her life is in your hands", which Dude repeats during the ransom delivery. Walter tells the Dude that "nothing is f###ed"; the Dude repeats it in the limo. Maude Lebowski uses the phrase "Parlance of our times"; Dude repeats this one in the limo as well. The Big Lebowski says he "will not abide another toe!"; at the end of the movie "The Dude abides". He threatens Larry with genital mutilation, like the nihilists did in his bathroom. In fact, many of the main characters do the same thing, except not always with phrases they've heard. For example, the Treehorn thugs say "Do you see what happens, Lebowski?" when Woo is peeing on the rug, and Walter says "Do you see what happens, Larry?" when he is smashing the Corvette. Walter says "The Chinaman is not the issue here!" in the bowling alley, and then, in the next scene, the Big Lebowski says "My wife is not the issue here!". Jesus Quintana uses the phrase "I f### you in the a##", and this is later repeatedly shouted by one of the nihilists, and re-phrased by Walter as "This is what happens when you f### a stranger in the a##!" Perhaps the most repeated phrase, "what the f### are you talking about?" is first used by the Dude in the first bowling scene, and then repeated and paraphrased throughout the movie by the Dude, Walter, Donny and Da Fino (Jon Polito). See more »
After the introduction of "Jesus" there is a shot from left to right, ending with Walter Sobchak. You can see a reflection of the cameraman in his left eyeglass. See more »
Way out west there was this fella... fella I wanna tell ya about. Fella by the name of Jeff Lebowski. At least that was the handle his loving parents gave him, but he never had much use for it himself. Mr. Lebowski, he called himself "The Dude". Now, "Dude" - that's a name no one would self-apply where I come from. But then there was a lot about the Dude that didn't make a whole lot of sense. And a lot about where he lived, likewise. But then again, maybe that's why I ...
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Written by Louis Hardin (a.k.a. Moondog)
Performed by Moondog with Orchestra
Published by Archimedes Music,
Administered for the world by Don Williams Music Group, Inc. (ASCAP)
Courtesy of Sony Classical
By Arrangement with Sony Music Licensing See more »
It's a travesty that most critics only read The Big Lebowski at its most superficial level and called it a modern take on a Raymond Chandler potboiler. I simply can't begin to perceive how one could sit down in front of this cinematic pop-poetry, as it plates gold on the silver screen, and not feel so incredibly alive. The dream sequence Busbee Berkley musical numbers are unique and awe-inspiring; the humor is rich, subtle, and clever in the way it satirizes politically correct arrogance; the free-flowing story avoids (even pokes fun at) nonessentials like plot points and pay-offs. But what really makes this film such a masterpiece, such a panacea, is the incredible humanism, the care that the Coen brothers put in developing The Dude (Jeff Bridges), Walter (John Goodman), Donnie (Steve Buscemi-tremendously endearing), and Brandt (magnificently played by Phillip Seymour Hoffman). Looking at the films use of Sam Elliott to play The Stranger, who constantly rambles about the many wonders of The Dude (among other things), it is clear that the film is an ode to a Dudist way of life. And in a time where so many film promise that they have the answer to the worlds problems and end up as slick, stylistic show-off films, what more could one ask for than a good-hearted film like this? Not to mention the performance by Jeff Bridges, which ranks among the best performances of the nineties; he has a relaxed slouch, a goofy smile, an enthusiastic dance, and his buttons can only be pushed by Walter, who John Goodman plays with charm and fury. The Coen brothers have always been considered 'cold' filmmakers, but there is nothing here but warmth and humanity (as is the case with the Coens' Fargo). What we have here is one of the greatest achievements in modern cinema and if you can't see that, grab a White Russian, hit the bowling ally, and find your inner-Dude as soon as possible.
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