After losing his bride in a Luftwaffe air raid, bomber pilot Forrester becomes a solitary killing machine, who doesn't care whether he dies. The reckless Canadian pilot is both admired and ... See full summary »
Set in the world of New York City's elite private kindergartens, THE BEST AND THE BRIGHTEST centers on a fresh-faced young couple, Samantha and Jeff, who have only recently moved into town.... See full summary »
Neil Patrick Harris,
Based on the life of Rich Mullins, a musical prodigy who rose to Christian music fame and fortune only to walk away and live on a Navajo reservation. An artistic genius, raised on a tree ... See full summary »
Based on a true story, HOUSE ON THE HILL is a true crime melodrama with strong horror elements, chronicling the outrageous 1980s murder spree of serial killer Leonard Lake, who would target... See full summary »
Naidra Dawn Thomson,
Stephen A.F. Day
Written and directed by former soldier, Tom Petch, 'The Patrol' provides the antidote to the war action film. A psychological drama, the film explores the relationships between a group of British soldiers as they grow disillusioned with the Afghan war.
British Ministry agent John Steed, under direction from "Mother", investigates a diabolical plot by arch-villain Sir August de Wynter to rule the world with his weather control machine. Steed investigates the beautiful Doctor Mrs. Emma Peel, the only suspect, but simultaneously falls for her and joins forces with her to combat Sir August. Written by
John Hawkinson <email@example.com>
Steed and Peel get across the frozen river by "walking" on the surface inside inflatable plastic bubbles; similar to how James Bond gets aboard Blofeld's oil rig in Sean Connery's final (official) Bond film Diamonds Are Forever (1971). See more »
Flower pot is missing as Steed continues down the street. See more »
He says unless we accept his demands, the weather will keep getting colder and colder until we'll all have to go to hell just to warm up.
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In spite of all the negative reviews and the low rating, I have immensely enjoyed this new version of 'The Avengers'. No, it does not replace Patrick MacNee nor Diana Rigg. But it's not supposed to, so that does not count. Yet what positively surprised me is that the film does have the flavour of the original Avengers, that it is full of understatements, and that the acting is in the - difficult - vein of what I'd call 'grotesque underacting'. Uma Thurman delivers a worthy Emma Peel with more than enough man appeal to keep me starry-eyed to the screen for 90 minutes. Mr. Fiennes combines distinction, humour and resolution in a way that is worthy of Mr. John Steed. The plot is original, yet partly predictable - but aren't all of the original 'Avengers' episodes predictable by modern audiences? Isn't a Mozart symphony predictable? Add to this the cinematography that is just delicious, and you have a real audience treat, even for those who consider themselves long-time Avengers fans like me.
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