Brewster seems to be an almost too perfect example of idyllic small-town America, with everyone living in peace and harmony. So when newcomer Whiley Pritcher starts up his own local cable ... See full summary »
Justin Sayer suffers from a mental illness which causes vivid hallucinations. The voices in his head have caused him to isolate himself from the world and from his two year old son. After ... See full summary »
Grandpa Sam Dracula is essentially Dracula who assembled Herman because no man was good enough for his daughter Lily, a sexy vamp. Lily's niece Marilyn the freak is actually normal and Lily... See full summary »
Portia de Rossi,
Neighborhood boy Todd Bowden (Renfro) discovers that an old man living on his block named Arthur Denker (Mackellan) is Nazi war criminal. Bowden confronts Denker and offers him a deal: Bowden will not go to the authorities if Denker tells him stories of the concentration camps in WWII. Denker agrees and Bowden starts visiting him regularly. The more stories Bowden hears, the more it affects his personality. Written by
Casey Ward <firstname.lastname@example.org>
At the dinner scene the man points at a deer head on the wall and says, "that's a white tail buck". The deer head is in fact a mule deer and not a white tail deer. See more »
All great achievements arose from dissatisfaction. It is the desire to do better, to dig deeper that propels a civilization to greatness. All of us have heard the story of Icarus, the young boy who took the wings his father built for him. Wings that were meant to carry him over the ocean to freedom and used them instead for a joyride. For a brief moment Icarus felt what it was like to live like a god, to touch the sun, to soar above the common man. And for doing so he payed the ultimate price. ...
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A teenage boy befriends an elderly man. During countless discussions over many a night, they form a special friendship that manages to bridge their considerable age gap. It would sound like a sweet character study if the old man wasn't a Nazi war criminal and the teen wasn't a Holocaust-obsessed recluse blackmailing his new pal for all the gory details.
APT PUPIL scores the highest marks for originality. Nothing ever quite like this has been done before, and it's all quite intriguing. In the beginning, we come close to feeling sorry for the old man despite his past misdeeds. Here is he living out his golden years in peace and seclusion when all of a sudden a pushy teenager threatens to blow his cover. As the tale progresses, we see that the elder is just as conniving as the boy, threatening simply to expose their friendship, forever linking the young man with unimaginable notoriety. What starts out as a bizarre acquaintance escalates into a duel of manipulation.
It's not surprising that APT PUPIL is based on a novella by Stephen King. The film bears many of the hallmarks of King's works. And while it's never actually scary, it is thrilling at a psychological level that King reaches best. It's not perfect, but with the skilled direction of Bryan Singer and solid performances by leads Brad Renfro and Ian McKellen, it generally accomplishes what it sets out to do.
You don't have to be a horror person or a teenager at a late night party to enjoy APT PUPIL. The film has a unique appeal beyond what its target audience may have been. If you missed it when it was released in 1998 (as many did, based on its limited commercial success), it's certainly worth a look.
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