Trevor is a young man who has been sentenced to a long stay in a mental hospital after brutally killing his girlfriend. However, the longer Trevor is in stir, the more he wonders if the ... See full summary »
Trevor is a young man who has been sentenced to a long stay in a mental hospital after brutally killing his girlfriend. However, the longer Trevor is in stir, the more he wonders if the murder ever really happened, or if it's all just a horrible fantasy implanted in his brain by Dr. Ek, the sinister director of the asylum. Written by
The last exterior in the film was to take place in a dream sequence. It was to be the big digital effects sequence where Trevor escapes from the house in a dream, finding himself on a street where every house is identical to the last detail. Kasten was sure he could shoot it and add minimal effects in wide shots, but only if they could find a street where the houses were almost completely the same, a street with no cars and no trees. Though the producers tried to find such a street, the task became practically impossible and the filmmakers were close to abandoning the scene altogether. At the last minute a call to an airforce base turned up a deserted military housing community. See more »
Near the end when Trevor and Faith are making love, you can see the actor is wearing a flesh-tone g-string. As they are sitting and talking in the follow scene, you can see the "string" part on his hips. See more »
No one that you ever knew, or loved, or who loved you, or anyone who was ever anything to you that made you think that they might be as real as you are, ever proved that all six billion of the rest of us aren't all in it together against you.
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I am honestly not sure what to make of this film. When I came here to read the reviews, it was mainly to find out what the heck had happened, why I was left so confused and frustrated when the credits rolled. This and Mulholland Drive are two of the most confusing movies I have ever seen, and I have the distinct impression that one of two things happened with each movie: either the film was incredibly well-done, well-acted, well-shot, and well-written and just flew over my head because I'm too stupid to understand it, or it was shoddily written and pieced together like a puzzle assembled by a drugged, blindfolded, mitten-clad psycho. I'd like to think that I'm intelligent enough to pick up on clues in a movie, so the fact that both of them left me so puzzled frustrated me beyond belief.
Having read the reviews, I have a better understanding of what Attic Expeditions was about. I'd like to give it a third viewing (yes, I've already watched it twice, to no avail) and see if I can actually follow it. I enjoyed Seth Green's performance, although I can see how he might be chided for copying Brad Pitt's "12 Monkeys" character. I enjoyed the way the movie was shot, I enjoyed the twisted-ness of it. Some of it was awkward and predictable, but only at the last minute. You'd be given a tiny clue about something, then you'd guess what it was and right away you'd be rewarded with the information you just guessed.
I'm sorry if this is obtuse, but I'm trying not to give anything away here. If you're curious to know what I thought upon my third viewing after knowing more of what it was about, feel free to e-mail me. Or maybe I'll leave another review here. Or maybe I'll just take the DVD, toss in onto a burning pile of other movies I hated, and never look back.
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