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DC have probably had more movie flops that they’ve had successes. Green Lantern, Supergirl, Steel, Jonah Hex, Catwoman, Batman Forever and Batman and Robin have all been slammed by critics and audiences alike.
In some cases, you can’t really blame the casting or the actors for said failure – Halle Berry was actually one of the bright points of the terrible Catwoman movie, in spite of its ridiculous concept, and Josh Brolin could have been a fantastic Jonah Hex had the material he was given to work with not been awful.
That said, most of the time it’s down to poor casting. DC have given jobs to so many completely inappropriate actors, in terms of the characters that they played, that we’ve lost count of the number of cases in which it has occurred.
Whether it’s because the actor in question just wasn’t very good, »
- Kev Stewart
Seemingly becoming a DC staple, the themed variant covers for December have been unveiled. With next month being Monster month and November being Lego-themed, the final month of the year will feature the award-winning artwork of Darwyn Cooke. Take a look at the variants in store for dozens of DC Comics titles below. Action Comics #37 Aquaman #37 Batgirl #37 Batman #37 Batman and Robin #37 Batman/Superman #17 Catwoman #37 Detective Comics #37 The Flash #37 Grayson #4 Green Lantern #37 Green Lantern Corps #37 Harley Quinn #12 He-Man: The Eternity War #1 Justice League #37 Justice League Dark #37 Justice League United #7 Sinestro #8 Supergirl #37 Superman #37 Superman/Wonder Woman #14 Wonder Woman #37 »
Warner Bros. Pictures
The legacy of Jack Nicholson’s Joker has taken a bit of a beating as of late. For so long his gangster-cum-theatric psychopath from Tim Burton’s Batman was viewed as the definitive take on the iconic Batman villain, but then in 2008 The Dark Knight brought something excitingly new to the table. Heath Ledger’s Oscar winning performance totally overshadows Nicholson’s version of the character and while it is objectively the weaker of the two, there’s still a lot to enjoy in what Jack did.
Giving the Joker an origin story (something that hadn’t been attempted on screen before) and implicating him in the murder of Batman’s parents, Tim Burton’s take on the character is in many ways unconventional, but Nicholson off-set that with something more typically over-the-top and dramatic, making some of the more blatant meddling with the mythos more palatable. »
- Alex Leadbeater
How does Charles Soule do it? If you ignore the answers provided by the comic writer himself on his personal blog, it is almost impossible to imagine how one man can spread himself so thin across eight different titles between Marvel, DC, and Oni Press. At the moment he currently writes Inhuman, She-Hulk, and Thunderbolts at Marvel, Superman / Wonder Woman, Swamp Thing, and Red Lanterns for DC, and his creator-owned title at Oni called Letter 44. On top of the multiple ongoing series, today marks the release of the first issue of miniseries event The Death of Wolverine.
It looks like Soule will settle down a tad after the announcement in The Hollywood Reporter that Marvel has signed Soule for an exclusive contract. This is good news for Soule as his star continues to rise in the industry.
Sadly though, this means his runs on his DC titles will be ending. »
- Max Molinaro
I didn't even realize there was a problem. And, believe me, I understand that as problems go, this is not a life-threatening one or a world-altering one… but it's something that finally caught my attention as I realized how we were starting to instill some bad habits in the boys. Rather, they were starting to pick up some bad habits, and I was allowing them to take root. And based on the last column I published in this series, it's definitely something I've encouraged. I love that my kids have a fairly broad palette in terms of what they will or won't watch with me. One of my proudest moments as a film nerd dad was when Toshi had a friend over and I heard him trying to convince his buddy to watch a Charlie Chaplin film. Black and white has never been a problem for them. Abbot and Costello, »
- Drew McWeeny
At the peak of his career, Wesley Snipes delivered a gift unto the cinematic world that would be his crowning achievement. That gift was the double tap we call Blade and Blade II, which not only gave Snipes a career-defining role that he would cash in on with two sequels, but also kept comic movies alive after Batman And Robin tried its best to kill them. Unfortunately, between Wesley Snipes' tax problems and the horror that was Blade: Trinity, the series gave way to a crappy Spike TV series and eventually died. Now that comic movies are cool, and vampires are starting to get their bite back, it looks like it's time to welcome back the Daywalker. At least, that's what the NY Daily News seems to believe, as it's obtained the following scoop exclusive to its Confidenti@l column: Confidenti@l has learned Wesley Snipes is set to »
Rob counts down the top 50 episodes of TV's longest-running animated series, The Simpsons...
Since its debut in 1989, across 552 episodes and 25 seasons, The Simpsons has become one of the most revered and beloved TV programmes of all time. It’s a true cultural phenomenon that’s influenced not just animation, but all areas of TV comedy and sitcom. For so many of us, its quotes and catchphrases have permeated our everyday vernacular, from single words like “crisitunity” and “embiggen” to phrases “you don’t win friends with salad” and “everything’s coming up Milhouse.”
Personal opinions may vary, but for me the show’s peak years were from season 4 through to 10. They’re consistently funny, all killer and no filler runs with barely a dud episode to be found between 1992-1998. Past this point the standard becomes a little more mixed, and recent seasons have been distinctly average at best. The »
Welcome To Issue 60!
If This Is Your First Time Here: Welcome! This is my weekly column where I talk about superhero movie news, rumors and speculation to the detriment of no one. It usually has spoilers. Also it has jokes, sorry Warner Bros.
This Week: Donald Glover finally gets to be Spider-Man, then I don’t know who at DC to talk to about setting “no joke” policies. But I want to make two things clear right from the start: I want the Dcu to succeed because I want to see these movies, and I’m easily excitable when it comes to these things.
Thanks for being so patient while I uprooted my Brooklyn life of 11 years and hauled all my crap back to Colorado last week. There’s something about paying to ship all your Spider-Man toys to another state while you’re throwing away baby pictures of yourself »
A quarter-century after “Batman” ushered in the era of Hollywood mega-tentpoles — hollow comicbook pictures manufactured to enthrall teens and hustle merch — a penitent Michael Keaton returns with the comeback of the century, “Birdman or (The Unexpected Virtue of Ignorance),” a blisteringly hot-blooded, defiantly anti-formulaic look at a has-been movie star’s attempts to resuscitate his career by mounting a vanity project on Broadway. , that will electrify the industry, captivate arthouse and megaplex crowds alike, send awards pundits into orbit and give fresh wings to Keaton’s career.
See Also: Michael Keaton Bursts Into Oscar Race
Keaton was a controversial choice to play the Caped Crusader back in 1989, though the role was the best and worst thing that could have happened to the “Mr. Mom” star, who became world-renowned but never found another role of that stature — and who didn’t get nearly the same boost from working with Tarantino (on »
- Peter Debruge
In a preemptive deal that knocked it out of the Toronto premieres line-up, Lionsgate has acquired North American rights to apocalyptic thiller Maggie. Starring Arnold Schwarzenegger (Terminator and Expendables franchises, Total Recall, Batman And Robin), Oscar-nominated Abigail Breslin (Little Miss Sunshine, Ender’s Game) and Joely Richardson (The Girl With The Dragon Tattoo, The Tudors, Nip/Tuck), Maggie tells the story of a deadly zombie virus that has put a plague on the world. When Maggie, a vivacious young woman becomes infected, her father brings her home to let her be with their family. As Maggie’s condition worsens, the relationship between father and daughter is tested. Henry Hobson is directing from the Black List script by John Scott 3. Bill Johnson and Ara Keshishian produced alongside Colin Bates, Joey Tufaro, Pierre-Ange Le Pogam, Matthew Baer and Schwarzenegger. Claudia Blumhuber and Jim Seibel are exec producers. Silver Reel and Gold Star Films »
- The Deadline Team
From the Press Release
In a preemptive deal prior to the start of the Toronto International Film Festival, Lionsgate has acquired the North American distribution rights to the apocalyptic thriller Maggie, starring Arnold Schwarzenegger (the Terminator and Expendables franchises, Total Recall, Batman and Robin).
The announcement was made by Lionsgate Co-Chief Operating Officer and Motion Picture Group President Steve Beeks and Bill Johnson and Jim Seibel, Co-Chairs of Lotus Entertainment, who produced and handled international sales.
- Steve Barton
Wade knows his daughter Maggie is succumbing to an infection that will inevitably turn her into a zombie, but he’s hoping his fervent love will keep her human for as long as possible. With its Tiff world premiere right around the corner, the zombie drama Maggie has been picked up by Lionsgate and will now forego playing at the festival, looking to debut instead via an early 2015 theatrical release.
The news of Maggie not playing at Tiff comes from The Hollywood Reporter. Lionsgate now holds the film’s North American distribution rights. We have the official press release with full details below (a big thanks to Collider for the press release!).
“A Midwestern farmer (Arnold Schwarzenegger) stays by the side of his beloved teenage daughter (Abigail Breslin) even as she slowly turns into a cannibalistic zombie, in this audacious, genre-bending debut feature from director Henry Hobson.”
Directed by Henry Hobson »
- Derek Anderson
In a preemptive deal prior to the start of the Toronto International Film Festival, Lionsgate, a premier next generation global content leader, has acquired the North American distribution rights to the apocalyptic thriller Maggie, starring Arnold Schwarzenegger (the Terminator and Expendables franchises, Total Recall, Batman and Robin), Academy Award-nominated Abigail Breslin (Little Miss Sunshine, Ender’s Game) and Joely Richardson (The Girl With The Dragon Tattoo, the hit TV series The Tudors and Nip/Tuck). The announcement was made by Lionsgate Co-Chief Operating Officer and Motion Picture Group President Steve Beeks and Bill Johnson and Jim Seibel, Co-Chairs of Lotus Entertainment, who produced and handled international sales.
The Black List script by John Scott 3 is directed by Henry Hobson. Bill Johnson and Ara Keshishian produced alongside Colin Bates, Joey Tufaro, Pierre-Ange Le Pogam, Matthew Baer and Schwarzenegger. Claudia Blumhuber and Jim Seibel are executive producers. Silver Reel and Gold Star Films »
- Kellvin Chavez
One of the more offbeat movies that was poised to premiere at the upcoming Toronto International Film Festival was Maggie, which stars Arnold Schwarzenegger as a father who struggles to come to terms with the fact that his daughter (Abigail Breslin) is slowly becoming a zombie. I say “was” because Lionsgate announced today that it has acquired distribution rights to the film and, per THR, will be pulling it out of Tiff. Instead of debuting at the festival, the studio has set a Maggie release date for early 2015, though a specific theatrical bow has not yet been determined. It's a bit of an odd move to pull the film out of Tiff, and not exactly a great sign if Lionsgate wants to control the flow of reviews for the pic. The Black List script was penned by John Scott 3 and directed by Henry Hobson, with Joely Richardson taking on »
- Adam Chitwood
In a preemptive deal prior to the start of the Toronto International Film Festival, Lionsgate has acquired the North American distribution rights to the apocalyptic thriller Maggie, starring Arnold Schwarzenegger (the Terminator and Expendables franchises, Total Recall, Batman and Robin), Academy Award-nominated Abigail Breslin (Little Miss Sunshine, Ender’s Game) and Joely Richardson (The Girl With The Dragon Tattoo, the hit TV series The Tudors and Nip/Tuck).
The film tells the story of a deadly zombie virus that has put a plague on the world. When Maggie, a vivacious young woman becomes infected, her father brings her home to let her be with their family. As Maggie’s condition worsens, their relationship is tested, a father’s love holding on stronger than the disease. This heart-wrenching twist on the zombie apocalypse puts a human face on an inexplicable horror.
The announcement was made by Lionsgate Co-Chief Operating Officer and »
- Michelle McCue
For almost 50 years, Batman has graced the silver screen. Whether working solo or accompanied by sidekicks and associates, Gotham City is continually saved by his enduring presence. Even though the eight theatrical live-action films featuring the Caped Crusader have had their ups and downs, there is no denying his appeal as a lead character.
With that in mind, these are all theatrical Batman releases, ranked from worst to best:
8. Batman and Robin (1997)
The dark cloud over a struggling franchise, Joel Schumacher’s second directorial outing in the Batman franchise hammered the last nail in the coffin and became known as one of the worst sequels, nay films, of all time. From the garish set design, poor character development, uninspired casting and hideously unfunny pun-filled script, Batman and Robin was a mistake from the moment it went into production.
7. Batman: The Movie (1966)
Occasionally forgotten as the first theatrical Batman film, this »
- Katie Wong
“What are you?’ That question has been on many a criminal’s mind for numerous decades. Out of absolute fear, these evildoers stare into the face of darkness personified, a creature of the night that is a true symbol of justice. I’m talking of course about Batman, the Dark Knight, a crimefighter who strikes fear into the hearts of those deserve it. He is a highly complex character and throughout his 75-year history, many talented (and some not so talented) actors have brought him to life on the silver screen.
Lewis Wilson Batman (1943) The first film appearance of the Caped Crusader occurred at the height of World War II in 1943, four years after the character’s creation. Lewis Wilson portrayed Batman in a 15-chapter film serial released by Columbia Pictures, in which he and trusty sidekick Robin go head to head with Dr. Daka, a demented Japanese scientist who »
- Randall Unger
By this point, I would have been entirely unsurprised if "The Expendables 3" was somewhat lazy, unfocused, and entirely too pleased with itself. That is, after all, the way the series works. The second film may have improved on the first film, but that didn't make it a "good" movie suddenly. It was just an agreeably not-good movie. And by now, I figured that was what I would expect any time they squeezed out another one of these. And, to be clear, I think this new chapter in the series also has some weird issues, but it does indeed feel like each time they make one of these, they get closer to getting it right. I'm impressed that this is the direction they're heading, instead of just getting lazier and more diluted. None of the films have the same tone, and none of them really feel like part of a series. »
- Drew McWeeny
It suffered a 63% box office drop in its second week of cinematic release. It was nominated for eleven Golden Raspberry Awards, winning one. It has been singled out as a source of massive regret for much of its cast. It effectively ended two A-list film careers, signaled the decline of Hollywood’s most celebrated guilty pleasure strongman, and doomed its helmsman to a pantheon of lingering disgrace. It torpedoed a multimillion dollar franchise, wiped out two green-lit blockbusters and put one of pop culture’s biggest names into the dark for eight years. It is often cited as one of the worst movies ever made, and was crowned number one by Empire. Years later, its director would be compelled to actually apologize for it. When you collect your wits at last and begin to look at the mess with something approaching rationalization, you will be hard pressed to find a »
- Scott Patterson
We are incorporating two elements here in the Caped Crusader’s universe: applying the Batman 60′s ABC-tv show (1966-1968/3 seasons) with the Batman film franchise (1989 and beyond). The link that we are looking for to connect Batman’s cheesy television past and its current and future filming state of mind is the conception of repackaging the Dynamic Duo’s cartoonish villains from the small screen and giving them new life on the big screen in the millennium. Let’s examine this line of reasoning, shall we?
As any Batman enthusiast (or casual observer) knows about the campy TV series back in the late 60′s is that the main off-kilter charm was the colorful and wacky regular guest star villains that populated the program many times through the three-year broadcast on the network. Household hooligans such as Catwoman, the Joker, the Penguin and the Riddler would return and become the routine »
- Frank Ochieng
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