Max is gay and as such is sent to Dachau concentration camp under the Nazi regime. He tries to deny he is gay and gets a yellow label (the one for Jews) instead of pink (the one for gays). ...
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After his gay cousin dies from hepatitis, young Laurent, who lives with his best friend Carole, falls in love with Cedric, a plant scientist. He's afraid to inform his conservative parents that he is gay.
A young Jewish girl looking to escape the clutches of the Third Reich after seeing her parents and sister brutally slain while attempting to make their way to England is sheltered by an old... See full summary »
In a suburb of London, young Jamie is escaping sport hours, to avoid being the victim of his comrades. Young Ste, his neighbor, is beaten by his father, and comes to sleep overnight. They discover new feelings, sleeping in the same bed.
A married, Orthodox, Jerusalem butcher and Jewish father of four falls in love with his handsome, 22-year-old male apprentice, triggering the suspicions of his wife and the disapproval of his Orthodox community.
In the palm-shaded oasis of West Hollywood, we meet Dennis, a promising photographer. As he prepares to celebrate his twenty-eighth birthday, he laments, ' I can't decide if my friends are ... See full summary »
Max is gay and as such is sent to Dachau concentration camp under the Nazi regime. He tries to deny he is gay and gets a yellow label (the one for Jews) instead of pink (the one for gays). In camp he falls in love with his fellow prisoner Horst, who wears his pink label with pride.
Having played the role of Max in the original Broadway production of "Bent," Richard Gere was the original choice of the producers for the same role in the film, but having already contracted to appear in Red Corner (1997), which was filming in China, and The Jackal (1997), filming in various countries in Europe, Gere was unavailable for the shooting schedule of Bent, the film, which necessitated choosing another actor for the role, and ultimately Clive Owen was chosen. See more »
Ever go to the Silhouette?
I never saw you there.
You weren't looking.
Good, you had taste. The White Mouse?
I'm surprised you never saw me there. Did you sunbathe?
I love to sunbathe.
[...] See more »
The film opens with the main credits revealing like a searchlight. See more »
I sat down to watch this movie, and I was completely drawn into it. By the end, i thought that only 15 minutes had passed instead of an hour and a half. The subject matter (homosexual persecution during the Holocaust) was approached with the right amount of dignity and respect. Bent, furthermore, has the most powerful and original love scene that I have ever seen. I do feel that it needed more character development, but regardless it is an intensely psychological and powerful movie.
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