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The Big Lebowski (1998)

 -  Comedy | Crime  -  6 March 1998 (USA)
8.2
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Ratings: 8.2/10 from 413,540 users   Metascore: 69/100
Reviews: 980 user | 232 critic | 22 from Metacritic.com

"The Dude" Lebowski, mistaken for a millionaire Lebowski, seeks restitution for his ruined rug and enlists his bowling buddies to help get it.

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Cast

Cast overview, first billed only:
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...
...
...
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Nihilist #1, Uli Kunkel / 'Karl Hungus'
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Nihilist #2, Kieffer
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Nihilist #3, Franz
Jimmie Dale Gilmore ...
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Marty
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Storyline

When "The Dude" Lebowski is mistaken for a millionaire Lebowski, two thugs urinate on his rug to coerce him into paying a debt he knows nothing about. While attempting to gain recompense for the ruined rug from his wealthy counterpart, he accepts a one-time job with high pay-off. He enlists the help of his bowling buddy, Walter, a gun-toting Jewish-convert with anger issues. Deception leads to more trouble, and it soon seems that everyone from porn empire tycoons to nihilists want something from The Dude. Written by J. Lake

Plot Summary | Plot Synopsis

Taglines:

It takes guys as simple as the Dude and Walter to make a story this complicated... and they'd really rather be bowling. See more »

Genres:

Comedy | Crime

Motion Picture Rating (MPAA)

Rated R for pervasive strong language, drug content, sexuality and brief violence | See all certifications »

Parents Guide:

 »
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Details

Country:

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Language:

| | |

Release Date:

6 March 1998 (USA)  »

Also Known As:

Big Lebowski  »

Box Office

Budget:

$15,000,000 (estimated)

Opening Weekend:

$5,200,000 (Non-US) (24 April 1998)

Gross:

£1,462,880 (UK) (19 June 1998)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

| |

Color:

(Technicolor)

Aspect Ratio:

1.85 : 1
See  »
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Did You Know?

Trivia

Almost all the music on the soundtrack is revealed to be playing on a radio at some point. Examples: "The Man in Me" in the first dream sequence fades out after The Dude wakes up, but we still hear it, tinny and distant on his Walkman. "Hotel California" plays through out the entire scene with Jesus at the bowling alley, and even during the brief flashback, apparently as a song playing on the alley's PA system. The big band music that plays as The Dude leaves his house fades and is heard playing on Da Fino's car radio as they talk. Additionally, at the beginning of the film, the opening song, "Tumblin' Tumbleweeds", fades into a muzak version of itself as the Dude shops for his creamer in the grocery store; when it cuts to the Dude outside the store, the song has faded back into its original version. See more »

Goofs

When the Dude looks at Da Fino's picture of Bunny's family farm, he holds it two hands in the close-up, and one hand in the long shot. See more »

Quotes

[first lines]
The Stranger: [voiceover] Way out west there was this fella... fella I wanna tell ya about. Fella by the name of Jeff Lebowski. At least that was the handle his loving parents gave him, but he never had much use for it himself. Mr. Lebowski, he called himself "The Dude". Now, "Dude" - that's a name no one would self-apply where I come from. But then there was a lot about the Dude that didn't make a whole lot of sense. And a lot about where he lived, likewise. But then again, maybe that's why I ...
See more »

Crazy Credits

Big Associate Editor.... Big Dave Diliberto See more »

Connections

Referenced in The Tracey Fragments (2007) See more »

Soundtracks

Her Eyes Are a Blue Million Miles
Written by Don Van Vliet (as Don Vliet)
Performed by Don Van Vliet (as Captain Beefheart)
Published by EMI Unart Catalog Inc. (BMI)
Courtesy of Reprise Records
By Arrangement with Warner Special Products
See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

Simply Beautiful
16 October 2004 | by See all my reviews

It's a travesty that most critics only read The Big Lebowski at its most superficial level and called it a modern take on a Raymond Chandler potboiler. I simply can't begin to perceive how one could sit down in front of this cinematic pop-poetry, as it plates gold on the silver screen, and not feel so incredibly alive. The dream sequence Busbee Berkley musical numbers are unique and awe-inspiring; the humor is rich, subtle, and clever in the way it satirizes politically correct arrogance; the free-flowing story avoids (even pokes fun at) nonessentials like plot points and pay-offs. But what really makes this film such a masterpiece, such a panacea, is the incredible humanism, the care that the Coen brothers put in developing The Dude (Jeff Bridges), Walter (John Goodman), Donnie (Steve Buscemi-tremendously endearing), and Brandt (magnificently played by Phillip Seymour Hoffman). Looking at the films use of Sam Elliott to play The Stranger, who constantly rambles about the many wonders of The Dude (among other things), it is clear that the film is an ode to a Dudist way of life. And in a time where so many film promise that they have the answer to the worlds problems and end up as slick, stylistic show-off films, what more could one ask for than a good-hearted film like this? Not to mention the performance by Jeff Bridges, which ranks among the best performances of the nineties; he has a relaxed slouch, a goofy smile, an enthusiastic dance, and his buttons can only be pushed by Walter, who John Goodman plays with charm and fury. The Coen brothers have always been considered 'cold' filmmakers, but there is nothing here but warmth and humanity (as is the case with the Coens' Fargo). What we have here is one of the greatest achievements in modern cinema and if you can't see that, grab a White Russian, hit the bowling ally, and find your inner-Dude as soon as possible.


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