| Frances Reiss | |||
| Ira Wohl | ... | Himself (also archive footage) | |
| Max Wohl | ... | Himself (archive footage) | |
| Pearl Wohl | ... | Herself (archive footage) | |
| Philip Wohl |
Directed by | |||
| Ira Wohl | |||
Writing credits(in alphabetical order) | ||
| Ira Wohl | ||
Produced by | |||
| Ira Wohl | .... | producer | |
Cinematography by | |||
| Tom McDonough | |||
Film Editing by | |||
| Laura C. Murray | |||
| Ira Wohl | |||
Sound Department | |||
| Peter Miller | .... | sound | |
| Nicholas Renbeck | .... | supervising sound editor | |
| Wyatt Sprague | .... | sound effects editor | |
Camera and Electrical Department | |||
| Roman Fichman | .... | videographer | |
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| The Believer | Best Boy | Barcelona | The Savages | Touch of Pink |
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| Full cast and crew | Company credits | External reviews |
| IMDb Documentary section | IMDb USA section |
This movie really allows us to see the unobscured joys of life through Philly, a 70 year old mentally retarded man and cousin of director Ira Wohl. You really need to have seen "Best Boy" as a prerequisite, but I'm so glad I saw this follow up. Congratulations to Ira Wohl for capturing his family so well and for stepping in to make his cousin's life as good as it can be. I really feel like I know his family, I don't know if it's a Jewish thing or just a universal dynamic, but I certainly recognized all the characters. I hope Philly is still around in another 20 years, and if not, he will have lived a very full life anyway.