Eliana Tapia is "La Nany", a nasal-voiced woman from La Florida who changes the Valdivieso's family life just when she arrives at their house. Chilean remake of the popular American sitcom "The Nanny".
Set in early 1900's France, a widow renews a former romantic interest until it is discovered that he has had a past fling with one of her new employees, a nanny. This sets the two women ... See full summary »
1967 film student George Lucas has writer's block trying to finish his "Space Wheat" script, until a beautiful fellow student with a familiar hairstyle teaches him that the best stories are in plain sight.
A beautician in America is mistakenly thought to be an academic teacher by a representative of an Eastern European dictator. She is invited to their country on that mistaken belief and is asked to be the tutor of the dictator's children. While there, she tries to Westernize the whole country. Written by
Tony Berkoff <email@example.com>
Fran Drescher took voice lessons to alter the nasal quality of her voice for the part of Joy Miller. When she arrived on set using her new "normal" voice, producers insisted that she revert to her natural trademark one, as it was one of the reasons she was asked to play the part. See more »
At the end of the movie when Joy is at her parents' house, the piano lid is open/closed between shots. See more »
Now, about this business at the factory...
Oh you know what there's no need to apologize, I know that you were cranky 'cause you didn't have your lunch. You could be hyperglycemic, you should carry a piece of cheese with you.
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Hug My Soul
by Sarah Cracknell, Jonathan Male & Guy Batson
Performed by Saint Etienne
Courtesy of Warner Bros. Records Inc.
by arrangement with Warner Special Products and Courtesy of SINE/Creation Records/Heavenly Recordings See more »
I have to admit that, for a while anyway, I had a serious crush on Fran Drescher. Those outfits (in Joe's chauvinistic voice): "OH, YEAH!!!" That big '80's hair. And that voice (except when she got whiny)??? Uh-huh-huh! Uh-huh-huh!
"The Nanny" was a good show, though not great. It was raunchy and funny, though, to me (and maybe this is me being more old-fashioned than I'll admit), raunchy sex jokes do not go together with family entertainment. Thus, I was always convinced that it was in a bad time slot. NBC doesn't show "Law & Order" at 8:00 (or 7:00 if you're in Mississippi like me).
Nitpickiness aside, when I heard that she was doing a movie titled "The Beautician and the Beast," I was quite skeptical. I didn't think that it would be any good. But I sucked up any doubts I had and saw it anyway.
I have to admit that, while it's not the best, it's not the worst, either. I actually liked this movie. Granted, the movie is VERY dated (for the most part, Communism is dead), quite predictable (can you say "The Nanny?") and can get downright stupid (what's with the chicken?).
But it can also be funny, like when Joy, Fran's character, gets the workers to strike, in the tradition of Norma Rae, thus angering Boris Pochenko, played adequately by Timothy Dalton. And there were a lot of raunchy references to her relatives, i.e. one of her aunts having to have facial hair removed. And, without giving anything away, I thought the begining was really cute as well.
Not to mention that I was really impressed with a scene near the end of the film where she stands up to Boris. To me, it sounded as if she was really acting, speaking past her quirky voice and speaking the lines with gusto. That may explain how she got a part in a Woody Allen movie, even if it's a bit part.
This film isn't for everybody, especially if you're put off by Fran's voice. And, though there are no sex scenes, there are benign sexual references, not to mention mild language. Others might say "bring the whole family," but I wouldn't. While *I* think she's funny (like I said before), I believe her humor is too raunchy for family entertainment. And some of her humor deals with generalizations, which may explain why you don't see her being compared to Julia Roberts, Jennifer Lopez or Rene Russo, strong women who aren't afraid to be "one of the boys."
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