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Apt Pupil (1998)

 -  Drama | Thriller  -  23 October 1998 (USA)
6.7
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Ratings: 6.7/10 from 26,439 users   Metascore: 51/100
Reviews: 248 user | 113 critic | 21 from Metacritic.com

A boy blackmails his neighbour after suspecting him to be a Nazi war criminal.

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(novel), (screenplay)
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Cast

Cast overview, first billed only:
...
...
...
Joey
Mickey Cottrell ...
Sociology Teacher
...
Nightmare Victim
...
Monica Bowden
...
Richard Bowden
...
Victor Bowden
Marjorie Lovett ...
Agnes Bowden
David Cooley ...
Gym Teacher
Blake Anthony Tibbetts ...
Teammate
...
Becky Trask
Katherine Malone ...
Student
Grace Sinden ...
Secretary
...
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Storyline

Neighborhood boy Todd Bowden (Renfro) discovers that an old man living on his block named Arthur Denker (Mackellan) is Nazi war criminal. Bowden confronts Denker and offers him a deal: Bowden will not go to the authorities if Denker tells him stories of the concentration camps in WWII. Denker agrees and Bowden starts visiting him regularly. The more stories Bowden hears, the more it affects his personality. Written by Casey Ward <ward@citizen.infi.net>

Plot Summary | Plot Synopsis

Taglines:

If you don't believe in the existence of evil, you've got a lot to learn.

Genres:

Drama | Thriller

Motion Picture Rating (MPAA)

Rated R for scenes of strong violence, language and brief sexuality | See all certifications »

Parents Guide:

 »
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Details

Country:

|

Language:

|

Release Date:

23 October 1998 (USA)  »

Also Known As:

El aprendiz  »

Filming Locations:

 »

Box Office

Budget:

$14,000,000 (estimated)

Opening Weekend:

$3,583,151 (USA) (23 October 1998)

Gross:

$8,838,938 (USA) (1 January 1999)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

(8 channels)|

Color:

(Technicolor)

Aspect Ratio:

2.35 : 1
See  »
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Did You Know?

Trivia

There had been talk of a film version in 1984. James Mason agreed to play Kurt, but died from a heart attack before filming could begin. Richard Burton was considered as his replacement, but he died from a cerebral hemorrhage before he could accept the part. The first attempt to film this story, in 1987, ran over budget and was stopped after six weeks of shooting while only ten days of filming remained. According to Stephen King, who saw a rough cut of three-fourths of the movie, "it was really good". It starred Ricky Schroder as Todd Bowden and Nicol Williamson as Kurt Dussander, and was directed by Alan Bridges. See more »

Goofs

Mr. Kramer removes a "blood pressure cuff" from his arm to get out of the hospital bed. Blood pressure cuffs are not left on a patient, just used and then removed, so it should not have been on his arm. See more »

Quotes

[Todd presents Dussander with his old SS uniform]
Kurt Dussander: Maybe I'll put it on and do a little shopping, is that what you thought?
See more »

Connections

Referenced in State of Play: Episode #1.4 (2003) See more »

Soundtracks

Too Much Of Nothing
Written by Paul Nelson, Sue Fink & Carl Verheyen
Performed by Dante Marchi
See more »

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User Reviews

 
Learning to be evil
5 February 2009 | by (Italy) – See all my reviews

Stephen King's Apt Pupil, which is part of the novella collection Different Seasons (alongside the stories that inspired The Shawshank Redemption and Stand by Me), is a valid example of how you don't need things to be openly supernatural to have a good scary tale: a "human" incarnation of pure evil will do just as fine, and few images are more effective than those of the atrocities perpetrated by the Nazis during WWII.

Okay, minor correction: WWII has virtually nothing to do with this story, given it takes place in 1984. There is a Nazi involved, though: his name is Kurt Dussander (Ian McKellen), but he's been living quite peacefully in your average American neighborhood under the name Arthur Denker. However, a young boy named Todd Bowden (Brad Renfro from the Grisham-inspired The Client) manages to uncover the old man's real identity thanks to some thorough research and tells him about the discovery. The unexpected thing is, Todd doesn't want to report Dussander to the police. What he really wants is to learn everything - and he repeatedly emphasizes the word "everything" - about the former Nazi's work under Hitler's regime. Soon enough, the perverse bond between the two starts affecting the boy's grades and behavior, and Dussander isn't unaffected either: somewhere deep inside lies the old Nazi, and that part of his personality would like to come out and play.

The film's screenplay sticks quite faithfully to the basic idea of King's story and reproduces some of the most famous scenes verbatim (except for one moment of animal cruelty, which had to be softened), although a few subplots are excised, presumably for the sake of length and pace. The downside of that is an occasional lack of detail, especially when it comes to the development of Renfro's character. Director Bryan Singer, who obviously found himself in an uncomfortable position to begin with, having to live up to the success of The Usual Suspects, makes up for this flaw by constructing a genuinely tense and unnerving atmosphere, adding to the moral ambiguity by highlighting the homosexual subtext already present in the book (when Todd tells Dussander to f*ck himself, the latter replies: "My dear boy, can't you see? We're f*cking each other.").

Acting-wise, the limelight is inevitably placed on the leading duo, even if the supporting cast, which includes fine character actors like Bruce Davison and Elias Koteas, is quite strong (with the exception of David "Ross" Schwimmer, who isn't entirely at ease in a serious role). Renfro's performance is solid and captivating enough, but like his character he is completely overshadowed by the superb, unsettling McKellen, who inhabits the role of Dussander with his usual Shakespearean grandeur. Case in point: the unforgettable moment when the old man is forced to wear an old SS uniform Todd got his hands on. McKellen carries out the assignment with the dignity of a great tragic thespian, nailing the scene as one of the essential samples of his film career.

Apt Pupil distances itself from The Shawshank Redemption and Stand by Me in that it isn't as accomplished, most notably when it comes to the inevitable book/film comparison. Then again, it tells a much darker story, which asks the audience to root for a psychotic teenager and an aging Nazi. Flawed it may be, but it certainly is interesting (not to mention carried by an astounding McKellen). It is indeed a different season.


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Who else felt really bad for the homeless man? arkayenether
A terrible film. jeremy3
For all the people that worry a real cat was harmed in this film... krasnyoktyabr
How much like the book? Gorgeous_Mistake
Is this just a short story or is a novel? jesy-1
I couldn't finish watching it. storey_12
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