In future Britain, charismatic delinquent Alex DeLarge is jailed and volunteers for an experimental aversion therapy developed by the government in an effort to solve society's crime problem - but not all goes according to plan.
A mentally unstable Vietnam war veteran works as a night-time taxi driver in New York City where the perceived decadence and sleaze feeds his urge for violent action, attempting to save a preadolescent prostitute in the process.
Robert De Niro,
When "The Dude" Lebowski is mistaken for a millionaire Lebowski, two thugs urinate on his rug to coerce him into paying a debt he knows nothing about. While attempting to gain recompense for the ruined rug from his wealthy counterpart, he accepts a one-time job with high pay-off. He enlists the help of his bowling buddy, Walter, a gun-toting Jewish-convert with anger issues. Deception leads to more trouble, and it soon seems that everyone from porn empire tycoons to nihilists want something from The Dude. Written by
The fictional German techno-pop band in the movie, Autobahn, is a parody of (or homage to) the legendary electronic band Kraftwerk. The Autobahn album cover is stylistically similar to the cover of the Kraftwerk album "The Man-Machine," and the group name Autobahn is the name of a Kraftwerk song. The title of Autobahn's album "Nagelbett" is German for "nail bed". In Swedish, Peter Stormare's native tongue, it means "nail bite". See more »
The movie is said to take place at the time of the first Iraq war in early 1991; many references indicate that it's set a few months before, during the troop build-up in late 1990. But when the Dude makes out a check at the beginning of the movie, it's dated 9-11-1991. See more »
Way out west there was this fella... fella I wanna tell ya about. Fella by the name of Jeff Lebowski. At least that was the handle his loving parents gave him, but he never had much use for it himself. Mr. Lebowski, he called himself "The Dude". Now, "Dude" - that's a name no one would self-apply where I come from. But then there was a lot about the Dude that didn't make a whole lot of sense. And a lot about where he lived, likewise. But then again, maybe that's why I ...
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A celebration of the ultimate man, nay, the ultimate dude
I'd heard a lot of bad press about this movie. Not as good as Fargo, was a much used phrase. I wasn't overly impressed with Fargo, the atmosphere just didn't click for me, but anyway, that made me a little apprehensive about this.
It's easily better than Fargo, IMHO, and it's right up there with Barton Fink or Miller's Crossing. A true comedy classic with so many memorable lines and characters, but it's the movie's atmosphere which is so truly joyous, a wonderful celebration of basically doing nothing. Achieving one's goals is important, yes, but it's okay to set them low, is what I perceived this movie to be saying. As long as one is basically a good guy, then that's enough. Well, that's what it seemed like to me, and it was expressed so beautifully in the stunning cast of grotesques, lovely music ( although more Burwell would have been nice ), and the trippiest, funniest, most absurd dream sequences you've ever seen. Great stuff.
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