Max is gay and as such is sent to Dachau concentration camp under the Nazi regime. He tries to deny he is gay and gets a yellow label (the one for Jews) instead of pink (the one for gays). ... See full summary »
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In a suburb of London, young Jamie is escaping sport hours, to avoid being the victim of his comrades. Young Ste, his neighbor, is beaten by his father, and comes to sleep overnight. They discover new feelings, sleeping in the same bed.
A young Jewish girl looking to escape the clutches of the Third Reich after seeing her parents and sister brutally slain while attempting to make their way to England is sheltered by an old... See full summary »
The movie follows a group of young friends in the city of Tel Aviv and is as much a love song to the city as it is an exploration of the claim that people in Tel Aviv are isolated from the ... See full summary »
A married, Orthodox, Jerusalem butcher and Jewish father of four falls in love with his handsome, 22-year-old male apprentice, triggering the suspicions of his wife and the disapproval of his Orthodox community.
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Max is gay and as such is sent to Dachau concentration camp under the Nazi regime. He tries to deny he is gay and gets a yellow label (the one for Jews) instead of pink (the one for gays). In camp he falls in love with his fellow prisoner Horst, who wears his pink label with pride. Written by
Having played the role of Max in the original Broadway production of "Bent," Richard Gere was the original choice of the producers for the same role in the film, but having already contracted to appear in Red Corner (1997), which was filming in China, and The Jackal (1997), filming in various countries in Europe, Gere was unavailable for the shooting schedule of Bent, the film, which necessitated choosing another actor for the role, and ultimately Clive Owen was chosen. See more »
Detailing the degradation of Nazi-regime victims...
Homosexual playboy in 1930s Germany fights to keep himself and his gay flat-mate out of the grasp of Nazi soldiers, but they are soon rounded up and face the horrors of war. This tough-going drama doesn't delve too deeply into the Party's initial conflict over homosexuality, but it does touch on the labeling of gay men with the Pink Triangle, making them perhaps even more reviled than the Jews (Clive Owen picks the yellow Star of David symbol over the triangle, figuring being a Jew might actually help him survive). Initially arty presentation has flashes of pretension, but is still gripping on a visual and visceral level and very well-acted. It's almost two different movies however, with a work-camp second-half given an appropriately straightforward, if unexciting, direction. Adapted from the controversial play, the last act has perhaps more going on than is actually revealed, and the viewer may either feel the movie loses its energy and soul during this portion or that it is successful on an entirely different level. In any case, difficult as an entertainment, but certainly worthwhile for those curious about this lost chapter in history. **1/2 from ****
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