Fletch is a reporter for a Los Angeles newspaper, but he acts more like a detective. When an obscure relative leaves him a Louisiana mansion in his will, Fletch is naturally curious. ... See full summary »
At a Catholic high school, the popular girl teams up with a sophomore newspaper reporter to investigate a case of stolen SAT exams. Once the duo target their suspects, a larger conspiracy is unearthed.
Irwin "Fletch" Fletcher, Los Angeles journalist, really lives for his profession. As Jane Doe, he publishes articles that have caused several heads to roll in the past. Now, Fletch is at it... See full summary »
Joe Don Baker,
When "The Dude" Lebowski is mistaken for a millionaire Lebowski, two thugs urinate on his rug to coerce him into paying a debt he knows nothing about. While attempting to gain recompense for the ruined rug from his wealthy counterpart, he accepts a one-time job with high pay-off. He enlists the help of his bowling buddy, Walter, a gun-toting Jewish-convert with anger issues. Deception leads to more trouble, and it soon seems that everyone from porn empire tycoons to nihilists want something from The Dude. Written by
Unusual for an American movie, a bad guy wields a cricket bat rather than a baseball bat. See more »
In the opening credits, a big black guy throws a seven-ten split (his ball changing color from the throw to the strike, as noted in "goofs"). The first frame showing the ball striking the leftmost pin reveals that the pin isn't on the dot marking its official position. It's a little ahead of and to the left of the dot, hanging over the gutter, and the ball strikes it from the gutter: the shot is rigged. See more »
Way out west there was this fella... fella I wanna tell ya about. Fella by the name of Jeff Lebowski. At least that was the handle his loving parents gave him, but he never had much use for it himself. Mr. Lebowski, he called himself "The Dude". Now, "Dude" - that's a name no one would self-apply where I come from. But then there was a lot about the Dude that didn't make a whole lot of sense. And a lot about where he lived, likewise. But then again, maybe that's why I ...
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Big Associate Editor.... Big Dave Diliberto See more »
I Got It Bad & That Ain't Good
Written by Duke Ellington and Paul Francis Webster
Performed by Nina Simone
Published by Webster Music Co. / EMI Robbins Catalog, Inc. (ASCAP)
Courtesy of Rhino Records
By Arrangement with Warner Special Products
Nina Simone appears by special arrangement with Nina Simone and Steven Ames Brown See more »
No movie has entertained me more in the last year than this film. It's delightfully written, directed with poise and acted with extravagance and excellence. I do admit that this is a film that I had to see six times to get. Every time I watch it I learn something new. The genius of the film lies within a game I think the Coen brothers play with their audiences. There are the touches of the masters in many of their films. In "The Hudsucker Proxy," it was Preston Sturges and Frank Capra. In "Raising Arizona," I felt a touch of Sam Fuller. In this film, I felt many touches of greatness, but more specifically I felt John Sayles or even John Cassevettes in spots. The camera was manipulated beautifully and I felt a tinge of their talents lurking in at many a turn. The performances are astounding, especially Goodman as the deranged bowler still living deep within the jungles of the Vietcong. Huddleston is also quite wonderful as the title character. Turturro gives a fine cameo as "Jesus," coupled with a rousing and humurous version of the Eagles, "Hotel California," done in Espanol. I hope this is a film that is looked at with more seriousness. It is, once you dig deep, a fine piece of filmmaking.
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