A vulcanologist arrives at a countryside named Dante's Peak after a long dormant volcano, which has recently been named the second most desirable place to live in America, and discovers that Dante's Peak, may wake up at any moment.
Jamie Renée Smith
A fake Fabergé egg and a fellow agent's death leads James Bond to uncovering an international jewel smuggling operation, headed by the mysterious Octopussy, being used to disguise a nuclear attack on NATO forces.
A renegade general and his group of U.S. Marines take over Alcatraz and threaten San Francisco Bay with biological weapons. A chemical weapons specialist and the only man to have ever escaped from the Rock attempt to prevent chaos.
British Ministry agent John Steed, under direction from "Mother", investigates a diabolical plot by arch-villain Sir August de Wynter to rule the world with his weather control machine. Steed investigates the beautiful Doctor Mrs. Emma Peel, the only suspect, but simultaneously falls for her and joins forces with her to combat Sir August. Written by
John Hawkinson <firstname.lastname@example.org>
As well as Mrs Peel, scriptwriter Don MacPherson intentionally drew on elements of Cathy Gale, her predecessor on the original series, for his updating. See more »
When Emma Peel plays the piano, none of the dampers inside the piano moves up and down. Even though we discover it's a player piano, the dampers would still move every time a key is depressed. The only time the keys are in sync with the sound is in the final closeup as the Chopin piece ends. See more »
[confronted with wiring panel]
Was it red or black? Here goes, eeny, meeny, miney...
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In spite of all the negative reviews and the low rating, I have immensely enjoyed this new version of 'The Avengers'. No, it does not replace Patrick MacNee nor Diana Rigg. But it's not supposed to, so that does not count. Yet what positively surprised me is that the film does have the flavour of the original Avengers, that it is full of understatements, and that the acting is in the - difficult - vein of what I'd call 'grotesque underacting'. Uma Thurman delivers a worthy Emma Peel with more than enough man appeal to keep me starry-eyed to the screen for 90 minutes. Mr. Fiennes combines distinction, humour and resolution in a way that is worthy of Mr. John Steed. The plot is original, yet partly predictable - but aren't all of the original 'Avengers' episodes predictable by modern audiences? Isn't a Mozart symphony predictable? Add to this the cinematography that is just delicious, and you have a real audience treat, even for those who consider themselves long-time Avengers fans like me.
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